Creighton-Davis Gallery

Hard Copy Auction Catalog
(Auction June 24, 2007 12:00 PM (E.S.T) 9:00 AM (P.S.T.) 17:00 (London) 18:00 (Continent))

See main catalog at www.rareart.com for more information, to bid, etc.

(updated Fri Jul 13 16:14:54 2007 E.S.T.)

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1001c

db-69xxx-15 date: ref: 1996 24 est: -

4 Bidding:

1001c

fc-73425-30 date: numbered 30/55 ref: 1987 72 est: -

3 Bidding:

1001c

mp-54xxx-01 date: ref: 1990 291 est: -

3 Bidding:

1001c

jp-x4373-01 date: ref: 1974 298 est: -

3 Bidding:

1001c

sf-54xxx-06 date: ref: 118 est: -

4 Bidding:

1001c

vk-54xxx-04 date: ref: 2000 181 est: -

4 Bidding:

1001c

eb-426xx-08 date: ref: 2000 34 est: -

4 Bidding:

1001c

db-10594-05 date: ref: 26 est: -

4 Bidding:

1001c

db-69xxx-09 date: ref: 1996 28 est: -

4 Bidding:

1001c

ls-54xxx-03 date: ref: 2002 369 est: -

4 Bidding:

1001c

eb-38xxx-02 date: ref: 1998 33 est: -

4 Bidding:

1001c

ly-02x15-02 date: ref: 221 est: -

4 Bidding:

1001c

sg-04x02-x2 date: original watercolor ref: 2002 151 est: -

4 Bidding:

1001c

os-x2x1x-01 date: ref: 361 est: -

4 Bidding:

1001c

ri-1001c-x501 date: numbered in pencil 3 from the edition of 150 ref: 1977 170 est: -

3 Bidding:

1001c

av-1001c-96 date: numbered 200 of an edition of 200, ref: 1989 393 est: -

3 Bidding:

1001c

mr-1001c-10 date: numbered 4/75, ref: 1970 229 est: -

3 Bidding:

1001c

mm-02011-14 date: ref: 2002 246 est: -

4 Bidding:

1001c

mm-02011-19 date: ref: 2002 241 est: -

4 Bidding:

1001c

mm-83xxx-19 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: early 1990s 268 est: -

4 Bidding:

1001c

mm-11xxx-01x date: ref: 2000 273 est: -

4 Bidding:

1001c

ap-12xxx-06 date: ref: 1997 316 est: -

4 Bidding:

1001c

aw-71xxx-17 date: ref: 1999 403 est: -

4 Bidding:

1001c

rb-39xxx-17 date: ref: 1998 42 est: -

4 Bidding:

1112gft

rs-1112f-56 date: ref: 368 est: -

4 Bidding:

1112gft

rs-1112f-42 date: ref: 365 est: -

4 Bidding:

1112gft

rs-1112f-37 date: ref: 364 est: -

4 Bidding:

1001c

gf-0920x-01 date: ref: 2003 140 est: -

4 Bidding:

1001c

tb-1001c-01 date: ref: 1975 32 est: -

4 Bidding:

1001c

jc-1001c-200 date: numbered 7/30 from an edition of 30, ref: 74 est: -

3 Bidding:

1001c

os-x2x1x-02 date: ref: 2002 360 est: -

4 Bidding:

1001c

gz-1001c-40 date: ref: c 2004 414 est: -

4 Bidding:

1188mea

as-1188mea-10 date: ref: 381 est: -

3 Bidding:

1001c

zv-62xxx-03 date: ref: 1997 416 est: -

4 Bidding:

1001c

ca-93xxr-03 date: ref: c. 1975 3 est: -

3a Bidding:

1001c

gc-44xxx-01 date: ref: 1981 80 est: -

3a Bidding:

1001c

hf-1220x-21 date: From an edition of 8. ref: c. 1980 128 est: -

4 Bidding:

1001c

hf-1220x-23 date: From an edition of 8. ref: c. 1980 124 est: -

4 Bidding:

1001c

el-71xxx-23 date: numbered 23 from the edition of 60, ref: c 1995 207 est: -

4 Bidding:

1001c

jn-43125-01 date: ref: 1991 289 est: -

3a Bidding:

1188mea

lp-1188m-01 date: ref: 320 est: -

3a Bidding:

1001c

gt-z4x20-27 date: numbered from the edition of 50, ref: 1999 379 est: -

3 Bidding:

1001c

pp-1001c-x530 date: from the numbered edition of 50, ref: 1954 303 est: Recorded and illustrated in the standard text on the original graphics of the artist by Bloch, No. 755. -

3 Bidding:

1001c

mp-1001c-02 date: editioned in white crayon on lower left 98/100, ref: 292 est: -

3 Bidding:

1001c

mp-1001c-200 date: editioned in pencil on lower left 65/125, ref: 293 est: -

3 Bidding:

1001c

fk-0814x-01 date: original oil on canvas ref: 1998 145 est: -

4 Bidding:

1001c

fk-0814x-02 date: original oil on canvas ref: 1998 146 est: -

4 Bidding:

1001c

rm-09162-20 date: ref: 1957 240 est: -

3 Bidding:

1001c

hf-1220x-20 date: From an edition of 8. ref: c. 1980 122 est: -

4 Bidding:

1001c

pp-1001c-x520 date: from the total edition of 103, ref: 1931 300 est: Recorded and illustrated in the standard text on the original graphics of the artist by Bloch, No. 235. -

3 Bidding:

1001c

gp-72r5x-10 date: from the sixth edition, with partial blindstamp "Regia Calcografia" (1870 and later printings), ref: c. 1749-1761 306 est: Recorded and illustrated in the catalogs of the etchings of Piranesi, F-24, H-1, R-29, W.E.-26.-

3 Bidding:

1001c

gp-72r5x-09 date: from the sixth edition, with partial blindstamp "Regia Calcografia" (1870 and later printings), ref: c. 1749-1761 307 est: Recorded and illustrated in the catalogs of the etchings of Piranesi, F-24, H-1, R-29, W.E.-26.-

3 Bidding:

1001c

ef-53174-08 date: numbered 8/100 ref: 1989 138 est: -

3 Bidding:

1001c

gt-1126x-30 date: ref: 2002. 378 est: -

3a Bidding:

1001c

hf-54xxx-03 date: From an edition of 9 ref: 1987. 133 est: -

4 Bidding:

1001c

gf-z222t-p1 date: ref: 2003 144 est: -

4 Bidding:

1001c

fa-89xxx-94 date: Number 94 from the edition of 300. ref: 1980 362 est: -

4 Bidding:

1001c

ks-1001c-04 date: numbered 96/150, ref: 1997 348 est: -

3 Bidding:

1001c

rc-1001c-06 date: numbered pp 4/12, aside from the numbered edition of 160, ref: 1989 85 est: -

3 Bidding:

1001c

rc-1001c-07 date: numbered pp 4/12, aside from the numbered edition of 160, ref: 1989 86 est: -

3 Bidding:

1001c

mt-1001c-21 date: each numbered 30/100, ref: 1974 385 est: -

3 Bidding:

1001c

rc-1001c-05 date: numbered 67/150, ref: 1989 84 est: -

3 Bidding:

1001c

gm-1102a-01 date: from the edition of 100 ref: 1985 282 est: -

3 Bidding:

1001c

ks-834xx-01 date: ref: c. 1990 345 est: -

3a Bidding:

1001c

mv-83xxx-01 date: ref: c. 1988 394 est: -

3a Bidding:

1001c

ec-1001c-540 date: from the edition of 50 ref: 1907 69 est: Recorded and illustrated in the standard text on the original graphics of the artist by Tabanelli, No 245. -

3 Bidding:

1001c

jp-jw008-08x date: ref: 1924 295 est: -

3 Bidding:

1001c

ad-jw009-09x date: numbered 29/30, ref: 1949 106 est: -

3 Bidding:

1001c

gh-bh02 date: numbered 16/200 ref: 1970 167 est: -

3 Bidding:

1001c

jg-bh06 date: numbered 16/200 ref: 1970 149 est: -

3 Bidding:

1001c

ad-bh08 date: numbered 16/200 ref: 1970 104 est: -

3 Bidding:

1001c

rc-bh12 date: numbered 16/200 ref: 1970 79 est: -

3 Bidding:

1001c

jl-bh16 date: numbered 16/200 ref: 1975 224 est: -

3 Bidding:

1001c

mr-bh17 date: numbered 16/200 ref: 1975 321 est: -

3 Bidding:

1001c

pt-bh18 date: numbered 16/200 ref: 1975 370 est: -

3 Bidding:

1001c

ri-bh19 date: numbered 16/200 ref: 1975 225 est: -

3 Bidding:

1001c

rl-bh20 date: numbered 16/200 ref: 1975 220 est: -

3 Bidding:

1001c

ha-bh14 date: numbered 16/200 ref: 1975 15 est: -

3 Bidding:

1166trl

jt-tf1-02 date: ref: 1964 391 est: -

3 Bidding:

1166trl

jt-tf1-01 date: ref: 1964 390 est: -

3 Bidding:

1001c

aw-1135m-31 date: trial proof, aside from the edition of 300 signed impressions, ref: 1964 401 est: Recorded and illustrated in the standard catalog of the artist's graphics by Feldman and Schellmann(additions by Defendi), No. II-7.-

3 Bidding:

1001c

rl-1135m-p44 date: ref: 1965 218 est: Recorded and illustrated in the standard text on the graphics of Lichtenstein by Corlett, number II.6-

3 Bidding:

1001c

pp-1001c-z6 date: numbered EA, aside from the numbered edition of 60, ref: 1966 299 est: Recorded and illustrated in the standard text on the posters and related grphics by the artist by Czwiklitzer, no 134 and the major work on the posters by Luis C. Rodrigo, No. 148. -

3 Bidding:

1135mca

rl-1135m-53 date: from the edition of 300 plus proofs ref: 1964 215 est: Recorded and illustrated in the standard text on the graphics of Lichtenstein by Corlett, numbered II.4.-

3 Bidding:

1001c

pw-bb1-1 date: the set numbered 174/480, ref: 1970 409 est: Recorded and illustrated in the standard text on the original graphics of the artist by Brusbert, Nos. 300-309.-

3 Bidding:

1001c

kn-1001c-x1 date: ref: 1982 288 est: Artist's inventory number MK-82-A-15.-

3 Bidding:

1135mca

aw-1135x-11 date: ref: c. 1980 400 est: -

3 Bidding:

1135mca

rl-mc1-03x date: numbered 13/50, (with proofs the total edition is recorded at 71), with the blindstamp of the publisher, ref: 1980 217 est: Recorded and illustrated in the standard catalog of the graphics of the artist by Corlett, No. 178. -

3 Bidding:

1001c

dr-bh04 date: numbered 16/200 ref: 1970 333 est: -

3 Bidding:

1174ab

au-z2-01 date: ref: c.1635 18 est: -

3 Bidding:

1001c

jl-1001-01 date: ref: c. 1985 206 est: -

3 Bidding:

1001c

sd-bl-01 date: numbered 108/150, ref: 1963 90 est: Recorded and illustrated in the standard text on the original graphics of the artist by artist by Albert Field, No. 63-3-A; also Michler and Lopsinger, No. 116.-

3 Bidding:

1173da

pj-da-02 date: ref: 176 est: -

3 Bidding:

1172hk

mc-hk-11 date: an unpublished proof from the book edition. ref: 1962 64 est: Recorded and illustrated in the standard text on the original graphics of the artist by Cramer, No. 49.-

3 Bidding:

1172hk

mc-hk-05 date: an unpublished proof from the book edition. ref: 1962 62 est: Recorded and illustrated in the standard text on the original graphics of the artist by Cramer, No. 49.-

3 Bidding:

1172hk

mc-hk-07 date: an unpublished proof from the book edition. ref: 1962 63 est: Recorded and illustrated in the standard text on the original graphics of the artist by Cramer, No. 49.-

3 Bidding:

1172hk

mc-hk-03 date: an unpublished proof from the book edition. ref: 1962 66 est: Recorded and illustrated in the standard text on the original graphics of the artist by Cramer, No. 49.-

3 Bidding:

1172hk

jc-hk7 date: ref: c. 1965 73 est: -

3 Bidding:

1172hk

ns-hk2 date: ref: c. 1985 338 est: -

3 Bidding:

1172hk

mm-hk1 date: ref: 1974 238 est: Recorded and illustrated in the standard text on the original graphics of the artist by Guastalla, No LV-

3 Bidding:

1172hk

sd-hk3 date: ref: 87 est: -

3 Bidding:

1172hk

sd-hk1 date: ref: 89 est: -

3 Bidding:

1172hk

sd-hk2 date: ref: 88 est: -

3 Bidding:

1172hk

cl-hk4 date: from the edition of 200, plus proofs. This copy annotated "Epreuve d'Artiste", ref: 1976 195 est: -

3 Bidding:

1172hk

rd-hk5 date: ref: 1987 112 est: -

3 Bidding:

1175ga

wg-ga1765 date: ref: c.1930/1940's 156 est: -

3 Bidding:

1175ga

fl-ga1819 date: ref: 188 est: -

3 Bidding:

1175ga

kk-ga1802 date: ref: 1910 180 est: Recorded and illustrated in the standard text on the original graphics of the artist: "Graphic Work of Kathe Kollwitz, Complete Illustrated Catalogue", by August Klipstein, published by Galerie St. Etienne, 1955 New York.-

3 Bidding:

1175ga

gm-ga1125 date: ref: 1959 283 est: -

3 Bidding:

1175ga

gm-ga1124 date: ref: 1959 284 est: -

3 Bidding:

1175ga

am-ga1028 date: ref: 239 est: -

3 Bidding:

1175ga

sd-ga1021 date: ref: 1971 91 est: -

3 Bidding:

1175ga

mc-ga1020 date: numbered "33/50" ref: 1960 61 est: Recorded and illustrated in the standard text on the original graphics of the artist: "Chagall Lithographs: Catalogue Raisonne", by Charles Sorlier and Fernand Mourlot.-

3 Bidding:

1175ga

yh-ga1773 date: The work was printed in 1978 in a small limited edition. ref: 1978 164 est: Catalogue of the prints of Yozo Hamaguchi by M. gallery , Ref. No. 146.-

3 Bidding:

1175ga

ag-ga1768 date: ref: 159 est: Recorded and illustrated in the standard text on the original graphics of the artist: "Essai de Catalogue Raisone´ de l'œuvre grave´ et lithographie´ de Jean-Baptiste Armand Guillaumin 1841-1927", Gilles Kraemer, Musee d'art et d'histoire, Paris, 1997. Refernce Kraemer: 23-III et /III.-

3 Bidding:

1175ga

ll-ga1852 date: numbered "50/50" ref: c.1910's 204 est: -

3 Bidding:

1175ga

fl-ga1850 date: numbered "17/75" ref: 1948 201 est: -

3 Bidding:

1175ga

ml-ga1841 date: It was printed in a very small edition of only 30 examplares on a special Japan paper. Numbered 8/30 ref: 197 est: -

3 Bidding:

1175ga

jl-ga1823 date: signed in pencil by the artist lower left ref: 1935 189 est: Recorded and illustrated in the standard text on the original graphics of the artist by Laboureur, Sylvain Jean-Emile Laboureur. Catalogue Raisonné of the Graphic Work. 1989.-

3 Bidding:

1175ga

om-ga881 date: numbered "11/60" ref: 1926-27 285 est: Recorded and illustrated in the standard text on the original graphics of the artist by Buchheim, Lothar-Gunther & Karsch, Florian; "Otto MUELLER: Leben und Werk. Mit einem Werkverzeichnis der Graphik", Feldafing: Buchheim Verlag, 1963.-

3 Bidding:

1175ga

oz-ga875 date: numbered 8/350 ref: 1960 411 est: Recorded and illustrated in the standard text on the original graphics of the artist: "Ossip Zadkine, Le Sculpteur-Graveur de 1919-1967", by Christoph Czwilklitzer, Paris, 1968, No 102.-

3 Bidding:

1001c

sd-1002h-102 date: numbered XXXIII/CLXXXXXV (total edition 350 plus proofs), ref: 1974 92 est: As illustrated and described in the catalog of the original graphics of the artist by Field, No. 74-12-J(p.98); also Michler and Lopsinger No. 651. -

3 Bidding:

1172hk

mc-hk-09 date: an unpublished proof from the book edition. ref: 1962 65 est: Recorded and illustrated in the standard text on the original graphics of the artist by Cramer, No. 49.-

3 Bidding:

1001c

az-1002h-x42 date: ref: 1911 415 est: As recorded and illustrated in the standard text on the original graphics of the artist by Asplund, No 242.-

3 Bidding:

1010t

leaves date: From the only known edition of 250 ref: 1978 56 est: -

3 Bidding:

1010t

gbtrack date: ref: 1988 376 est: -

3a Bidding:

1147els

jm06004 date: Original lithograph number 9, from the large unsigned regular edition. ref: 1975 278 est: Recorded and illustrated in Joan Miro The Illustrated Books by Cramer, No. 198. -

3 Bidding:

1010t

lc date: ref: Circa 19th century, or earlier 71 est: - Never exhibited or offered for sale outside the private collection.

3a Bidding:

1010t

gbtateletterrack date: ref: 1988 375 est: -

3a Bidding:

1010t

bensonstrike date: Edition size unknown. This is the actual copper plate and cancellation proof from, made after the completion of the edition. This is the only print with the strike (cancellation) marks in existance. ref: 37 est: -

3 Bidding:

1010t

blampied date: ref: 40 est: -

3 Bidding:

1010t

feiningeryellowstar date: Unique work ref: 121 est: -

3 Bidding:

1010t

feiningerblueboat date: Unique work ref: 120 est: -

3 Bidding:

1010t

gruppeone date: Edition unknown ref: 157 est: -

3 Bidding:

1010t

mirobirds date: From the black and white edition of 20, aside from the color edition ref: 276 est: -

3 Bidding:

1010t

gbtpaydayone date: A unique work ref: 372 est: -

3 Bidding:

1010t

gbtpaydaytwo date: A unique work ref: 373 est: -

3 Bidding:

1010t

gbtpaydaythree date: A unique work ref: 374 est: -

3 Bidding:

1010t

saladinolg date: Hand pulled by the artist ref: 341 est: -

3 Bidding:

1010t

saladinosm date: Hand pulled by the artist ref: 340 est: -

3 Bidding:

1047mtm

gad3 date: ref: 2002 150 est: -

4 Bidding:

1047mtm

guirik4 date: ref: 2005 160 est: - Exhibition: 1991-1993- “Alivekt, Lenexpo, Borey, Maneg” St. Petersburg, Russia 1993- “M. Linz” Austria 1993- “BWA” Pila, Poland 1993- “Aen Weinmarkt” Murnberg Germany 1994- “Melnikow” Heidelberg, Germany 1994- “Zdfice- 94” Poland 1994- “Krah” Pocking, Germany 1995- “BWA” Pila, Poland 1995- “The Russian Centre of Culture” Gdaust Poland 1996- “Alten Rathaus” Uirselen, Germany 1996-“Berkelkraftwerk” Vreden, Germany 1996- “Melinukow” Heidelberg, Germany 1997- “Blauen Haus” Lentzke, Germany 1998- “Fritzen” Hetford, Germany 1998- “Alten Rathaus” Uirselen, Germany 1998- “Maan Isselstein” Netherlands 1999- “La Pallette” Monschau, Germany 1999- “D’art contemporan” Saint Felcu, Spain 2000- “Tabula Rassa” Fulda, Germany 2000- “Bank Schilling” Schweinfurt, Germany 2000- “Vogel” Munster, Germany 2001- “Melikov” Heidelberg, Germany 2001- “ The Center of Culture Brikke oave” Brunssum, Netherlands 2001- “ Alten Kloster” Koln, Germany 2002- “ Zamek Ksiaz” Poland

4 Bidding:

1047mtm

guirik2 date: ref: 2005 161 est: - Exhibition: 1991-1993- “Alivekt, Lenexpo, Borey, Maneg” St. Petersburg, Russia 1993- “M. Linz” Austria 1993- “BWA” Pila, Poland 1993- “Aen Weinmarkt” Murnberg Germany 1994- “Melnikow” Heidelberg, Germany 1994- “Zdfice- 94” Poland 1994- “Krah” Pocking, Germany 1995- “BWA” Pila, Poland 1995- “The Russian Centre of Culture” Gdaust Poland 1996- “Alten Rathaus” Uirselen, Germany 1996-“Berkelkraftwerk” Vreden, Germany 1996- “Melinukow” Heidelberg, Germany 1997- “Blauen Haus” Lentzke, Germany 1998- “Fritzen” Hetford, Germany 1998- “Alten Rathaus” Uirselen, Germany 1998- “Maan Isselstein” Netherlands 1999- “La Pallette” Monschau, Germany 1999- “D’art contemporan” Saint Felcu, Spain 2000- “Tabula Rassa” Fulda, Germany 2000- “Bank Schilling” Schweinfurt, Germany 2000- “Vogel” Munster, Germany 2001- “Melikov” Heidelberg, Germany 2001- “ The Center of Culture Brikke oave” Brunssum, Netherlands 2001- “ Alten Kloster” Koln, Germany 2002- “ Zamek Ksiaz” Poland

4 Bidding:

1047mtm

guirik3 date: ref: 2005 162 est: - Exhibition: 1991-1993- “Alivekt, Lenexpo, Borey, Maneg” St. Petersburg, Russia 1993- “M. Linz” Austria 1993- “BWA” Pila, Poland 1993- “Aen Weinmarkt” Murnberg Germany 1994- “Melnikow” Heidelberg, Germany 1994- “Zdfice- 94” Poland 1994- “Krah” Pocking, Germany 1995- “BWA” Pila, Poland 1995- “The Russian Centre of Culture” Gdaust Poland 1996- “Alten Rathaus” Uirselen, Germany 1996-“Berkelkraftwerk” Vreden, Germany 1996- “Melinukow” Heidelberg, Germany 1997- “Blauen Haus” Lentzke, Germany 1998- “Fritzen” Hetford, Germany 1998- “Alten Rathaus” Uirselen, Germany 1998- “Maan Isselstein” Netherlands 1999- “La Pallette” Monschau, Germany 1999- “D’art contemporan” Saint Felcu, Spain 2000- “Tabula Rassa” Fulda, Germany 2000- “Bank Schilling” Schweinfurt, Germany 2000- “Vogel” Munster, Germany 2001- “Melikov” Heidelberg, Germany 2001- “ The Center of Culture Brikke oave” Brunssum, Netherlands 2001- “ Alten Kloster” Koln, Germany 2002- “ Zamek Ksiaz” Poland

4 Bidding:

1047mtm

kud5 date: ref: 2005 187 est: - Vladimir Kudryavtsev was born in 1962 in a small city in Udmurtia, Russia. After the graduation from the Art college in Udmurtia he entered in 1990 to the Academy of Fine Art, Sculpture and Arhitecture named after I.Repin and studied of a very famous professor V.Nesterov. He took part in a many exhibitions in Russia (Moscow, Kiev, Tanbov, and St. Petersburg) His paintings are carried in some galleries in Canada, Germany, USA, and in many private collections. Now he lives and works in Russia

4 Bidding:

1047mtm

lee3 date: ref: 2001 198 est: -

4 Bidding:

1047mtm

lee6 date: ref: 2001 199 est: -

4 Bidding:

1047mtm

lee2 date: ref: 2001 200 est: -

4 Bidding:

1047mtm

pood6 date: ref: 1997 317 est: - Afanasi Pood (Yevgeni Fainzilber)Russian, b. 1951 Yevgeni Fainzilber chose his nom de plume or signature name; Afanasi Pood, in orer to disguise his Jewish heritage. Even today Yevgeni would have difficulty marketing his product in parts of Eastern Europe under his own name. Afanasi was born on July 23rd 1951 in Leningrad. His father was a military man, so the whole family lived in Kalinograd (formerly Kenigsberg). In 1958 the family moved to Leningrad after his father's retirement. In 1968 Afanasi graduated form School No. 239 which specialized in mathematics. From the time Afanasi was in the 7th grade, he participated in and won the City Mathematical Contest every year and was subsequently awarded a silver medal on graduation. Immediately following Afanasi enrolled in the Faculty of Physics and Mechanics of the Polytechnical Institute of Leningrad. For the most part, up to this point in his life, the study of art was mostly a hobby; however, in 1972 Afanasi started drawing more seriously. His first works were mostly pencil sketches or oil portraits of friends. In 1973 Afanasi graduated from the Institute and went to work for The Scientific Research Institute of Leningrad. While working at the Research Institute Afanasi successfully defended a dissertation for a Ph.D. Over the next few years he received several certificates for original inventions as well as earning the HONOURED inventor of the USSR award. During these years he also attended at the Leningrad Academy of Painting and Sculpture where he studied under the highly respected professor Victor I. Suverov. The secret Avantgardist' Exhibitions of 1974/75 greatly influenced Afanasi. Boris Rabinovich, tutored and influenced Afanasi such that in 1983 he joined the illegal Association of Experimental Art. The EAA, as it is known, is a collective of avant-garde artists devoted to pursuing a post-modern direction originally started, in their country, by such visionaries as Chagall and Kandinsky. Because this organization was devoted to and expressed a need for freedom of expression they found themselves diametrically opposed to the government sponsored USSR Artists Union. There were severe repercussions for those who did not follow the guidelines set out in the government definition of "Social Realism". Like the famous Ely Bielutin before him, Afanasi's paintings were removed from shows and confiscated. He lost his job with the Scientific Research Institute and was brought before officials of the KGB where he was interigated many times. He was forced to submit written explanations of his activities and forbidden any public venue for his artistic talent. Only the collapse of the Soviet System in 1991 saved Afanasi from being arrested and confined as a dissident. An examination of this remarkable character serves to illuminate a wonderful dichotomy embodied in the mind of this man. His primary background training demands a rigorous adherence to physical and mechanical laws; which, for most of us precludes the ability to dream or as Stephen Hawking has said: "?to soar through the universe unencumbered". Afanasi has said: "The creating of a picture (art) must not and cannot be limited by any condition or rule". For Afanasi the creative process converts energy into images that live on the canvas without time and outside the normal parameters of space. He sees himself, much as Einstein has been described, as a mystic; who has ability to view the universe in its unfolding and convert those images, not just through the plastic art of mathematics, but also, Afanasi's creations, they will discover that the results of his efforts; as "receiver and transmitter [of the universe]", produce a creation which is not only different for each individual who experiences it, but different every single time an individual comes to it. Afanasi Pood lives in St. Petersburg. He is unable, because of the assignment of a Level 1 Security Rating, to travel abroad. He is married an has a son who is a student at the Aerospace Academy. His son is also a gifted artist. Nina Kuzminskaya says of Pood's art:"Actually, Pood cannot be called a primitivist. He is well-acquainted with classical art as well as with modern art, whose influence is sometimes felt in his works. Looking at some Pood's pictures evokes the recollection of French and German expressionists. But Pood's works are not a senseless compilation of artistic devices, on the contrary, they are created in a specific style which is characteristic of this particular author, who can be easily recognized at once due to his style. Pood's works are exquisite, light, having powerful inner energy. Everything mentioned above proves that Afanasi Pood is a gifted mature artist with a great artistic potential. "Exhibitions:1983: EEA at Gatchina Central Library. 1983: EEA at Kirov Club. 1984-1985: EAA at Kirov Youth Club. 1986: EAA at Kirov Club. 1986: EAA at Kirov Club, prohibited by the authorities. 1986-87: EAA in EXPO pavilion in Gavan 1986: Narva. 1987: EAA in Youth Palace. 1988: "Handwriting" at Youth Palace. 1988: Narva. 1988: Chamber Art in Moscow. 1988: EAA in Moscow University. 1988: EAA in the Palace of Youth. 1989: EAA and Union of Artists in Manege. 1989: Food Processing Worker's Club. 1990: Union of Artists' halls in Okhta. 1990: Manege of St. Petersburg Galleries. 1990: Jewish Art "Beit" in Kirov Club. 1991: "City" in Manege. 1991: St. Petersburg Jewish Artists in Riga. 1992: Personal exhibition at the House of Scientists on Neva 1993: Personal exhibition in "Judische Galerie" in Berlin. 1994: Personal exhibition in A.Akhmatova's Museum 1994: Personal exhibition at "Gallery - 21" at Pushlinskaya, 10. 1995: Exhibition of Eight Artists in "Judische Galerie" in Berlin. 1996: "Graphicon-96" 1996: "Electronic Arts" in Manege. 1997: "Petersburg-96" in Manege.

4 Bidding:

1047mtm

pood3 date: ref: 1996 319 est: - Afanasi Pood (Yevgeni Fainzilber)Russian, b. 1951 Yevgeni Fainzilber chose his nom de plume or signature name; Afanasi Pood, in orer to disguise his Jewish heritage. Even today Yevgeni would have difficulty marketing his product in parts of Eastern Europe under his own name. Afanasi was born on July 23rd 1951 in Leningrad. His father was a military man, so the whole family lived in Kalinograd (formerly Kenigsberg). In 1958 the family moved to Leningrad after his father's retirement. In 1968 Afanasi graduated form School No. 239 which specialized in mathematics. From the time Afanasi was in the 7th grade, he participated in and won the City Mathematical Contest every year and was subsequently awarded a silver medal on graduation. Immediately following Afanasi enrolled in the Faculty of Physics and Mechanics of the Polytechnical Institute of Leningrad. For the most part, up to this point in his life, the study of art was mostly a hobby; however, in 1972 Afanasi started drawing more seriously. His first works were mostly pencil sketches or oil portraits of friends. In 1973 Afanasi graduated from the Institute and went to work for The Scientific Research Institute of Leningrad. While working at the Research Institute Afanasi successfully defended a dissertation for a Ph.D. Over the next few years he received several certificates for original inventions as well as earning the HONOURED inventor of the USSR award. During these years he also attended at the Leningrad Academy of Painting and Sculpture where he studied under the highly respected professor Victor I. Suverov. The secret Avantgardist' Exhibitions of 1974/75 greatly influenced Afanasi. Boris Rabinovich, tutored and influenced Afanasi such that in 1983 he joined the illegal Association of Experimental Art. The EAA, as it is known, is a collective of avant-garde artists devoted to pursuing a post-modern direction originally started, in their country, by such visionaries as Chagall and Kandinsky. Because this organization was devoted to and expressed a need for freedom of expression they found themselves diametrically opposed to the government sponsored USSR Artists Union. There were severe repercussions for those who did not follow the guidelines set out in the government definition of "Social Realism". Like the famous Ely Bielutin before him, Afanasi's paintings were removed from shows and confiscated. He lost his job with the Scientific Research Institute and was brought before officials of the KGB where he was interigated many times. He was forced to submit written explanations of his activities and forbidden any public venue for his artistic talent. Only the collapse of the Soviet System in 1991 saved Afanasi from being arrested and confined as a dissident. An examination of this remarkable character serves to illuminate a wonderful dichotomy embodied in the mind of this man. His primary background training demands a rigorous adherence to physical and mechanical laws; which, for most of us precludes the ability to dream or as Stephen Hawking has said: "?to soar through the universe unencumbered". Afanasi has said: "The creating of a picture (art) must not and cannot be limited by any condition or rule". For Afanasi the creative process converts energy into images that live on the canvas without time and outside the normal parameters of space. He sees himself, much as Einstein has been described, as a mystic; who has ability to view the universe in its unfolding and convert those images, not just through the plastic art of mathematics, but also, Afanasi's creations, they will discover that the results of his efforts; as "receiver and transmitter [of the universe]", produce a creation which is not only different for each individual who experiences it, but different every single time an individual comes to it. Afanasi Pood lives in St. Petersburg. He is unable, because of the assignment of a Level 1 Security Rating, to travel abroad. He is married an has a son who is a student at the Aerospace Academy. His son is also a gifted artist. Nina Kuzminskaya says of Pood's art:"Actually, Pood cannot be called a primitivist. He is well-acquainted with classical art as well as with modern art, whose influence is sometimes felt in his works. Looking at some Pood's pictures evokes the recollection of French and German expressionists. But Pood's works are not a senseless compilation of artistic devices, on the contrary, they are created in a specific style which is characteristic of this particular author, who can be easily recognized at once due to his style. Pood's works are exquisite, light, having powerful inner energy. Everything mentioned above proves that Afanasi Pood is a gifted mature artist with a great artistic potential. "Exhibitions:1983: EEA at Gatchina Central Library. 1983: EEA at Kirov Club. 1984-1985: EAA at Kirov Youth Club. 1986: EAA at Kirov Club. 1986: EAA at Kirov Club, prohibited by the authorities. 1986-87: EAA in EXPO pavilion in Gavan 1986: Narva. 1987: EAA in Youth Palace. 1988: "Handwriting" at Youth Palace. 1988: Narva. 1988: Chamber Art in Moscow. 1988: EAA in Moscow University. 1988: EAA in the Palace of Youth. 1989: EAA and Union of Artists in Manege. 1989: Food Processing Worker's Club. 1990: Union of Artists' halls in Okhta. 1990: Manege of St. Petersburg Galleries. 1990: Jewish Art "Beit" in Kirov Club. 1991: "City" in Manege. 1991: St. Petersburg Jewish Artists in Riga. 1992: Personal exhibition at the House of Scientists on Neva 1993: Personal exhibition in "Judische Galerie" in Berlin. 1994: Personal exhibition in A.Akhmatova's Museum 1994: Personal exhibition at "Gallery - 21" at Pushlinskaya, 10. 1995: Exhibition of Eight Artists in "Judische Galerie" in Berlin. 1996: "Graphicon-96" 1996: "Electronic Arts" in Manege. 1997: "Petersburg-96" in Manege.

4 Bidding:

1047mtm

sil5 date: ref: 2005 358 est: -

4 Bidding:

1047mtm

zam5 date: ref: 2005 412 est: - Exhibitions 1986 - Regional exhibition “ Leningrad “, Russia. 1986 - Autumn exhibition of Leningrad Artist’s works, Russia 1987 - “Leningrad Fine Art “, Moscow, Russia 1989 - Personal show in the Luga Palace of culture, Luga, Russia 1990 - Exhibition in Pskov Historical and Arhitectural Muzeum, Russia 1992 - Exhibition “ Still Life “, St. Petersburg, Russia 1993 - Exhibition in Prague, Bratislava, Czechoslovakia 1994 - Summer exhibition of Sankt-Petersburg’s artists, Russia 1995 - Exhibition in Budapest, Hungary 1996 - Exhibition in Helsinki, Finland 1998 - Personal exhibition in Palace of Culture, St.Petersburg, Russia 1999 - Exhibition in Berlin, Germany 1999 - Exhibition in gallery “ Ariadna “, St.Petersburg, Russia 1998 – 2002 - annual exhibitions in the Central Art Hall, St. Petersburg, Russia. Zamotin’s paintings are kept in different galleries in Canada ( Toronto, London, Ottawa, Waterloo, St.Catherines) and USA ( Washington, Dallas, Philadelphia, Baltimore, Pittsburgh, Cleveland, Buffalo).

4 Bidding:

1047mtm

zamn2 date: ref: 2005 413 est: - Exhibitions 1986 - Regional exhibition “ Leningrad “, Russia. 1986 - Autumn exhibition of Leningrad Artist’s works, Russia 1987 - “Leningrad Fine Art “, Moscow, Russia 1989 - Personal show in the Luga Palace of culture, Luga, Russia 1990 - Exhibition in Pskov Historical and Arhitectural Muzeum, Russia 1992 - Exhibition “ Still Life “, St. Petersburg, Russia 1993 - Exhibition in Prague, Bratislava, Czechoslovakia 1994 - Summer exhibition of Sankt-Petersburg’s artists, Russia 1995 - Exhibition in Budapest, Hungary 1996 - Exhibition in Helsinki, Finland 1998 - Personal exhibition in Palace of Culture, St.Petersburg, Russia 1999 - Exhibition in Berlin, Germany 1999 - Exhibition in gallery “ Ariadna “, St.Petersburg, Russia 1998 – 2002 - annual exhibitions in the Central Art Hall, St. Petersburg, Russia. Zamotin’s paintings are kept in different galleries in Canada ( Toronto, London, Ottawa, Waterloo, St.Catherines) and USA ( Washington, Dallas, Philadelphia, Baltimore, Pittsburgh, Cleveland, Buffalo).

4 Bidding:

1175ga

pa-ga1035 date: numbered "120/120" ref: 6 est: -

3 Bidding:

1175ga

df-ga1732 date: ref: 1974 139 est: -

3 Bidding:

1172hk

rd-hk6 date: 113/250, with the publisher's blindstamp ref: c. 1960 113 est: -

3 Bidding:

1172hk

rd-hk4 date: numbered 156/250, ref: c. 1960 114 est: -

3 Bidding:

1135mca

rl-1135m-42 date: from a edition of unknown size, ref: 1963 213 est: Recorded and illustrated in the standard text on the graphics of Lichtenstein by Corlett, numbered II.2c.-

3 Bidding:

1168pac

jh-pc1001-08 date: ref: c. 1920 165 est: -

3 Bidding:

1168pac

pac2033 date: ref: 357 est: -

3 Bidding:

1168pac

aw-pc1001-01 date: ref: 1937 406 est: -

3 Bidding:

1168pac

pac2312 date: ref: c. 1940 13 est: -

3 Bidding:

1168pac

pac2318 date: ref: c. 1940 12 est: -

3 Bidding:

1168pac

pac2313 date: ref: c. 1940 11 est: -

3 Bidding:

1168pac

pac2253 date: ref: c. 1920 349 est: -

3 Bidding:

1168pac

pac2499 date: ref: 1873 230 est: -

3 Bidding:

1168pac

pac2243 date: ref: c. 1900 19 est: -

3 Bidding:

1168pac

pac2527 date: ref: 1905 20 est: -

3 Bidding:

1168pac

ld-pc1001-09 date: ref: 1886 109 est: -

3 Bidding:

1135mca

aw-1135x-12 date: ref: c. 1983 399 est: -

3 Bidding:

1175ga

gr-ga2014 date: ref: 1988 328 est: -

3 Bidding:

1135mca

rl-mc1-02x date: ref: 1968 212 est: -

3 Bidding:

1010t

byxbegrandlake date: ref: 46 est: -

3 Bidding:

1010t

byxbeontrailridge date: ref: 49 est: -

3 Bidding:

1010t

byxbeestespark date: ref: 45 est: -

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1010t

byxbethompsonriver date: ref: 51 est: -

3 Bidding:

1010t

byxbeoutofthepast date: ref: 50 est: -

3 Bidding:

1010t

sandzenpinesandaspens date: From the edition of 100 ref: 344 est: Listed in the catalog raisonne of the graphic work of Sandzen by Charles P. Greenough, Number 85-

3 Bidding:

1010t

sandzenbrookwithpoplars date: From the edition of 200 ref: 342 est: Listed in the catalog raisonne of Sandzen graphic work by Charles P. Greenough, Number 68-

3 Bidding:

1010t

oliverhall date: ref: 163 est: -

3 Bidding:

1010t

gruppetwo date: Edition unknown ref: 158 est: -

3 Bidding:

1001c

wl-1001c-43 date: numbered XXXXIII,L, total edition of 180, ref: 1973 193 est: Recorded and illustrated in the standard text on the original graphics of the artist by Tonneau-Ryckelynck,nos.7301-7306.-

3 Bidding:

1001c

gr-bh01 date: numbered 16/200 ref: 1970 329 est: Referenced and illustrated in Gerhard Richter Editions 1965-2004, Hubertus Butin #32 -

3 Bidding:

1168pac

pac2591 date: ref: c.1930 287 est: -

3 Bidding:

1010t

miroposter date: ref: 1952 277 est: -

3 Bidding:

1010t

byxbebearlake date: ref: 55 est: -

3 Bidding:

1001c

sf-54xxx-07 date: ref: 119 est: -

4 Bidding:

1173da

mm-da-01 date: ref: 272 est: -

3 Bidding:

1010t

doskow date: From the only known edition of 50 ref: 111 est: -

3 Bidding:

1010t

byxbedreamlakehoriz date: ref: 43 est: -

3 Bidding:

1010t

byxbemtmeeker date: ref: 48 est: -

3 Bidding:

1010t

byxbetimberline date: ref: 52 est: -

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1010t

byxbewhisperingpines date: ref: 53 est: -

3 Bidding:

1010t

byxbewindsweptpine date: ref: 54 est: -

3 Bidding:

1010t

byxbelonepine date: ref: 47 est: -

3 Bidding:

1135mca

rm-mc1001-01 date: Approxmately 2000 examples, bound within each issue of Vingtieme Siecle Christmas 1963, No. 23 aside from the signed and numbered edition of 75 (plus 20 HC) ref: 226 est: Recorded and illustrated in the graphic reference on Magritte's graphics by Kaplan/Baum No. 3 (d) for the Magritte.-

3 Bidding:

1001c

lm-7306x-066 date: numbered XIX/XX, total recorded edition 180, ref: 1973 191 est: Recorded and illustrated in the standard text on the original graphics of the artist by Tonneau-Ryckelynck, no.7306.-

3 Bidding:

1172hk

ac-hk6 date: 2/100 ref: 57 est: -

3 Bidding:

1172hk

ac-hk3 date: ref: 1976 58 est: -

3 Bidding:

1172hk

mc-hk2 date: from an edition of 2500, ref: 1987 67 est: -

3 Bidding:

1172hk

bc-hk1 date: numbered 70/300, ref: 1989 78 est: -

3 Bidding:

1172hk

ml-hk1 date: ref: c. 1965 196 est: -

3 Bidding:

1172hk

rm-hk-02 date: 347/950 ref: 227 est: -

3 Bidding:

1172hk

rm-hk-01 date: 347/950 ref: 1952 228 est: -

3 Bidding:

1172hk

pp-hk-1 date: from an edition of 300 impressions on Arches watermarked paper, ref: 1978 301 est: -

3 Bidding:

1172hk

lr-hk4 date: numbered 164/175, ref: 1976 330 est: -

3 Bidding:

1172hk

tl-hk3 date: ref: c. 1975 388 est: -

3 Bidding:

1047mtm

gar2 date: ref: 2005 154 est: - Artist Larisa Garshina was born in 1966 in the city Cheboksary, Russia. She graduated from the college of Fine Arts in the city in 1986 and arrived in St. Petersburg to improve her skills. She entered to the Academy of Art and Design named after V. Muchina and finished her education in 1994. Mostly Larisa works in watercolors but produces beautiful paintings in oil and on canvas. She took part in many exhibitions in St. Petersburg. Her paintings are in many private collections in Russia, Germany, Poland, Canada, and the USA. Larisa Garshina now lives and works in Russia.

4 Bidding:

1047mtm

pet6 date: ref: 2005 296 est: -

4 Bidding:

1047mtm

pet3 date: ref: 2005 297 est: -

4 Bidding:

1047mtm

sil6 date: ref: 2005 359 est: -

4 Bidding:

1001c

rr-0218x-01 date: ref: 336 est: -

4 Bidding:

1047mtm

mar1 date: ref: 2006 237 est: - Artist Peter Markov was born in city Tula, Russia, in 1962 in a teacher's family. From the early childhood he took a great interest in drawing and studied fine art and graphic in a special art school. He was a very talented student and dreamed about his artistic future. In 1980 he came to Sankt-Petersburg, Russia, and entered to a very prestigious artistic university, an Academy of Design, named after V.Muchina. He graduated from Academy in 1985 and started to work with galleries in Russia painting in various manners. Peter's watercolors, oil and canvases paintings were quite popular, but the last couple years he has added work in a contemporary style using encaustic and another mix media. Since 2002 he has lived and worked in the USA. Peter Markov has taken part in many exhibitions in Russia and other countries. His paintings are in a many private collections in Poland, Germany, Sweden, Russia, USA and Canada.

4 Bidding:

1047mtm

rog1 date: ref: 2006 331 est: - Masha Rogova was born in Sankt-Petersburg, Russia in 1972. She developed an interest in art by the age of 16 and started taking life-drawing classes at the academy of Fine Art, Sculpture and Architectural named after I.Repin. Later on she started working in the field of graphics developing a line of black and white landscapes highly recognized by her fellow artists and teachers. She participated in a large numbers of shows in Sankt-Petersburg and in Poland, Finland, Italy and France. Her later works in color represent a sense of tranquility influenced by the Far East philosophies. In the works of Masha Rogova one can fell oneness with nature and place.

4 Bidding:

1047mtm

rog2 date: ref: 2006 332 est: - Masha Rogova was born in Sankt-Petersburg, Russia in 1972. She developed an interest in art by the age of 16 and started taking life-drawing classes at the academy of Fine Art, Sculpture and Architectural named after I.Repin. Later on she started working in the field of graphics developing a line of black and white landscapes highly recognized by her fellow artists and teachers. She participated in a large numbers of shows in Sankt-Petersburg and in Poland, Finland, Italy and France. Her later works in color represent a sense of tranquility influenced by the Far East philosophies. In the works of Masha Rogova one can fell oneness with nature and place.

4 Bidding:

1047mtm

mar4 date: Perfect condition ref: 2006 236 est: - Artist Peter Markov was born in city Tula, Russia, in 1962 in a teacher's family. From the early childhood he took a great interest in drawing and studied fine art and graphic in a special art school. He was a very talented student and dreamed about his artistic future. In 1980 he came to Sankt-Petersburg, Russia, and entered to a very prestigious artistic university, an Academy of Design, named after V.Muchina. He graduated from Academy in 1985 and started to work with galleries in Russia painting in various manners. Peter's watercolors, oil and canvases paintings were quite popular, but the last couple years he has added work in a contemporary style using encaustic and another mix media. Since 2002 he has lived and worked in the USA. Peter Markov has taken part in many exhibitions in Russia and other countries. His paintings are in a many private collections in Poland, Germany, Sweden, Russia, USA and Canada.

4 Bidding:

1001c

nn-80xxx-05 date: ref: 175 est: -

4 Bidding:

1001c

vk-54xxx-01 date: ref: 182 est: -

4 Bidding:

1047mtm

alek2 date: ref: 2005 7 est: Recorded and illustrated in the standard text on the original graphics of the artist by-

4 Bidding:

1047mtm

alek4 date: ref: 2005 8 est: -

4 Bidding:

1001c

ed-62xxx-01 date: ref: 2000 110 est: -

4 Bidding:

1001c

nn-80xxx-01 date: ref: 173 est: -

4 Bidding:

1047mtm

pogf3 date: ref: 2005 308 est: - Sergei Pogosyan was born in 1962 in Armenia (Part of former Soviet Union) From early childhood he took a great interest in drawing and has arrived in a special art school in city Yerevan. He studied in skill at the largest Armenian artists of painting and drawing. He was guided by art of the Armenian artists Minas Avetisyan, Rudolf Hachaturyan, Akop Akopyan Since 1987 Sergei have took part in a many exhibitions in Yerevan, and also in exhibitions of the Armenian art in some countries of Europe (Germany, France, Turkey, Germany) and USA (New York, Chicago) Since 1994 S.Pogosyan lives and works in St.-Petersburg, Russia, where improves the skill in classes of Academy of Painting Sculpture and Architecture named after Ilya Repin. He is the participant of all largest exhibitions in St.-Petersburg. The works of Sergei Pogosyan are kept in a many private collections in Russia, Armenia, Turkey, China, Japan, Canada and USA.

4 Bidding:

1047mtm

pog4 date: ref: 2005 309 est: Recorded and illustrated in the standard text on the original graphics of the artist by- Sergei Pogosyan was born in 1962 in Armenia (Part of former Soviet Union) From early childhood he took a great interest in drawing and has arrived in a special art school in city Yerevan. He studied in skill at the largest Armenian artists of painting and drawing. He was guided by art of the Armenian artists Minas Avetisyan, Rudolf Hachaturyan, Akop Akopyan Since 1987 Sergei have took part in a many exhibitions in Yerevan, and also in exhibitions of the Armenian art in some countries of Europe (Germany, France, Turkey, Germany) and USA (New York, Chicago) Since 1994 S.Pogosyan lives and works in St.-Petersburg, Russia, where improves the skill in classes of Academy of Painting Sculpture and Architecture named after Ilya Repin. He is the participant of all largest exhibitions in St.-Petersburg. The works of Sergei Pogosyan are kept in a many private collections in Russia, Armenia, Turkey, China, Japan, Canada and USA.

4 Bidding:

1047mtm

pog2 date: ref: 2005 310 est: - Sergei Pogosyan was born in 1962 in Armenia (Part of former Soviet Union) From early childhood he took a great interest in drawing and has arrived in a special art school in city Yerevan. He studied in skill at the largest Armenian artists of painting and drawing. He was guided by art of the Armenian artists Minas Avetisyan, Rudolf Hachaturyan, Akop Akopyan Since 1987 Sergei have took part in a many exhibitions in Yerevan, and also in exhibitions of the Armenian art in some countries of Europe (Germany, France, Turkey, Germany) and USA (New York, Chicago) Since 1994 S.Pogosyan lives and works in St.-Petersburg, Russia, where improves in skills classes of Academy of Painting Sculpture and Architecture named after Ilya Repin. He is the participant of all largest exhibitions in St.-Petersburg. The works of Sergei Pogosyan are kept in a many private collections in Russia, Armenia, Turkey, China, Japan, Canada and USA.

4 Bidding:

1047mtm

pog3 date: ref: 2005 311 est: Recorded and illustrated in the standard text on the original graphics of the artist by- Sergei Pogosyan was born in 1962 in Armenia (Part of former Soviet Union) From early childhood he took a great interest in drawing and has arrived in a special art school in city Yerevan. He studied in skill at the largest Armenian artists of painting and drawing. He was guided by art of the Armenian artists Minas Avetisyan, Rudolf Hachaturyan, Akop Akopyan Since 1987 Sergei have took part in a many exhibitions in Yerevan, and also in exhibitions of the Armenian art in some countries of Europe (Germany, France, Turkey, Germany) and USA (New York, Chicago) Since 1994 S.Pogosyan lives and works in St.-Petersburg, Russia, where improves the skill in classes of Academy of Painting Sculpture and Architecture named after Ilya Repin. He is the participant of all largest exhibitions in St.-Petersburg. The works of Sergei Pogosyan are kept in a many private collections in Russia, Armenia, Turkey, China, Japan, Canada and USA.

4 Bidding:

1047mtm

pogw5 date: ref: 2005 312 est: Recorded and illustrated in the standard text on the original graphics of the artist by- Sergei Pogosyan was born in 1962 in Armenia (Part of former Soviet Union) From early childhood he took a great interest in drawing and has arrived in a special art school in city Yerevan. He studied in skill at the largest Armenian artists of painting and drawing. He was guided by art of the Armenian artists Minas Avetisyan, Rudolf Hachaturyan, Akop Akopyan Since 1987 Sergei have took part in a many exhibitions in Yerevan, and also in exhibitions of the Armenian art in some countries of Europe (Germany, France, Turkey, Germany) and USA (New York, Chicago) Since 1994 S.Pogosyan lives and works in St.-Petersburg, Russia, where improves the skill in classes of Academy of Painting Sculpture and Architecture named after Ilya Repin. He is the participant of all largest exhibitions in St.-Petersburg. The works of Sergei Pogosyan are kept in a many private collections in Russia, Armenia, Turkey, China, Japan, Canada and USA.

4 Bidding:

1047mtm

pogf5 date: ref: 2005 313 est: - Sergei Pogosyan was born in 1962 in Armenia (Part of former Soviet Union) From early childhood he took a great interest in drawing and has arrived in a special art school in city Yerevan. He studied in skill at the largest Armenian artists of painting and drawing. He was guided by art of the Armenian artists Minas Avetisyan, Rudolf Hachaturyan, Akop Akopyan Since 1987 Sergei have took part in a many exhibitions in Yerevan, and also in exhibitions of the Armenian art in some countries of Europe (Germany, France, Turkey, Germany) and USA (New York, Chicago) Since 1994 S.Pogosyan lives and works in St.-Petersburg, Russia, where improves the skill in classes of Academy of Painting Sculpture and Architecture named after Ilya Repin. He is the participant of all largest exhibitions in St.-Petersburg. The works of Sergei Pogosyan are kept in a many private collections in Russia, Armenia, Turkey, China, Japan, Canada and USA.

4 Bidding:

1047mtm

pogf2 date: ref: 2005 314 est: - Sergei Pogosyan was born in 1962 in Armenia (Part of former Soviet Union) From early childhood he took a great interest in drawing and went to a special art school in city Yerevan. He studied in skill at the largest Armenian artists of painting and drawing. He was guided by art of the Armenian artists Minas Avetisyan, Rudolf Hachaturyan, Akop Akopyan Since 1987 Sergei has taken part in many exhibitions in Yerevan, and also in exhibitions of Armenian art in some European countries (Germany, France, Turkey, Germany) and USA (New York, Chicago) Since 1994 S.Pogosyan lives and works in St.-Petersburg, Russia, where improves the skill in classes of Academy of Painting Sculpture and Architecture named after Ilya Repin. He is the participant of all largest exhibitions in St.-Petersburg. The works of Sergei Pogosyan are kept in a many private collections in Russia, Armenia, Turkey, China, Japan, Canada and USA.

4 Bidding:

1047mtm

slik1 date: ref: 2000 356 est: - Uriy Shlikov was born in a small city in the Ryazan area, at the center of Russia. Inspired by the beauty of ancient city, caused him to transfer all he had seen onto canvas. He began to study drawing under the direction on the skilled teachers and in 1982 has finished an Art school in city of Ryazan, Russia.He felt his art education had not been enough to embody all he wanted to express so he went to Sankt Petersburg, Russia. He entered a famous Design Academy named after V.Muhina in 1985.He is still producing art and his paintings are in many private collections in USA, Germany, France, Holland, Denmark and Canada.

4 Bidding:

1047mtm

tit2 date: ref: 2005 382 est: - Andrey Titov was born in 1948 in Sankt-Petersburg, Russia. From the early childhood he studied fine art in a special art schools and was admitted in Academy of Design named after V. Muhina. After graduated from the Academy in 1974 he continued his education in a special school of portrait artist organized by the Union of Soviet Artists. Andrey Titov is a member of the Union of Russian Artists. Now he is a very successful artist. His paintings are in many private collections in Russia, Finland, Sweden, Poland, Canada and USA.

4 Bidding:

1047mtm

tit5 date: ref: 2005 383 est: - Andrey Titov was born in 1948 in Sankt-Petersburg, Russia. From the early childhood he studied fine art in a special art schools and was admitted in Academy of Design named after V. Muhina. After graduated from the Academy in 1974 he continued his education in a special school of portrait artist organized by the Union of Soviet Artists. Andrey Titov is a member of the Union of Russian Artists. Now he is a very successful artist. His paintings are in many private collections in Russia, Finland, Sweden, Poland, Canada and USA.

4 Bidding:

1047mtm

tit4 date: ref: 2005 384 est: - Andrey Titov was born in 1948 in Sankt-Petersburg, Russia. From the early childhood he studied fine art in a special art schools and was admitted in Academy of Design named after V. Muhina. After graduated from the Academy in 1974 he continued his education in a special school of portrait artist organized by the Union of Soviet Artists. Andrey Titov is a member of the Union of Russian Artists. Now he is a very successful artist. His paintings are in many private collections in Russia, Finland, Sweden, Poland, Canada and USA.

4 Bidding:

1047mtm

vis3 date: ref: 2005 395 est: -

4 Bidding:

1047mtm

vis5 date: ref: 2005 396 est: -

4 Bidding:

1047mtm

vlad4 date: ref: 2005 397 est: - Exhibitions S.Vladimirov 1983 – Personal exhibition in Art Academy, St. Petersburg, Russia. 1990 – Art in Hamburg, Hamburg, Germany 1992 – Personal exhibition, State Russian museum, St. Petersburg, Russia. 1994 - Baltic art, Hamburg, Germany 1994 – Fantastic realism, Neue Gallery, Hamburg, Germany 1995 – White nights, Gallery “ Forum”, Norderstadt, Germany 1995 – Personal exhibition, Lubek, Germany 1995 – Neue gallery, Hamburg, Germany 1996 – Graphic art, Grenobl, Austria 1996 – Parallel view, Boston, USA 1996 – Main exhibition, Hall Manege, St. Petersburg, Russia 1997 – “Art Expo –97”, New York, USA 1998 – Personal exhibition, Gallery “ SPAS”, St. Petersburg, Russia 1999 – “Peterburg – 99”, Main Exhibition Hall Manege, St.Petersburg, Russia 2001 – Personal exhibition, Gallery “SPAS”, St. Petersburg, Russia 2001 – “ Art Expo - 2001”, New York, USA 1994-2002 Participation in Art auctions in France and Holland

4 Bidding:

1047mtm

vlad5 date: ref: 2005 398 est: - Exhibitions S.Vladimirov 1983 – Personal exhibition in Art Academy, St. Petersburg, Russia. 1990 – Art in Hamburg, Hamburg, Germany 1992 – Personal exhibition, State Russian museum, St. Petersburg, Russia. 1994 - Baltic art, Hamburg, Germany 1994 – Fantastic realism, Neue Gallery, Hamburg, Germany 1995 – White nights, Gallery “ Forum”, Norderstadt, Germany 1995 – Personal exhibition, Lubek, Germany 1995 – Neue gallery, Hamburg, Germany 1996 – Graphic art, Grenobl, Austria 1996 – Parallel view, Boston, USA 1996 – Main exhibition, Hall Manege, St. Petersburg, Russia 1997 – “Art Expo –97”, New York, USA 1998 – Personal exhibition, Gallery “ SPAS”, St. Petersburg, Russia 1999 – “Peterburg – 99”, Main Exhibition Hall Manege, St.Petersburg, Russia 2001 – Personal exhibition, Gallery “SPAS”, St. Petersburg, Russia 2001 – “ Art Expo - 2001”, New York, USA 1994-2002 Participation in Art auctions in France and Holland

4 Bidding:

1047mtm

ser1 date: ref: 2006 352 est: -

4 Bidding:

1047mtm

ser2 date: ref: 2006 353 est: -

4 Bidding:

1047mtm

kot4 date: ref: 2006 185 est: -Tatyana Kotova was born in 1964 in a small town in Ryazan region in central Russia. Her parents were doctor, but Tatyana was interested in fine art since childhood. The beauty of the ancient city and marvelous northern nature aroused in Tatyana a great desire to transfer on paper and on canvas what she saw around. She started drawing with the help of high skilled teachers and in 1984 she graduated from the Art College in the city of Ryazan, Russia. Feeling that her education level was not enough to let her embody in her works everything she wanted, Tatyana went to Saint-Petersburg and entered the famous College of Fine Arts named after V.Serov. Tatyana Kotova took part in many exhibitions in Russia, Holland, Poland and Finland. Her paintings are in many private collections in Europe (Germany, France, Holland, Denmark, Finland and Poland), USA and Canada. Now Tatyana lives in Canada.

4 Bidding:

1188mea

pr-1188m-01 date: from the museum edition of 99, the public edition is 220 plus 12 HC and 2 EA ref: 1918 326 est: -

3a Bidding:

1010t

byxbedreamlakevert date: ref: 44 est: -

3 Bidding:

1102sas

ra-1102a-01 date: from the edition of 100 ref: 1983 14 est: -

3 Bidding:

1135mca

rl-1135m-59 date: numbered 152 from an edition of 250 ref: 1969 219 est: -

8 Bidding:

1001c

sc-1001c-z1 date: trail proof, edition size unknown, though necessarily small,, ref: 1983 60 est: -

8 Bidding:

1001c

fb-jb002-02x date: numbered 129/200, ref: c. 1984 41 est: -

8 Bidding:

1168pac

pac2930 date: ref: c. 1940 387 est: -

8 Bidding:

1188mea

rt-1188mea-02 date: from the limited edition approved by Erte numbered 268 of 375 with 37 artists proofs and an additonal edition of 50 ref: 1989 115 est: -

8 Bidding:

1172hk

ns-hk3 date: ref: 339 est: -

8 Bidding:

1001c

ks-1001c-02 date: numbered 96/150, ref: 1997 346 est: -

8 Bidding:

1001c

ks-1001c-03 date: numbered 96/150, ref: 1997 347 est: -

8 Bidding:

1001c

ly-02x15-01 date: ref: 2002 222 est: -

8 Bidding:

1001c

eb-426xx-07 date: ref: 1999 35 est: -

8 Bidding:

1001c

sd-619xx-502 date: numbered HC (total edition size 300) ref: 1974 95 est: Recorded and illustrated in the standard text on the original prints of Dali by Michler and Lopsinger, Vol. I, No. 750; also the Field Official Catalogue No. 76-1 (H), p. 109.-

8 Bidding:

1001c

sd-619xx-501 date: numbered HC (total edition size 300) ref: 1974 103 est: Recorded and illustrated in the standard text on the original prints of Dali by Michler and Lopsinger, Vol. I, No. 746; also the Field Official Catalogue No. 76-1 (C), p. 109.-

8 Bidding:

1135mca

me-1135m-50 date: Cover of booklet, "Het Spel Van Wit En Zwart" 1954 (The Game of White and Black) by Pam G. Reuter (Referenced in M. C. Escher, Visions of Symmetry, Ch. 5, Escher #99) ref: 1949 116 est: Recorded and illustrated in the Locher/Bool catalogue of the original graphics of the artist #398.-

8 Bidding:

1001c

aa-1001c-91 date: various edition numbers ref: C. 1985 1 est: -

8 Bidding:

1001c

sd-619xx-508 date: numbered HC (total edition size 300) ref: 1974 97 est: Recorded and illustrated in the standard text on the original prints of Dali by Michler and Lopsinger, Vol. I, No. 748; also the Field Official Catalogue No. 76-1 (F), p. 109.-

8 Bidding:

1001c

sd-1001c-09 date: numbered I 326/350, total edition 1070, ref: 1980 102 est: Recorded and illustrated in the text by Albert Field on the authentic graphics of the artist, No. 80-6; also Michler and Lopsinger, No. 1578.-

8 Bidding:

1001c

hr-1001-94x date: ref: 1638 324 est: Recorded and illustrated in the standard texts on the original etchings of the artist by Bartsch, No. 37; Hind 160, Borklund 38-E.-

8 Bidding:

1001c

hr-1001-93x date: ref: 1654 325 est: Recorded and illustrated in the standard texts on the original etchings of the artist by Bartsch, No. 47; Hind 274, Borklund 54-B.-

8 Bidding:

1001c

pr-jw005-05x date: ref: 1906 327 est: Recorded and illustrated in the text on the original graphics of the artist by Delteil, No. 13; also Stella, No. 13.-

8 Bidding:

1145pws

lb-1145-04x date: numbered 43/50 ref: 1964 31 est: -

8 Bidding:

1169at

wc-ta-01 date: ref: c. 1970 77 est: -

8 Bidding:

1028acb

jw-1001c-x02 date: from the Studio Editions, with their blindstamp, ref: 1894 405 est: Recorded and illustrated in the standard text on the original graphics of the artist by Levy for the lithographs, No. 83.-

8 Bidding:

1001c

gw-1001c-60 date: from the edition of 250 ref: 1937 407 est: Recorded and illustrated in the standard text on the original prints of Grant Wood by Cole, No. 2.-

8 Bidding:

1135mca

aw-mc1-7 date: printed in conjunction with the exhibition advertised on the poster, ref: 1978 402 est: -

8 Bidding:

1001c

mm-83xxx-06 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: EARLY 1980'S 262 est: -

8 Bidding:

1001c

gh-bh03 date: numbered 16/200 ref: 1970 334 est: -

1 Bidding:

1001c

gh-bh04 date: numbered 16/200 ref: 1970 335 est: -

1 Bidding:

1001c

rr-0218x-04x date: ref: 337 est: -

1 Bidding:

1001c

cs-jw009-09x date: ref: c. 1955 351 est: -

1 Bidding:

1112gft

rs-1112f-86 date: ref: 363 est: -

1 Bidding:

1112gft

rs-1112f-50 date: ref: 366 est: -

1 Bidding:

1112gft

rs-1112f-48 date: ref: 367 est: -

1 Bidding:

1001c

gt-0403x-01 date: work No. 838 ref: 2003. 377 est: -

1 Bidding:

1001c

gt-18x45-xx date: ref: 2001 380 est: -

8 Bidding:

1001c

zv-62xxx-04 date: ref: 1997 417 est: -

1 Bidding:

1001c

zv-62xxx-01 date: ref: 1998 418 est: -

1 Bidding:

1001c

db-10594-08 date: ref: 25 est: -

1 Bidding:

1001c

db-x5xxx-20 date: ref: 1995 27 est: -

1 Bidding:

1001c

db-69xxx-07 date: ref: 1996 30 est: -

1 Bidding:

1001c

db-69xxx-06 date: ref: 1996 29 est: -

1 Bidding:

1001c

ac-1001c-x51 date: artist proof, ref: 1969 59 est: Listed and illustrated in the 1989 Maeght catalog.-

1 Bidding:

1001c

mc-1001c-02x date: numbered 15/50, from the deluxe editon of 50 containing a signed etching, ref: 1945 68 est: Recorded and illustrated in the standard text on the original etchings of the artist by Kornfeld, No. 96; also Cramer, No. 16-

1 Bidding:

1001c

jc-1001c-204 date: numbered 10 from an edition of 100 ref: 1981 83 est: -

1 Bidding:

1001c

hf-1220x-22 date: From an edition of 8. ref: c. 1980 123 est: -

1 Bidding:

1001c

hf-1220x-24 date: From an edition of 8. ref: c. 1980 125 est: -

1 Bidding:

1001c

hf-1220x-25 date: From an edition of 8. ref: c. 1980 126 est: -

1 Bidding:

1001c

hf-1220x-13 date: From an edition of 8. ref: c. 1980 127 est: -

1 Bidding:

1001c

hf-54xxx-05 date: From an edition of 9 ref: 1987 129 est: -

1 Bidding:

1001c

hf-54xxx-06 date: From an edition of 9 ref: 1987. 130 est: -

1 Bidding:

1001c

hf-54xxx-10 date: From an edition of 9 ref: 1987. 131 est: -

1 Bidding:

1001c

hf-54xxx-02 date: From an edition of 9 ref: 1987 132 est: -

1 Bidding:

1001c

hf-54xxx-04 date: From an edition of 9 ref: 1987. 134 est: -

1 Bidding:

1001c

hf-54xxx-08 date: From an edition of 9 ref: 1987 135 est: -

1 Bidding:

1001c

hf-54xxx-09 date: From an edition of 9 ref: 1987. 136 est: -

1 Bidding:

1001c

hf-54xxx-07 date: From an edition of 9 ref: 1987. 137 est: -

1 Bidding:

1001c

gf-z222t-21 date: ref: 2003 143 est: -

1 Bidding:

1001c

sg-04x02-x3 date: original watercolors ref: 2002 152 est: -

1 Bidding:

1001c

sg-y9x25-01 date: ref: 153 est: -

1 Bidding:

1001c

jj-bh-08 date: numbered 16/200 ref: 1971 177 est: Recorded and illustrated in the standard catalog of the original graphics of the artist by Field, No. 143.-

8 Bidding:

1168pac

wk-pc1001-04 date: ref: 1898 178 est: -

8 Bidding:

1135mca

rk-mc1001-01 date: from the edition of 300 plus 26 letter editioned copies for complimentary distribution, numbered 199 in pencil ref: 2005 179 est: -

1 Bidding:

1001c

ri-1001c-x502 date: numbered in pencil 5 from the edition of 150 ref: 1977 171 est: -

1 Bidding:

1001c

ri-1001c-x503 date: numbered in pencil 123 from the edition of 150 ref: 1977 172 est: -

1 Bidding:

1001c

nn-80xxx-03 date: ref: 174 est: -

1 Bidding:

1001c

vk-54xxx-03 date: ref: 2000 183 est: -

1 Bidding:

1001c

vk-54xxx-02 date: ref: 2000 184 est: -

1 Bidding:

1001c

el-71xxx-09 date: numbered 9 from the edition of 60 ref: c. 1995 208 est: -

1 Bidding:

1001c

el-48xx2-17 date: numbered 17 from the edition of 60, ref: c 1995 209 est: -

1 Bidding:

1135mca

rl-mc1-01x date: ref: 1982 211 est: Recorded and illustrated in the standard text on the original graphics of the artist by Corlett, III.29-

1 Bidding:

1135mca

rl-1135m-40 date: from a large unnumbered edition ref: 1963 214 est: Recorded and illustrated in the standard text on the graphics of Lichtenstein by Corlett, number II.1-

1 Bidding:

1135mca

rl-1135m-50 date: a proof from the edition of 300; plus and unknown number of unsigned, unnumbered proofs ref: 1967 216 est: Recorded and illustrated in the standard text on the graphics of Lichtenstein by Corlett, numbered II.8-

1 Bidding:

1001c

rl-jw1001-11 date: ref: 223 est: -

8 Bidding:

1001c

mm-02011-18 date: ref: 2002 242 est: -

1 Bidding:

1001c

mm-02011-17 date: ref: 2002 243 est: -

1 Bidding:

1001c

mm-02011-20 date: ref: 2002 244 est: -

1 Bidding:

1001c

mm-02011-13 date: ref: 2002 245 est: -

1 Bidding:

1001c

mm-02011-16 date: ref: 2002 247 est: -

1 Bidding:

1001c

mm-02011-15 date: ref: 2002 248 est: -

1 Bidding:

1001c

mm-02011-04 date: ref: 2002 249 est: -

1 Bidding:

1001c

mm-02x11-02 date: ref: 2002 250 est: -

1 Bidding:

1001c

mm-02011-08 date: ref: 2002 251 est: -

1 Bidding:

1001c

mm-02x11-07 date: ref: 2002 252 est: -

1 Bidding:

1001c

mm-02011-10 date: ref: 2002 253 est: -

1 Bidding:

1001c

mm-83xxx-21 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: 1986 254 est: -

3 Bidding:

1001c

mm-83xxx-05 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: 1987 255 est: -

3 Bidding:

1001c

mm-83xxx-29 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: 1993 256 est: -

3 Bidding:

1001c

mm-83xxx-32 date: from an edition of not more than twenty ref: EARLY 1980'S 257 est: -

1 Bidding:

1001c

mm-83xxx-16 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: 1994 258 est: -

1 Bidding:

1001c

mm-83xxx-01 date: from an edition of not more than twenty ref: 1987 259 est: -

1 Bidding:

1001c

mm-83xxx-07 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: 1987 260 est: -

1 Bidding:

1001c

mm-83xxx-13 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: late 1970's 261 est: -

1 Bidding:

1001c

mm-83xxx-04 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: 1987 263 est: -

1 Bidding:

1001c

mm-83xxx-27 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: late 1970's 264 est: -

1 Bidding:

1001c

mm-83xxx-23 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: late 1970's 265 est: -

1 Bidding:

1001c

mm-83xxx-31 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: late 1970's 266 est: -

1 Bidding:

1001c

mm-83xxx-20 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: 1986 267 est: -

1 Bidding:

1001c

mm-83xxx-30 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: mid 1980s 269 est: -

1 Bidding:

1001c

mm-83xxx-40 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: late 1970s 270 est: -

1 Bidding:

1001c

mm-83xxx-22 date: while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ref: late 1970s 271 est: -

1 Bidding:

1001c

mm-11xxx-02x date: ref: 2000 274 est: -

1 Bidding:

1001c

mm-11xxx-03x date: ref: 275 est: -

1 Bidding:

1001c

pp-1001-91 date: numbered 24 of 150, ref: 1963 302 est: Recorded and illustrated in the standard text on the original graphics of the artist by Bloch, No. 1153 also Baer, No. 1342. -

1 Bidding:

1001c

hr-1001-942 date: ref: 1635 323 est: Recorded and illustrated in the standard texts on the original etchings of the artist by Bartsch, No. 69; Hind 126..-

8 Bidding:

1172hk

da-hk2 date: numbered 140/150 ref: 22 est: -

8 Bidding:

1001c

jb-bh07 date: numbered 16/200 ref: 1970 23 est: -

8 Bidding:

1001c

sd-619xx-505 date: numbered HC (total edition size 300) ref: 1974 99 est: Recorded and illustrated in the standard text on the original prints of Dali by Michler and Lopsinger, Vol. I, No. 742; also the Field Official Catalogue No. 76-1 (A), p. 109.-

8 Bidding:

1001c

gf-bh03 date: numbered 16/200 ref: 1970 148 est: -

8 Bidding:

1001c

sd-619xx-504 date: numbered HC (total edition size 300) ref: 1974 93 est: Recorded and illustrated in the standard text on the original prints of Dali by Michler and Lopsinger, Vol. I, No. 751; also the Field Official Catalogue No. 76-1 (B), p. 109.-

8 Bidding:

1001c

sd-619xx-506 date: numbered HC (total edition size 300) ref: 1974 94 est: Recorded and illustrated in the standard text on the original prints of Dali by Michler and Lopsinger, Vol. I, No. 743; also the Field Official Catalogue No. 76-1 (D), p. 109.-

8 Bidding:

1001c

sd-619xx-500 date: numbered H.C. (total edition size 300) ref: 1974 96 est: Recorded and illustrated in the standard text on the original prints of Dali by Michler and Lopsinger, Vol. I, No. 747; also the Field Official Catalogue No. 76-1 (G), p. 109.-

8 Bidding:

1001c

sd-619xx-507 date: numbered HC (total edition size 300) ref: 1974 100 est: Recorded and illustrated in the standard text on the original prints of Dali by Michler and Lopsinger, Vol. I, No. 749; also the Field Official Catalogue No. 76-1 (E), p. 109.-

8 Bidding:

1130sdv

md-1130v-02 date: ref: c 1892 107 est: -

8 Bidding:

1145pws

md-1145p-50 date: ref: 1902 108 est: -

8 Bidding:

1001c

kf-1001c-x2 date: ref: 2001 147 est: -

8 Bidding:

1001c

me-09162-54 date: from the unnumbered edition of 700 ref: 1955 917 est: Recorded and illustrated in the standard catalog of the original graphics of the artist by Locher, No. 405; Bool No. 405.-

8 Bidding:

1001c

aa-1001c-92 date: various edition numbers, ref: C. 1985 2 est: -

8 Bidding:

1188mea

ah-1188m-03 date: numbered 111 from an edition of 200, from an unknown edition printed post WWII ref: 1986; post WWII 4 est: -

8 Bidding:

1001c

va-bh13 date: numbered 16/200 ref: 1970 5 est: -

8 Bidding:

1001c

ha-1001c-y1 date: ref: 1948 17 est: Recorded and illustrated in the standard text on the original graphics of the artist by Arnitz, No. 123-124.-

8 Bidding:

1172hk

da-hk1 date: numbered 117/250, ref: c. 1995 21 est: -

8 Bidding:

1001c

cc-bh11 date: numbered 16/200 ref: 1974 70 est: -

8 Bidding:

1001c

jc-1001c-201 date: numbered 59/75 from an edition of 75, ref: 75 est: -

8 Bidding:

1001c

jc-1001c-202 date: EA notation in lower left and artist's proof; and poster from a large edition ref: ?, 1979 76 est: -

8 Bidding:

1001c

jc-1001c-209 date: numbered 10 from an edition of 100 ref: 1981 81 est: -

1 Bidding:

1001c

jc-1001c-207 date: numbered 10 from an edition of 100 ref: 1981 82 est: -

1 Bidding:

1001c

sd-619xx-503 date: numbered HC (total edition size 300), ref: 1974 101 est: Recorded and illustrated in the standard text on the original prints of Dali by Michler and Lopsinger, Vol. I, No. 742; also the Field Official Catalogue, No. 76-1 (I), p. 109.-

8 Bidding:

1001c

gf-0203x-01 date: ref: 2002 141 est: -

1 Bidding:

1001c

gf-z222t-01 date: ref: 2002. 142 est: -

1 Bidding:

1001c

fh-jw1001-13 date: ref: 166 est: -

8 Bidding:

1172hk

ri-hk-1 date: ref: 168 est: -

3 Bidding:

1001c

ri-1001c-x500 date: numbered in pencil 15 of edition of 150 ref: 1977 169 est: -

8 Bidding:

1001c

lm-7303x-03 date: numbered XIX/XX, ref: 1973 190 est: Recorded and illustrated in the standard text on the original graphics of the artist by Tonneau-Ryckelynck,no.7301.-

1 Bidding:

1001c

rl-1001c-91 date: numbere 103/300, edition included 63 additional proofs, ref: 1992 210 est: Recorded and illustrated in the standard text on the original graphics of the artist by Corlett, No. 260.-

3 Bidding:

1047mtm

mar3 date: Perfect condition ref: 2006 231 est: - Artist Peter Markov was born in city Tula, Russia, in 1962 in a teacher's family. From the early childhood he took a great interest in drawing and studied fine art and graphic in a special art school. He was a very talented student and dreamed about his artistic future. In 1980 he came to Sankt-Petersburg, Russia, and entered to a very prestigious artistic university, an Academy of Design, named after V.Muchina. He graduated from Academy in 1985 and started to work with galleries in Russia painting in various manners. Peter's watercolors, oil and canvases paintings were quite popular, but the last couple years he has added work in a contemporary style using encaustic and another mix media. Since 2002 he has lived and worked in the USA. Peter Markov has taken part in many exhibitions in Russia and other countries. His paintings are in a many private collections in Poland, Germany, Sweden, Russia, USA and Canada.

8 Bidding:

1001c

jp--catlib-jm-01 date: ref: 1974 279 est: Recorded and illustrated as an original lithograph by the artist in the standard catalogue of the original etchings in portfolios by Cramer, No. 183; also Mourlot 928-929.-

8 Bidding:

1001c

jm-jb001-01 date: numbered 7/30, ref: 1979 280 est: Recorded and illustrated in the standard text on the original prints of Miro by Dupin, No. 1114. -

8 Bidding:

1168pac

m-pc1001-03 date: ref: 286 est: -

8 Bidding:

1145pws

jp-1145p-50 date: ref: c 1920 294 est: -

3 Bidding:

1001c

pp-1002h-61 date: from edition of 275, ref: 1947/8 305 est: Recorded and illustrated in Bloch, No. 476-16 and Cramer No. 51.-

8 Bidding:

1001c

hr-1001c-13 date: ref: c. 1970 322 est: -

8 Bidding:

1188mea

ks-1188mea-03 date: ref: 354 est: -

3 Bidding:

1188mea

ks-1188mea-04 date: ref: 355 est: -

3 Bidding:

1175ga

sp-ga1012 date: ref: 1956 315 est: Recorded and illustrated in the standard text on the original graphics of the artist: "Serge Poliakoff. Catalogue Raisonne of the Prints" by Alexis Poliakoff and Gerard Schneider; Edition Galerie Francaise, Munich, 1998.-

1 Bidding:

1001c

tt-1009y-32 date: numbered 193/250, ref: c 1980 386 est: -

8 Bidding:

1001c

ht-jw002-02x date: from the signed set of 100, annotated "No. 3", ref: 1863 389 est: Recorded and illustrated in the standard text on the original graphics of the artist by Wittrock, No. 6; Delteil 19; Adhemar 20.-

8 Bidding:

1001c

pw-bh15 date: numbered 16/200 ref: 1975 410 est: -

8 Bidding: