Catalog (Auction April 20, 2006 7:00 PM (E.S.T) 4:00 PM (P.S.T.) 1:00 (London) 2:00 (Continent))

(updated Wed Apr 26 14:21:34 2006 E.S.T.)

Auction Catalog April 20, 2006 7:00 PM (E.S.T) 4:00 PM (P.S.T.) 1:00 (London) 2:00 (Continent))

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110

A,COLLECTION date: C. 1985 ref: aa-1001c-91 est: 100-200

Lot of 3, two by "Lee?" and one by "Guzzo?", three screenprints,, each signed in pencil,, various edition numbers, , , , 27 x 21 in. (69 x 53 cm.), , , in generally good condition with few handling creases,fingerprints, the full sheets. , Unframed, Bidding:

111

A,COLLECTION date: C. 1985 ref: aa-1001c-92 est: 100-200

Lot of 6, contemporary prints, mostly decorative realism, lithographs and other media,, each signed in pencil,, various edition numbers,, , , , 27 x 21 in. (69 x 53 cm.) and similar, , , in generally good condition with few handling creases,fingerprints, the full sheets. , Unframed, Bidding:

1

A,COLLECTION date: c. 1975 ref: ca-93xxr-03 est: 200-300

(Central American ?), three drawings in colors, ,with a glyph signature, see photos, , , , ,each approx. 10 1/2 by 13 1/2 (sight), , , ,Each sealed in the matting with paper tape., Bidding:

112

A,COLLECTION date: 1986; post WWII ref: ah-1188m-03 est: 100-200

A Collection (Monument & Japanese Woodcut) print, woodblock print,signed by the artist in lower right Timothy Archer-Hoch and initialed and dated in the print; stamped by artist,numbered 111 from an edition of 200, from an unknown edition printed post WWII, , , ,22 1/4 x 28 1/4 in; 15 1/8 x 7 in, ,,In excellent condition; some staining in middle left margin and center of print,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

300

ALEXSANDROV,BORIS date: 2005 ref: alek3 est: 180-250

"Sankt-Petersburg" Water-colour on paper, Signed in pencil, , , , , 21x29cm.( 8,5x11,5 inch.),(sheet) 29x42cm. , , Perfect condition, Unframed, Bidding:

301

ALEXSANDROV,BORIS date: 2005 ref: alek5 est: 180-250

"Sankt-Petersburg" Water-colour on paper, Signed in pencil, , , , , 21x29cm.( 8,5x11,5 inch.),(sheet) 29x42cm. , , Perfect condition, Unframed, Bidding:

302

ALEXSANDROV,BORIS date: 2005 ref: alek1 est: 180-250

"Sankt-Petersburg" Water-colour on paper, Signed in pencil, , , , , 21 x 29 cm. ( 8,5 x 11,5 in.),(sheet) 29 x 42 cm. , , Perfect condition, Unframed, Bidding:

303

ALEXSANDROV,BORIS date: 2005 ref: alek2 est: 180-250

"Sankt-Petersburg" Water-colour on paper, Signed in pencil, , , , , 21 x 29 cm.( 8,5x11,5 in.),(sheet) 29 x 42 cm. , , Perfect condition, Unframed, Bidding:

304

ALEXSANDROV,BORIS date: 2005 ref: alek4 est: 180-250

"Sankt-Petersburg" Water-colour on paper, Signed in pencil, , , , , 21x29cm.( 8,5x11,5 inch.),(sheet) 29x42cm. , , Perfect condition, Unframed, Bidding:

2

AMERICAN,IMPRESSIONIST date: Early 20th Century ref: flowers est: 1500-3000

"Flowers" (An Impressionist Floral Still Life) Oil on masonite panel, Not signed, , , , , 20 X 20 Inches, , , In excellent condition,Sold unframed, This is a wonderful impressionist painting, that comes to us without name or provenance, purchased from an estate in North Carolina. The color is vivid and every stroke of pigment has purpose... great economy of technique. The material (masonite) places this work most assuredly as an American work. There is a particularly striking play of complementary colors (for instance, greens against reds) that give this work a great vibrancy. Bidding:

3

AMERICAN,SCHOOL, POSSIBLY BY JAMES EVERETT STUART date: 19th Century ref: american est: 6000-8000

"Valley of the Yosemite" Oil on canvas, Not signed., , , , , 30 X 46 Inches, , , The painting is in excellent condition, relined, with very minor inpainting (certainly less than 1% of the painting surface)., Framed in a fine period frame., This painting was formerly attributed to Thomas Moran: on the back of the stretcher is attached a scrap of paper with notation "The Valley of the Yosemite... Vale No. 1... by Thomas Moran 1874". The painting was shown to Stephen Good, Denver, Colorado, authority on Thomas Moran, who has concluded that this work is definitely not by the Moran. Subsequently, research has revealed that the this painting is possibly by James Everett Stuart, substantiated by the following comparative characteristics: 1. Stuart was a California painter, and painted the Yosemite area frequently. The subject painting compares favorably with others of the area painted by the artist. 2. The present painting is painted in the signature style of Stuart, a broad soft style for the bulk of the middleground and background, with little attention paid to detail. Clouds are loosely defined, as are areas of water and distant land masses. Arial perspective is accomplished by a steady lightening and greying of the basic foreground and middleground colors. 3. As in the present painting, Stuart tends to round his forms, especially in the mountains and land masses, softly defining them rather than angularly. Distant land masses are seldom defined with accuracy or detail, other than general appearance. 4. The palette of the the subject painting follows that of the artist, using colors that tend toward grey, with minor or greyed reds and greens in the foreground. Furthermore, pigments are thickly applied, especially in the foreground details, and a vigorously textured support ground is revealed even through the areas of thicker application. 5. The horzontal proportion of approximately 1:1.5 is a favorite format for Stuart's compositions, as is the subject painting. 6. A comparative study with images of the subject painting and a painting recently offered through Aspire Auctions, Cleveland, Ohio clearly reveals many technical, compositional and artistic vision similarities. The comparative painting is well documented as by the hand of JE Stuart and could possibly be the field study for the completion of the subject painting, executed in the artist's studio. In any case, this painting is a major work, of fine quality and fitting for any serious collector. Bidding:

113

ANGUIANO,RAUL date: 1983 ref: ra-1102a-01 est: 400-500

"Peinando a la nina" Lithograph, signed by the artist, from the edition of 100 , Printed by Ediones Poli­grafa, SA Barcelona Spain, , , 21 5/8 x 29 1/2 in (55 by 75 cm), , , In fine condition., , Bidding: ,no bid

4

ARNEGGER,ALOIS date: c. 1900 - 1910 ref: aarnegger est: 8000-10000

"Mending Nets on the Mediterranean" (Capri, Italy) Oil on Canvas, Signed, "A Arnegger" in lower left corner, , , , In the family of the present owner for two generations., 30 X 40 in, , , In generally fair condition: minor paint loss on left side and in need of relining., Framed in original period frame, 19th century vintage., Bidding:

114

ARTIST,UNKNOWN date: Early 20th Century ref: blackboy est: 150-250

"A Black Boy with Bellows" Chromolithograph, , , , , , 6 X 4 1/4 Inches, , , In excellent condition, Framed, This is a work worthy of attention... an early American chromolithograph of a young negro lad, possibly printed for commercial use. Bidding:

5

ARTIST,UNKNOWN date: 1800's ref: au-1130v-10 est: 1000-1500

"Fishing at Sea" oil on canvas,,, , , ,24 x 36 in, , , In fine condition.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

115

ARTIST,UNKNOWN date: Early 20th Century ref: girlpair est: 150-250

"Girls at Home" (A Pair) Chromolithographs, , , , , , Each approximately 5 X 4 Inches, , , In excellent condition, Framed, This is a pair of works worthy of attention... early American chromolithographs of young girls... one eating a plate of food, the other a girl shedding a tear over a missed shot of a badmitten bird... possibly printed for commercial use. Bidding:

63

ARTIST,UNKNOWN date: Circa late 1940's to mid-1950's ref: schmid est: 2000-3000

"Twilight Peak, Colorado" Oil on canvas, Signed "Schmid", in the lower left corner... faintly but distinctly, partially covered by last minute touches to the finished work., , , , , 14 X 20 Inches, , , In excellent condition, an early work showing slight cracqeleur.,Sold unframed, This work has a more formal and finished look than is typical of Richard Schmid. However, the subject and location are frequent locations for the artist, and the minor cracqeleur throughout the painting indicates that this work can safely be dated no later than the mid 1950's... a time frame early on in the career of Richard Schmid. Bidding:

6

AVERY,MILTON date: 1949 ref: ma-1130v-10 est: 6000-8000

"Nude Lady" ink and wash, signed by the artist,, , , Purchased in the 1960s at Paintings & Drawings, Ltd., 31 East 74th Street, thru Meriam Redina. ,17 x 13 in, , , In fine condition., , Bidding:

7

AVETRANI,DOMINIK date: c 1950's ref: da-1130v-10 est: 600-800

"House with Trees" watercolor,,, , , ,8 x 11 in , , , In fine condition., , Bidding:

8

BAEHR,ULRICH date: 1987 ref: ub-1130v-01 est: 1000-2000

"Elvis Meets Agatha" gouache on board, ,, , , ,32 x 60 in (81.2 x 152.4 in), , , In fine condition.,Framed, but unexamined out of the frame., Bidding:

116

BARLACH,ERNST date: c. 1920 ref: eb-1002h-21 est: 500-800

(Cafe Scene), lithograph, , signed in pencil, , , , , , ,(sheet)13 1/4 x 16 in (33.5 x 40.5 cm.) , , In very good condition, some soft handling creases.,Sold unframed, Bidding:

117

BARLACH,ERNST date: c. 1920 ref: eb-1002h-22 est: 500-800

(domestic scene), lithograph, , signed in pencil, , , , , , ,(sheet)13 1/4 x 16 in (33.5 x 40.5 cm.) , , In very good condition, some soft handling creases.,Sold unframed, Bidding:

305

BARRINGTON,DENIS date: 1996 ref: db-69xxx-15 est: 800-1200

"Chocs Away," painted construction with found objects,signed by the artist, , , , , 93 by 52 by 38 cm.,, ,In fine, fresh studio condition.,Sold unframed, Bidding:

306

BARRINGTON,DENIS date: 1994. ref: db-x5xxx-01 est: 800-1200

"Circles That You Find, No. 5" mixed media painted construction,signed by the artist, , , , , , ,(plate-image)(plate-image)34 by 25 by 10 in.; 864 by 635 by 254 mm., ,4, Bidding:

307

BARRINGTON,DENIS date: 1994. ref: db-x5xxx-08 est: 300-500

"Condition Red" mixed media painted construction,signed by the artist, , , , , , ,(plate-image)(plate-image)30 1/2 by 13 1/2 by 4 1/2 in; 762 by 343 by 115 mm, ,4, Bidding:

309

BARRINGTON,DENIS date: 1994. ref: db-x5xxx-09 est: 2000-3000

"Far-Out Fun-Fair Outing on the Day of an Eclipse" mixed media painted construction,signed by the artist, , , , , , ,(plate-image)44 by 33 by 10 in.; 1117 by 837 by 254 mm., ,4, Bidding:

310

BARRINGTON,DENIS date: ref: db-10594-08 est: 500-700

"Fat Fish About to Take a Dice" mixed media painted construction,signed by the artist., , , , ,14 by 18 by 5 in.,(sheet)(sheet)14 by 18 by 5 in.; , ,In fine condition.,4, Bidding:

311

BARRINGTON,DENIS date: ref: db-10594-05 est: 200-300

"Fish & Ship" mixed media painted construction,signed by the artist., , , , ,H 15.75 in.; L 21.5 in; W 7 in., , ,In fine condition., , Bidding:

312

BARRINGTON,DENIS date: 1991. ref: db-x5xxx-14 est: 200-300

"Jokey....Wink, Wink" mixed media painted construction,signed by the artist, , , , , , ,(plate-image)(plate-image)(plate-image)18 by 22 1/4 by 7 1/2 in.; 457 by 565 by 190 mm., , , Bidding:

313

BARRINGTON,DENIS date: 1995 ref: db-x5xxx-20 est: 200-400

"Loaves and Fishes" mixed media painted construction,signed by the artist, , , , , 23 by 16 by 6 in.; 584 by 406 by 152 mm. ,, ,In fine condition.,4, Bidding:

314

BARRINGTON,DENIS date: 1996 ref: db-69xxx-09 est: 300-500

"Run Rabbit..." painted construction with found objects,signed by the artist, , , , , 65 by 61 by 31 cm. , , ,In fine, fresh studio condition., , Bidding:

315

BARRINGTON,DENIS date: 1996 ref: db-69xxx-06 est: 200-400

"The End of the Dry Season," painted construction with found objects,signed by the artist, , , , , ,(sheet)(sheet)112 by 66 by 32 cm. , ,In fine, fresh studio condition.,4, Bidding:

316

BARRINGTON,DENIS date: 1996 ref: db-69xxx-07 est: 900-1400

"The Green Man Growing Up," painted construction with found objects,signed by the artist, , , , , ,(sheet)(sheet)103 by 74 by 26 cm. , ,In fine, fresh studio condition.,4, Bidding:

317

BARRINGTON,DENIS date: 1994. ref: db-x5xxx-07 est: 300-400

"The King's Garden" mixed media painted construction,signed by the artist, , , , , , ,(plate-image)(plate-image)(plate-image)18 by 17 1/2 by 5 in.; 457 by 445 by 126 mm., , , Bidding:

318

BARRINGTON,DENIS date: 1994. ref: db-x5xxx-06 est: 400-700

"Travelling Around Incognito" mixed media painted construction,signed by the artist, , , , , 22 1/4 by 22 1/4 by 4 3/4 in; 565 by 565 by 120 mm, ,, ,4, Bidding:

319

BARRINGTON,DENIS date: 1994. ref: db-x5xxx-04 est: 100-200

"Triffid - Under Observation" mixed media painted construction,signed by the artist, , , , ,13 by 14 by 8 in.; 330 by 356 by 202 mm., ,, ,Sold unframed, Bidding:

320

BARRINGTON,DENIS date: 1993. ref: db-x5xxx-23 est: 50-100

(bird and dried flowers) mixed media painted construction,signed by the artist, , , , , 12 1/2 by 12 1/2 by 3 in.; 317 by 317 by 76 mm.,., ,In fine condition.,Sold unframed, Bidding:

321

BEARD,TIMOTHY date: 1975 ref: tb-1001c-01 est: 600-900

"Untitled" oil on canvas, signed and titled in pencil by artist verso, , , , , , ,(plate-image)(plate-image) 60 x 42 in, In fine condition.,Sold framed, Bidding:

322

BECKER,ELISABETH MARIA date: 1998 ref: eb-38xxx-02 est: 400-600

(pink daisies) watercolor on Arches aquarelle paper,signed in watercolor by the artist, , , , ,,(sheet) 30 1/8 by 22 1/2 in. , ,In fine, fresh condition., 4, Bidding:

323

BECKER,ELISABETH MARIA date: 2000 ref: eb-426xx-08 est: 400-600

Blue and Green Floral watercolor on Arches aquarelle paper,signed in watercolor by the artist, , , , , ,(sheet)(sheet)22 1/2 by 30 in. , ,In fine, fresh condition.,Sold unframed,The work of this artist is noted for its bright, spontanous, high energy treatement of a variety of subjects including landscapes, mountain scenes, florals, lovers and domestic scenes. Bidding:

324

BECKER,ELISABETH MARIA date: 1999 ref: eb-426xx-07 est: 400-600

Floral with Grapes and Wine watercolor on Arches aquarelle paper,signed in watercolor by the artist, , , , , ,(sheet)(sheet)22 1/2 by 30 in. , ,In fine, fresh condition.,Sold unframed,The work of this artist is noted for its bright, spontanous, high energy treatement of a variety of subjects including landscapes, mountain scenes, florals, lovers and domestic scenes. Bidding:

9

BEDINI,PAOLO GIOVANNI date: 1882 ref: bedini est: 900-1200

"Off Guard" Watercolor on paper, Signed and dated "P Bedini - 1882", , , , , Approximately 12 X 8 Inches, , , In generally good condition, mild foxing throughout the paper., Double matted and framed., We put the main image of this painting as the closeup of the Italian guard... due to the priceless expression on his face. This is a captivating image, the guard caught literally "off guard". A fine, superbly crafted work of an intriguing moment. Bidding:

118

BENSON,FRANK WESTON date: ref: fw-1010t-02 est: 600-900

"Summer Yellowlegs" Etching, Signed in pencil, lower left corner, under the image, From the edition of 50, not serially numbered, , , , 4 7/8 X 3 3/4 Inches, Not examined out of the frame, , In good condition, Framed and matted, Bidding:

119

BENTON,THOMAS HART date: 1939 ref: F-28 tb-1001c-x521 est: 2000-3000

'Planting,' lithograph,,signed by the artist in pencil lower right, ,from the edition of 250,,published by Associated American Artists, NY, NY,, , , ,(sheet)10 x 12 1/2inches (25.5 x 32 cm) , ,A very good, dark impression.,Sold unframed, Bidding:

120

BISHOP,ISABEL date: c. 1965 ref: ib-x4x4x-32 est: 800-1200

lot of 2, "Woman Walking" and Man "Taking off Coat", etchings,, each signed by the artist,, from an edition of 50 and 25 respectively,, , , , , ,(plate-image)(plate-image) 4 x3 in (10 x 7.5 cm.) and 6 x 4 in. (15 x 10 cm.), In very fine condition, the full sheets.,Sold unframed, Bidding:

121

BONNARD,PIERRE date: 1930 ref: B111 pb-1002h-x515 est: 800-1200

'Woman's Bust' from "La vie de sainte Monique', suite of 29 illustrations, lithograph,, signed in pencil in lower right margin,, from a book printed in an edition of 340; 8 on antique Japonese paper, 25 on Imperial Jamanese paper, 50 on handmade Arches wove paper, and 257 copies on Arches wove. In addition, 35 copies numbered in Roman numerals and 15 exhibitioin copies marked A-O., , , , 22 x 26 cm (13 x 10 1/4 in), ,, In very good condition.,Sold unframed, Bidding:

122

BOULANGER,GRACIELA date: 1976 ref: gb-1002h-x524 est: 500-800

"Capricorn" from the portfolio of twelve prints "Le Ciel de Graciela", lithograph printed in colors, with embossing, , signed in pencil, , numbered from the edition of 200,, as published by Galeria Orange, Cologne,, , , , , , In very fine condition.,Sold unframed, Bidding:

123

BOULANGER,GRACIELA date: 1976 ref: gb-1002h-x525 est: 500-800

"Scorpio" from the portfolio of twelve prints "Le Ciel de Graciela", lithograph printed in colors, with embossing, , signed in pencil, , numbered from the edition of 200,, as published by Galeria Orange, Cologne,, , , , , , In very fine condition.,Sold unframed, Bidding:

325

BRANHAM,ROBIN date: 1998 ref: rb-39xxx-17 est: 1000-1500

(Untitled), carved, multi-layered arcylic on canvas,, signed lower left,, ,,, ,20 by 16 in., ,, In fine, fresh, studio condition.,Sold unframed, Bidding:

103

BUEL,LAURENT DE date: Circa late 19th century ref: buel2 est: 1500-2000

"Barn Interior with Sheep and Calf" Oil on canvas, Signed lower left corner., , , , From a Mid-American collector, now deceased, through the family to the current owner., 7.8 X 14 Inches, , , In fair condition... there is a small "L" shaped tear in the canvas in the right center. In need of relining., Framed, From a major Mid-America collection 19th century Dutch and Belgian animal paintings, mostly of barnyard animals, sheep, goats and chickens. Bidding:

10

BUEL,LAURENT DE date: Circa late 19th century ref: buel1 est: 1500-2000

"Barn Interior with Sheep and Chickens" Oil on canvas, Signed lower left corner., , , , From a Mid-American collector, now deceased, through the family to the current owner., 10 X 14 Inches, , , In good condition., Framed, From a major Mid-America collection 19th century Dutch and Belgian animal paintings, mostly of barnyard animals, sheep, goats and chickens. Bidding:

124

CACCIARINI,GIANNI date: 1978 ref: leaves est: 200-400

"Francine's Leaves" (AAA Print) Etching, Signed in pencil under the image, in the lower right corner. Also titled and numbered in pencil No. 168/250., From the only known edition of 250, Associated American Artists, New York City, , , 7 X 8 1/2 Inches, , , In excellent condition.,Sold unframed, Cacciarini was born in Florence, Italy, and came to America to work with AAA in New York, winning their "New Talent in Printmaking" award in 1978. His work is included in the Uffizi Gallery, Florence. Bidding:

125

CALDER,ALEXANDER date: 1989 ref: ac-1001c-x51 est: 1500-2500

"Maree Basse", lithograph in colors on wove paper,,inscribed H.C. and signed in pencil,,artist proof,,as published by Maeght, Paris,,, ,29 x 45 in (73.6 x 114.4 cm), , , ,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

11

CARYLE,BOBBIE date: 1995 ref: bc-1108j-02 est: 1000-2000

"Self-Man Man", 1/3 life, bronze,, with the signature in the bronze, ,stamped 22/100, with the date 1995,, , , , 29 in (height) ( 74 cm.), , ,In very fine condition, on a rotating base., , Bidding:

126

CASSIGNEUL,JEAN-PIERRE date: ref: jc-1102s-02 est: 300-600

(Girl with Roses) Lithograph in colors, signed by artist in pencil lower right margin, numbered XLVIII/LXXV, , , , 19 x 12 1/2 in (48.2 x 31.8 cm), , , In good condition, with full margins, unexamined out of frame.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding: 300,.closed-sold.

127

CASTELLI,LUCIAN date: 1984 ref: lc-1130v-01 est: 600-800

"Boy" Lithograph, signed lower left,numbered 50 of the edition 50, , , ,51 x 38 in (129.5 x 96.5 cm), , , In fine condition., , Bidding:

128

CHAGALL,MARC (AFTER) date: 1966 ref: s-39 mc-1141m-01 est: 4000-6000

"Carmen 1966 Poster" lithograph printed in colors,,from the edition of 3000 with text on poster paper, printed by Mourlot, Paris , , ,25 1/2 x 39 1/2 in, , , In fine condition.,Archivally framed with double acid free 100% rag mats, with, Interpretive lithograph by Charles Sorlier from a small detail of the preliminary dummy for "The Triumph of Music". Bidding:

129

CHAGALL,MARC date: 1984 ref: M-1033 mc-1016s-01 est: 11000-15000

"The Green Branch", lithograph in colors, on arches wove paper,,signed in pencil, ,numbered 12/50,,printed by Mourlot, Paris., , , ,(sheet)(sheet)(sheet) 23 7/8 x 18 15/16 in. (608 x 475 mm) , , In very fine condition, the colors strong, the full margins., Framed in accordance with archival standards, acid free matting, removeable hinging, uv-3 plexiglass to screen ultraviolet radiation., Bidding:

130

CHAHINE,EDGAR date: 1907 ref: T-241 ec-1001c-541 est: 2000-3000

Jane Avril etching on chine applique embossed on heavy white wove paper, signed in pencil, from the edition of 50, , , , ,21 1/16 x 16 15/16 in (54 x 43.5 cm) , , In very fine condition. ,Sold unframed, Bidding: 1700,.closed-sold.

131

CHAHINE,EDGAR date: 1907 ref: T-245 ec-1001c-540 est: 2000-3000

Lily Arena assise drypoint on chine applique, signed in pencil, from the edition of 50, , , , ,21 5/16 x 16 15/16 in (54.5 x 43.5 cm) , , Very fine condition with full margins. Slight toning on the sheet.,Sold unframed, Bidding:

12

CHEEK,LINDA date: 1997 ref: cheek2 est: 600-800

"A Quiet Pond" Oil on wood panel, Signed "L Cheek" in the lower right corner, , , , , 8 X 10 Inches, , , In excellent condition.,Sold unframed, Linda Cheek is an American impressionist painter, living in North Carolina. Her work has gained great favor throughout the eastern coast, including New York City, where she has twice been awarded best of show at the Salmagundi Club. This painting shows how a vibrant painter can depict even the most quiet of subjects. Bidding:

13

CHEEK,LINDA date: 1998 ref: cheek1 est: 3000-4000

"A Snowy Day in the Appalachians" Oil on wood panel, Signed "L Cheek" in the lower right corner, , , , , 18 X 24 Inches, , , In excellent condition,Sold unframed, Linda Cheek is an American impressionist painter, living in North Carolina. Her work has gained great favor throughout the eastern coast, including New York City, where she has twice been awarded best of show at the Salmagundi Club. This painting is a major work by the artist, and typical of her vibrant plein air style. Bidding:

14

CIGOLI,(AKA LUDOVICO CARDI), (ATTRIBUTED TO) date: Circa 19th century, or earlier ref: lc est: 2500-3500

"Christ mocked by the Soldiers" Brush and ink with ink wash on paper, fixed to support sheet, Signed "Cigoli" on the support sheet and also printed, both in pencil., , , , From the estate of William Paton, San Diego, California. Descended in the family to the present owner., Support sheet is irregularly shaped, approximately 10 X 14 inches., , ,The drawing is in excellent condition, trimmed to the boundaries of the drawn frame, The support sheet is irregular and torn, otherwise in good condition., Unframed., This is an accomplished drawing of a difficult subject. The figures are much in motion, suggesting that this is a study for a painting. The age and quality for the drawing is exemplified by the careful mounting to a support sheet. A monogram and notation, possibly from a collector, is stamped on verso, slightly affected by a tear in the support sheet. Bidding:

132

CLEMENTE,FRANCESCO date: 1987 ref: fc-73425-30 est: 8000-9000

'Semen,' ,signed in pencil by the artist,numbered 30/55,as published by Petersburg Press, New York and London, , , ,(sheet)(sheet)54 by 90 in. , ,In fine condition,Framed in accordance with accepted conservation standards (acid free mounts, removable hinges),Perhaps the artist's finest and most powerful graphic. Bidding:

133

COIGNARD,JAMES date: ref: jc-1001c-200 est: 400-600

(Untitled Blue) etching with carborandum, , signed by the artist,,numbered 7/30 from an edition of 30,, , , , ,(sheet)22 x 18 in. (55.9 x 45.8 cm) , , Fine fresh condition, printed to the edges., Sold unframed, Bidding:

134

COIGNARD,JAMES date: ref: jc-1001c-201 est: 400-600

(Untitled Green) etching with carborandum, , signed by the artist,,numbered 59/75 from an edition of 75,, , , , ,(sheet)22 x 18 in. (55.9 x 45.8 cm) , , Fine fresh condition, printed to the edges., Sold unframed, Bidding:

135

COIGNARD,JAMES date: ?, 1979 ref: jc-1001c-202 est: 500-700

Lot of 2:(Untitled-two Blue)and Nahan Galleries Poster etching with carborandum, and lithograph on white wove, both signed by the artist,,EA notation in lower left and artist's proof; and poster from a large edition, , , , ,25 3/4 x 19 1/2 in. (65.4 x 49.5 cm) and 31 x 19 1/2 in (78.8 x 49.5 cm) , , Etching in fine fresh condition, printed to the edges. Poster in fresh condition., Sold unframed, Bidding:

15

COOMANS,AUGUSTE date: Circa late 19th century ref: coomans est: 2000-3000

"Three Sheep in a Landscape" Oil on canvas, Signed lower right corner., , , , From a Mid-American collector, now deceased, through the family to the current owner., 11.2 X 7.8 Inches, , , In excellent condition., Framed, A fine large example for this fine Belgian artist... very clean and colorful, with well defined animals in a sharply rendered landscape. From a major Mid-America collection 19th century Dutch and Belgian animal paintings, mostly of barnyard animals, sheep, goats and chickens. All the paintings are on beveled wood panel, usually mohogany. Bidding:

16

CORLEY,PHILLIP date: 2004 ref: pc-1130v-10 est: 1200-1800

"Dressing at the Beach" oil on board, signed by the artist,, , , ,10 x 13 in, , , In fine condition., , Bidding:

17

CRAVERO,GIAN date: 1981 ref: gc-44xxx-01 est: 1000-2000

Swimmers Oil on canvas., Signed and dated l/r: "Gian Cravero 1981", , , ,acquired from the Edoardo Spazzapan International Art Gallery, Malibu, California 1987, , 32 x 51 inches (81.3 x 129.5 cm),,,Fine studio condition.,Sold unframed., Bidding:

136

CUEVAS,JOSE LUIS date: 1981 ref: jc-1001c-209 est: 800-1200

"Carrier" from the Barcelona Suite etching in colors,signed and dated in lower right by the artist, numbered 10 from an edition of 100, Published by Ediciones Poligrafa, Barcelona , Series I, Plate 4, , ,(sheet)30 x 22 in (76 x 57 cm) ,,In excellent condition, the full sheet.,Sold unframed, Bidding:

137

CUEVAS,JOSE LUIS date: 1981 ref: jc-1001c-207 est: 800-1200

"Carter De Blanes" from the Barcelona Suite etching in colors on Guarro ,signed and dated in lower right by the artist, numbered 10 from an edition of 100, Published by Ediciones Poligrafa, Barcelona, , , ,(sheet)30 x 22 in (76 x 57 cm) ,,In excellent condition, the full sheet.,Sold unframed, Bidding:

138

CUEVAS,JOSE LUIS date: 1981 ref: jc-1001c-204 est: 800-1200

"Viaje A Marruecos" from the Barcelona Suite etching in colors on Guarro,signed and dated in lower right by the artist, numbered 10 from an edition of 100, Published by Ediciones Poligrafa, Barcelona , , , ,(sheet)22 x 30 in (57 x 76 cm) ,,In excellent condition, the full sheet.,Sold unframed, Bidding:

139

CUTTRONE,RONNIE date: 1989 ref: rc-1001c-05 est: 300-400

"Mighty Mouse", screenprint in colors, , signed in pencil lower right,, numbered 67/150, , as published by Robert Bane, Los Angeles, with his stamp, also the Walter Lantz copyright stamp,, , , ,(sheet) 40 x 30 in. ( 102 x 76 cm.) , , In very good condition, with some minor barely noticable creasing at the corners well away from the image,otherwise fine, full margins.,Sold unframed, Bidding:

140

CUTTRONE,RONNIE date: 1989 ref: rc-1001c-06 est: 300-400

"Woody Woodpecker", screenprint in colors, , signed in pencil lower right,, numbered pp 4/12, aside from the numbered edition of 160, , as published by Robert Bane, Los Angeles, with his stamp, also the Walter Lantz copyright stamp,, , , ,(sheet) 40 x 30 in. ( 102 x 76 cm.) , , In very good condition, with some minor barely noticable creasing at the corners well away from the image,otherwise fine, full margins.,Sold unframed, Bidding:

141

CUTTRONE,RONNIE date: 1989 ref: rc-1001c-07 est: 300-400

"Woody Woodpecker", screenprint in colors, , signed in pencil lower right,, numbered pp 4/12, aside from the numbered edition of 160, , as published by Robert Bane, Los Angeles, with his stamp, also the Walter Lantz copyright stamp,, , , ,(sheet) 40 x 30 in. ( 102 x 76 cm.) , , In very good condition, with some minor barely noticable creasing at the corners well away from the image,otherwise fine, full margins.,Sold unframed, Bidding:

142

D,'CASTILLO, MESA date: 20th Century ref: castillo est: 200-300

"Touromaquia I" and "Touromaquia II" (A Pair of Etchings) Etching in reddish sepia ink on paper, Signed "Mesa d'Castillo", titled "Touromaquia I" and "Touromaquia II" and numbered P/A (Artist's Proof), all in pencil, under the image. Each also bears the blind stamp of Arte Grabados in the paper beneath the signature lines., , Published by Arte Grabados, Madrid, Spain, , , Each 3 X 5 Inches,(sheet) 8 1/2 X 10 Inches , , In excellent condition, never framed.,Sold unframed, These fine etchings depict the bull fight scenes, with the matador and bull both in full action. Bidding: 100,.closed-sold.

143

DALI,SALVADOR date: 1970 ref: ML409; F70-10-B sd-1002h-11 est: 400-800

from "Tristan und Isolde", color etching on wove paper, , signed in pencil lower right,, from a total edition of 575, (the individual prints in the main editions were not individually numbered),, published by Schneider, Amiel and Broutta, Basel, New York and Paris,, , , ,18 x 12 5/8 in. ( 46 x 32.5 cm.),(plate-image) 15 5/8 x 10 3/8 in. (40 x 26.5 cm.), In very fine condition, the full sheets.,Sold unframed, Note: the majority of the edition was initialed, but the first twenty five sets of each edition had full signatures as here. Bidding: 350,.closed-sold.

144

DALI,SALVADOR date: 1970-1972 ref: F-72-6; M&L 1258-1282 sd-3315c-01 est: 40000-50000

"Dalininean Horses" (sometimes spelled Dalinean Horses), the rarely seen complete suite of 25, lithographs in colors with embossing on paper, after original gouaches,,each of the 25 sheets signed in pencil by the artist,,an e.a. set aside from the numbered edition of 250, total recorded edition of 330.,as published by Simon Weintraub and Jacque Carpentier, Paris., , , ,(sheet)(sheet)(sheet)25 5/8 by 19 5/8 in.(65 by 50 cm.) , ,In very good condition, the full sheets. Contained in the original lavender box with embossing on the cover, also in generally good condition except for some scuffing and minor wear.,sold unframed,Considered the rarest and hardest to find of the colored suites. Titles include, "The Christian Horse," "Trojan Horse," "Le centurion," "Woman-horse," "Don Quichotte," "Clavileno," "Victim of the bullfight," "Horace's chimrea," "The Roman Cavalier," "Le picador," "Alexander's Horse," "Lady Godiva," "Triumph and Horse," "Sea Horse," "St. George," "Le cheval de Caligula," "Unicorn," "Work Horse," "The Centaur of Crete," "The Horse of Spring," "Cavalier of the Middle Ages," "Neptune," "Cavalier of Death," "Race Horse," "Pegasus." Bidding: 5000,.closed-sold.

145

DALI,SALVADOR date: 1974 ref: M&L 651; F-74-12-J (pg 98) sd-1002h-102 est: 1200-1800

"Girafe Saturnienne" (Saturnian giraffe) from the suite "Conquest of the Cosmos", lithographs with embossing of Dalinized illustrations on heavy watermarked paper,,signed in pencil lower right,,numbered XXXIII/CLXXXXXV (total edition 350 plus proofs), , as published by Lavigne, Paris., , , ,(sheet)38 1/2 x 27 1/2 in. (98 x 69.5 cm.) ,(plate-image)29 1/2 x 21 1/2 in. (75 x 54.5 cm.),In very fine condition, the full sheet, hinged to museum board.,Sold unframed, Bidding:

146

DALI,SALVADOR date: 1968 ref: ML289;F-68-4-H sd-1002h-x22 est: 400-800

"Michelange" etching in sepia ink, from the "Album" series, , signed in pencil lower right,, an artist's proof impression,, As printed by Rigal, Paris and published by the Collector's Guild with the addition of the signature in the plate for the Collector's Guild edition.,Second state impression, with the addition of the signature in the plate., , ,(sheet)15 x 11 in. (38 x 28 cm.) ,(plate-image)7 x 5 in. (17.5 x 12.5 cm), In very fine condition, the full sheet.,Sold unframed, Bidding:

147

DALI,SALVADOR date: 1974 ref: ML744; F76-1-J sd-1002h-z3 est: 500-800

"Shitakiri" (The Tongue-cut Sparrow) from "Japanese Fairy Tales", etching with stencil color, , signed in pencil lower right,,An HC impression, total recorded edition 350 including 25 sets unnumbered HC proofs as here,,As published by Gerschmann, Stockholm and Yayoi, Tokyo; printed by Atelier Rigal,, , , ,26 x 21 1/2 in. (66 x 50.5 cm.) ,18 7/8 x 15 (48 x 38.3 cm.), In very fine condition, the full sheet.,Sold unframed, Bidding: 500,.closed-sold.

148

DALI,SALVADOR date: 1980 ref: F-80-6; ML 1578 sd-1001c-09 est: 800-1200

"The Earth Goddess" (The Chef), lithograph in colors on Arches,,signed in pencil,,numbered I 326/350, total edition 1070,,as published by Levine and Levine, New York, with their blindstamp, , , , ,(sheet)(sheet)29 1/8 by 21 1/4 in.; (74 by 54 cm.) , ,In fine condition with full margins.,Sold framed,This piece is signed on the reverse by Dali expert and author Albert Field, dated 2001,indicating its authenticity. Bidding:

149

DALI,SALVADOR date: 1959 ref: ML68-80;F-59-1 sd-1002h-43 est: 400-800

composition from "Le Tricorne", suite of 13 etchings on copper printed in black after watercolors by Dali, etching,, signed in pencil lower right,,from one of the numbered H.C. copies (total edition of 15 HC copies),, As published by Nouveau Cercle, Parisien du Livre, Paris., , , ,(sheet) 12 x 9 in. (30.5 x 23 cm.) , , In very fine condition, the full sheets with only some minor time staining at the edges, some handling crease.,Sold unframed,From an unframed portfolio, a rare image as apparently this set was signed for someone associated with the publication. Possibly from the only signed set? Bidding:

150

DALI,SALVADOR date: 1959 ref: ML68-80;F-59-1 sd-1002h-x7 est: 400-800

composition from "Le Tricorne", suite of 13 etchings on copper printed in black after watercolors by Dali, etching,, signed in pencil lower right,,from one of the numbered H.C. copies (total edition of 15 HC copies),, As published by Nouveau Cercle, Parisien du Livre, Paris., , , ,(sheet) 12 x 9 in. (30.5 x 23 cm.) , , In very fine condition, the full sheets with only some minor time staining at the edges.,Sold unframed,From an unframed portfolio, a rare image as apparently this set was signed for someone associated with the publication. Possibly from the only signed set? Bidding:

151

DALI,SALVADOR date: 1959 ref: ML74;F-59-1 sd-1002h-x21 est: 400-800

composition from "Le Tricorne", suite of 13 etchings on copper printed in black after watercolors by Dali, etching,, signed in pencil lower right,,from one of the numbered H.C. copies (total edition of 15 HC copies),, As published by Nouveau Cercle, Parisien du Livre, Paris., , , ,(sheet) 12 x 9 in. (30.5 x 23 cm.) , , In very fine condition, the full sheets with only some minor time staining at the edges.,Sold unframed,From an unframed portfolio, a rare image as apparently this set was signed for someone associated with the publication. Possibly from the only signed set? Bidding:

18

DE,NEYRAC, GUY date: c 1940's ref: gd-1130v-10 est: 600-900

"Saint Sulprice-Paris" watercolor, signed lower right,, , , ,18 x 23 1/2 in , , , In fine condition.,Sold unframed, Bidding:

152

DENIS,MAURICE date: 1965 ref: mb-1130v-10 est: 800-1200

"La Mare aux Corneilles" lithograph, signed,from a limited edition, , , ,22 x 16 in, , , In fine condition.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

19

DENIS,MAURICE date: c 1892 ref: md-1130v-02 est: 800-1200

"Madame Denis dessinant" pencil on paper, signed lower right,, , , ,17.5 x 9.5 cm, , , In fine condition.,Sold framed, Bidding:

153

DENIS,MAURICE date: c 1940s ref: md-1130v-01 est: 800-1200

"Study of a Woman" pencil on paper, signed lower right,, , , ,18 x 12 in (45.7 x 30.4 in), , , In fine condition.,Framed, but unexamined out of the frame., Bidding:

20

DIELMAN,PIERRE EMMANUEL date: Circa 1845 - 50 ref: dielman est: 4500-6500

"Two Sheep and a Goat in a Landscape" Oil on panel, Signed lower right corner., , , , From a Mid-American collector, now deceased, through the family to the current owner., 13.2 X 16.5 Inches, , , In excellent condition., Framed, A fine large example for this fine Belgian artist... very clean and colorful, with well defined animals in a sharply rendered landscape. From a major Mid-America collection 19th century Dutch and Belgian animal paintings, mostly of barnyard animals, sheep, goats and chickens. All the paintings are on beveled wood panel, usually mohogany. Bidding:

154

DINE,JIM date: 1973 ref: W-114 jd-1001c-x541 est: 2000-3000

(adjustable wrench) from "Ten Winter Tools", hand-colored lithograph on Auvergne Narcisse wove,signed by the artist in pencil ,inscribed AP in pencil from the four artist proofs aside from the edition of ten,,printed by William Law, published by Petersburg Press, New York ,, , ,(sheet)27 3/4 by 21 3/4 in. (71 x 55.5 cm) , , In very fine condition, the full sheet.,Sold unframed, Bidding:

155

DINE,JIM date: 1973 ref: W-117 jd-1001c-x540 est: 2000-3000

(scissors) from "Ten Winter Tools", hand-colored lithograph on Auvergne Narcisse wove,signed by the artist in pencil ,inscribed AP in pencil from the four artist proofs aside from the edition of ten,,printed by William Law, published by Petersburg Press, New York ,, , ,(sheet)27 3/4 by 21 3/4 in. (71 x 55.5 cm) , , In very fine condition, the full sheet.,Sold unframed, Bidding:

326

DMITRIEVSVAJA,ELENA date: 2000 ref: ed-62xxx-01 est: 400-600

"Nude with Towel," (crylic title on back) pastel,signed by the artist, , , , ,36 x 29 inches (94 x 75 cm), , ,In fine, fresh studio condition.,Sold unframed, Bidding:

21

DONALD,FRANCIS date: Circa 1990 ref: fdonald est: 1200-300

"Boats at Puerto Vallarta" Oil on Canvas, Signed "Francis Donald" lower left corner, , , , , 18 X30 Inches, , , In excellent condition, Framed in a fine carved frame, suitable for the subject and style., This is a bright and colorful work, executed in bold and juicy strokes of oil paint... reflecting the brilliance of the subject on a bright sunny afternoon at the beach of Puerto Vallarta. Bidding:

22

DUTCH,SCHOOL date: 20th Century ref: skating est: 1200-1800

"Skating in Winter" Oil on thin plywood panel, Not signed., , , , , 8 X 10 Inches, , , In excellent condition, Framed, This is a very fine quality work, we judge to be of the 20th century, due simply to the material it is painted on. The quality of the workmanship is superb, and competes with any vintage Dutch paintings we can find. Done in the manner of Charles Leickert or any of a number of 19th century artists, this painting has all the quality and mannerism of the finest traditions of Dutch art. Bidding:

23

EBKO,WILLERING date: 1976 ref: we-1130v-10 est: 400-600

"Galob d'essaic" oil on canvas,signed lower left, , , , ,46 x 35 in, , , In fine condition., , Bidding:

156

ERTE,(ROMAIN DE TIRTOFF) date: 1989 ref: rt-1188mea-02 est: 3000-4000

"Emerald Night" Bronze with black, green and black patinas, emerald with 14k gold setting, polished embellishments, a stamped signature by the artist, from the limited edition approved by Erte numbered 268 of 375 with 37 artists proofs and an additonal edition of 50 ,editioned at Joel Meisner & Company, Inc, published by Chalk & Vermilion Fine Arts, Greenwich, CT, , ,21 1/2 x 11 1/2 x 6 inches, , , In very fine condition. Stamped with Erte's signature and edition number and Chalk & Vermilion and Sevenarts; JM 1990. The original Chalk and Vermillion certificate acompanies this work., , This image was created orignally as a fashion illustration for "Harper's Bazar" in March, 1918.The original Chalk and Vermillion certificate accompanies this work. Bidding:

157

ERTE,(ROMAIN DE TIRTOFF) date: 1990 ref: rt-1188mea-01 est: 3000-4000

"Faubourg St. Honore" Bronze with black, red and grey patinas, polished embellishments, white gold leaf, a stamped signature by the artist, from the limited edition approved by Erte, numbered 177 of 375 with 37 artists proofs and and additonal edition of 50 ,editioned at Joel Meisner & Company, Inc, published by Chalk & Vermilion Fine Arts, Greenwich, CT, , , 20 3/4 x 12 x 8 1/2 inches, , , In very fine condition. Stamped with Erte's signature and edition number and Chalk & Vermilion and Sevenarts; JM 1990.The original Chalk and Vermillion certificate accompanies this work., , This image was created orignally as a fashion illustration for "Harper's Bazar" in January, 1918. Bidding: 3000,.closed-sold.

158

ERTE,(ROMAIN DE TIRTOFF) date: 1987 ref: rt-1188mea-08 est: 1200-1800

"Faubourg St. Honore" serigraphy with hotstamping and embossing on White Coventry paper,signed by the artist in the bottom right, from the limited edition approved by Erte of numbered ccxv/ccl from the deluxe edition, with an additional numbered edition of 300, 10 artists proofs and 10 HC proofs,editioned at Chromacomp, Inc, New York, NY, published by Chalk & Vermilion Fine Arts, Greenwich, CT, , ,,(sheet) 38 1/2 x 30 1/2 in ,(plate-image) 31 1/2 x 24 1/2 in,In very fine condition. Unexamined out of the frame.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging.,The original Chalk and Vermillion certificate accompanies this work from which the following notes were taken. This image was created orignally as a fashion illustration for "Harper's Bazar" in January, 1918. The artist furnished color indications to the printer. 20 separate screens were cut at Chromacomp, Inc. Proofs were pulled and corrections were made by the artist. The entire editions was then pulled one color at a time at Chromacomp, Inc. Bidding: 1100,.closed-sold.

159

ERTE,(ROMAIN DE TIRTOFF) date: 1987 ref: rt-1188mea-09 est: 1000-1600

"Place de L'Opera" serigraphy with hotstamping and embossing on Black Arches paper,signed by the artist in the bottom right, from the limited edition approved by Erte of numbered 225/300 with an additional deluxe edition of 250, 10 artists proofs and 20 HC proofs,editioned at Chromacomp, Inc, New York, NY, published by Chalk & Vermilion Fine Arts, Greenwich, CT, , ,,(sheet)41 3/4 x 28 1/2 in ,(plate-image)32 x 20 in,In very fine condition.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging.,The original Chalk and Vermillion certificate accompanies this work from which the following notes were taken. The work is based on fashion illustrtion for Harper's Bazarre in January 1918. The artist furnished color indications to the printer. 22 separate screens were cut at Chromacomp, Inc. Proofs were pulled and corrections were made by the artist. The entire editions was then pulled one color at a time at Chromacomp, Inc. Bidding: 1100,.closed-sold.

160

ESCHER,M.C. date: 1947 ref: B-352 me-1001c-x521 est: 20000-30000

"Up and Down" lithograph on wove paper,signed in pencil by the artist and inscribed in pencil in the lower right corner "Litho 'Boven en Onder'",,numbered 9 of an edition of 36, before the large edition of 400,, , , , ,25 3/15 x 13 3/8 in. (64 x 34 cm.) ,8 x 19 5/8 in (20.5 x 50 cm),In very fine condition with apparently full margins, as trimmed by the printer with the usual slight irregularities.,,This work is from the very rarely seen first edition of 36 lithographs which preceded the later unnumbered edition of 400 printed and released in 1948. These were printed for VAEVO (Vereniging voor Aesthetisering van het Onderwijs) an education organization that destributed the works to schools. Rare to be seen in this excellent condition. Bidding: 20000,.closed-sold.

327

FEDENKO,SERGEY date: ref: sf-54xxx-06 est: 200-300

"Techno World" (Orange, blue, yellow on black guilded paper) Mixed-Media, tempera, oil on paper., Signed and dated by the artist., , , , ,13-3/4 x 19-5/8 inches (35 x 50 cm),, , Excellent studio condition., Sold unframed, Bidding:

328

FEDENKO,SERGEY date: ref: sf-54xxx-03 est: 200-300

"Topogo-u Kot 6" Mixed-Media, tempera, oil on paper., Signed and dated by the artist., , , , ,11-1/4 x 15-5/8 inches (28.5 x 39.6 cm),, , Excellent studio condition., Sold unframed, Bidding:

329

FEDENKO,SERGEY date: ref: sf-54xxx-04 est: 200-300

"Untitled" (Black & Blue Backgrounds) Mixed-Media, tempera, oil on paper., Signed and dated by the artist., , , , ,10-1/4 x 14 inches (26 x 35.6 cm),(sheet)(sheet)13-3/4 x 19-3/4 inches (35 x 50.1 cm) , , Excellent studio condition., Sold unframed, Bidding:

330

FEDENKO,SERGEY date: ref: sf-54xxx-07 est: 300-400

"Untitled" (Earth tones and gold on natural color paper) and "Untitled" (Orange, blue, yellow on black) Mixed-Media, tempera, oil and ink on paper., Signed and dated by the artist., , , , ,14-1/2 x 11-3/4 inches (36.7 x 29.7 cm), 13-3/4 x 19-5/8 inches (35 x 50 cm),(sheet)(sheet)(sheet)19-3/8 x 15-1/8 inches (49.2 x 38.3 cm) , , "Untitled" (Earth tones and gold on natural color paper) is in excellent studio condition. Second, larger piece, "Untitled" (Orange, blue, yellow on black,) with numerous creases., Sold unframed, Bidding:

331

FINCH,HELEN date: c. 1980 ref: hf-1220x-20 est: 1500-2500

"Blue and White Profile" polyester resin with marble, hand-painted in enamels, metallics and acrylics by the artist,signed.,From an edition of 8., , , ,45 x 31 x 11 in, , ,In good condition., , Bidding:

332

FINCH,HELEN date: c. 1980 ref: hf-1220x-22 est: 1500-2500

"Chignon" polyester resin with marble, hand-painted in enamels, metallics and acrylics by the artist,signed.,From an edition of 8., , , ,, , ,In good condition., , Bidding:

333

FINCH,HELEN date: c. 1980 ref: hf-1220x-26 est: 1500-2500

"Orange Totem" polyester resin with marble, hand-painted in enamels, metallics and acrylics by the artist,signed.,From an edition of 8., , , ,42 x 19 x 14 in, , ,In good condition., , Bidding:

334

FINCH,HELEN date: c. 1980 ref: hf-1220x-23 est: 1500-2500

"Party of Five" polyester resin with marble, hand-painted in enamels, metallics and acrylics by the artist,signed.,From an edition of 8., , , ,44 x 28 x 10 in, , ,In good condition., , Bidding:

335

FINCH,HELEN date: c. 1980 ref: hf-1220x-24 est: 1500-2500

"Piercing Eyes" polyester resin with marble, hand-painted in enamels, metallics and acrylics by the artist,signed.,From an edition of 8., , , ,50 x 20 x 14 in, , ,In good condition., , Bidding:

336

FINCH,HELEN date: c. 1980 ref: hf-1220x-25 est: 1500-2500

"Quadrille" polyester resin with marble, hand-painted in enamels, metallics and acrylics by the artist,signed.,From an edition of 8., , , ,55 x 34 x 8 in, , ,In good condition., , Bidding:

337

FINCH,HELEN date: c. 1980 ref: hf-1220x-13 est: 1500-2500

"The Arts Council," polyester resin with marble, hand-painted in enamels, metallics and acrylics by the artist,signed.,From an edition of 8., , , ,21 x 8 x 6.25 in., , ,In good condition., , Bidding:

338

FINCH,HELEN date: c. 1980 ref: hf-1220x-21 est: 1500-2500

"Triad" polyester resin with marble, hand-painted in enamels, metallics and acrylics by the artist,signed.,From an edition of 8., , , ,40 x 23 x 12 in, , ,In good condition., , Bidding:

339

FINCH,HELEN date: 1987 ref: hf-54xxx-05 est: 1500-2500

'Group Portrait' polyester resin with marble, hand painted in enamels, metallics and acrylics by the artist,signed and dated.,From an edition of 9, , , ,H 52 cm; W 29 cm; D 14 cm;, , ,In good condition., ,Helen Finch's works were widely sold in the 80's and early 90's in top galleries in New York, San Francisco, Los Angeles, Chicago, New Orleans aswell as in Australia and Europe. They were sold then from 3,500 to 6,500 and probably would retail in galleries for much more today. All were produced in small quantites and each was handpainted so that the colors applied may vary from one example to another.We are currently closing out the artist's studio as she is no longer able to work due to health issues related to her age. Additional information on her background, influences and work may be found by clicking on the bio link at the top of this description. Bidding:

340

FINCH,HELEN date: 1987. ref: hf-54xxx-06 est: 1500-2500

'Outer Planets' polyester resin with marble, hand painted in enamels, metallics and acrylics by the artist,signed and dated.,From an edition of 9, , , ,H 36 cm; W 28 cm; D 15 cm;, , ,In good condition., ,Helen Finch's works were widely sold in the 80's and early 90's in top galleries in New York, San Francisco, Los Angeles, Chicago, New Orleans aswell as in Australia and Europe. They were sold then from 3,500 to 6,500 and probably would retail in galleries for much more today. All were produced in small quantites and each was handpainted so that the colors applied may vary from one example to another.We are currently closing out the artist's studio as she is no longer able to work due to health issues related to her age. Additional information on her background, influences and work may be found by clicking on the bio link at the top of this description. Bidding:

341

FINCH,HELEN date: 1987. ref: hf-54xxx-10 est: 1500-2500

'Solstice' polyester resin with marble, hand painted in enamels, metallics and acrylics by the artist,signed and dated.,From an edition of 9, , , ,H 43 cm; W 27 cm; D 12 cm;, , ,In good condition., ,Helen Finch's works were widely sold in the 80's and early 90's in top galleries in New York, San Francisco, Los Angeles, Chicago, New Orleans aswell as in Australia and Europe. They were sold then from 3,500 to 6,500 and probably would retail in galleries for much more today. All were produced in small quantites and each was handpainted so that the colors applied may vary from one example to another.We are currently closing out the artist's studio as she is no longer able to work due to health issues related to her age. Additional information on her background, influences and work may be found by clicking on the bio link at the top of this description. Bidding:

342

FINCH,HELEN date: 1987 ref: hf-54xxx-02 est: 1500-2500

'Spheres of Influence' polyester resin with marble, hand painted in enamels, metallics and acrylics by the artist,signed and dated.,From an edition of 9, , , ,H 43 cm; W 25 cm; D 15 cm;, , ,In good condition., ,Helen Finch's works were widely sold in the 80's and early 90's in top galleries in New York, San Francisco, Los Angeles, Chicago, New Orleans aswell as in Australia and Europe. They were sold then from 3,500 to 6,500 and probably would retail in galleries for much more today. All were produced in small quantites and each was handpainted so that the colors applied may vary from one example to another.We are currently closing out the artist's studio as she is no longer able to work due to health issues related to her age. Additional information on her background, influences and work may be found by clicking on the bio link at the top of this description. Bidding:

343

FINCH,HELEN date: 1987. ref: hf-54xxx-03 est: 1500-2500

'Split Personality' polyester resin with marble, hand painted in enamels, metallics and acrylics by the artist,signed and dated.,From an edition of 9, , , ,H 51 cm; W 24 cm; D 10 cm;, , ,In good condition., ,Helen Finch's works were widely sold in the 80's and early 90's in top galleries in New York, San Francisco, Los Angeles, Chicago, New Orleans aswell as in Australia and Europe. They were sold then from 3,500 to 6,500 and probably would retail in galleries for much more today. All were produced in small quantites and each was handpainted so that the colors applied may vary from one example to another.We are currently closing out the artist's studio as she is no longer able to work due to health issues related to her age. Additional information on her background, influences and work may be found by clicking on the bio link at the top of this description. Bidding:

344

FINCH,HELEN date: 1987. ref: hf-54xxx-04 est: 1500-2500

'The Mentor' polyester resin with marble, hand painted in enamels, metallics and acrylics by the artist,signed and dated.,From an edition of 9, , , ,H 59 cm; W 22 cm; D 22 cm;, , ,In good condition., ,Helen Finch's works were widely sold in the 80's and early 90's in top galleries in New York, San Francisco, Los Angeles, Chicago, New Orleans aswell as in Australia and Europe. They were sold then from 3,500 to 6,500 and probably would retail in galleries for much more today. All were produced in small quantites and each was handpainted so that the colors applied may vary from one example to another.We are currently closing out the artist's studio as she is no longer able to work due to health issues related to her age. Additional information on her background, influences and work may be found by clicking on the bio link at the top of this description. Bidding:

345

FINCH,HELEN date: 1987 ref: hf-54xxx-08 est: 1500-2500

'The Sage' polyester resin with marble, hand painted in enamels, metallics and acrylics by the artist,signed and dated.,From an edition of 9, , , ,H 59 cm; W 24 cm; D 17 cm;, , ,In good condition., ,Helen Finch's works were widely sold in the 80's and early 90's in top galleries in New York, San Francisco, Los Angeles, Chicago, New Orleans aswell as in Australia and Europe. They were sold then from 3,500 to 6,500 and probably would retail in galleries for much more today. All were produced in small quantites and each was handpainted so that the colors applied may vary from one example to another.We are currently closing out the artist's studio as she is no longer able to work due to health issues related to her age. Additional information on her background, influences and work may be found by clicking on the bio link at the top of this description. Bidding:

346

FINCH,HELEN date: 1987. ref: hf-54xxx-09 est: 1500-2500

'Theatre' polyester resin with marble, hand painted in enamels, metallics and acrylics by the artist,signed and dated.,From an edition of 9, , , ,H 54 cm; W 27 cm; D 15 cm;, , ,In good condition., ,Helen Finch's works were widely sold in the 80's and early 90's in top galleries in New York, San Francisco, Los Angeles, Chicago, New Orleans aswell as in Australia and Europe. They were sold then from 3,500 to 6,500 and probably would retail in galleries for much more today. All were produced in small quantites and each was handpainted so that the colors applied may vary from one example to another.We are currently closing out the artist's studio as she is no longer able to work due to health issues related to her age. Additional information on her background, influences and work may be found by clicking on the bio link at the top of this description. Bidding:

347

FINCH,HELEN date: 1987. ref: hf-54xxx-07 est: 1500-2500

'Yellow Dialogue' polyester resin with marble, hand painted in enamels, metallics and acrylics by the artist,signed and dated.,From an edition of 9, , , ,H 42 cm; W 44 cm; D 14 cm;, , ,In good condition., ,Helen Finch's works were widely sold in the 80's and early 90's in top galleries in New York, San Francisco, Los Angeles, Chicago, New Orleans aswell as in Australia and Europe. They were sold then from 3,500 to 6,500 and probably would retail in galleries for much more today. All were produced in small quantites and each was handpainted so that the colors applied may vary from one example to another.We are currently closing out the artist's studio as she is no longer able to work due to health issues related to her age. Additional information on her background, influences and work may be found by clicking on the bio link at the top of this description. Bidding:

161

FISCHL,ERIC date: 1989 ref: ef-53174-08 est: 1500-2000

(composition) from "Untitled Suite" aquatint printed in colors,signed in pencil by the artist,numbered 8/100,as published by Parasol Press, New York, , , ,(sheet)(sheet)36 by 54 in.; 900 by 1379 mm. , ,In fine condition, with full margins as published.,Framed, but unexamined out of the frame., Bidding: ,no bid

162

FOUJITA,TSUGOHARU (LEONARD) date: ref: foujita est: 300-400

"Couronnement del la Vierge" (Coronation of the Virgin) Etching, Signed "L Foujita", in pencil within the image at the lower right corner., , , , Creighton-Davis Gallery, Washington, DC (Auction 6-4-2000, Lot No. 217), 7 1/4 X 5 1/4 Inches, , , In excellent condition., Matted and framed with archival materials., Bidding: 150,.closed-sold.

348

FOX,GARY date: 2003 ref: gf-0920x-01 est: 8000-12000

"Gold Hibiscus," oil on canvas, ,signed lower right by the artist,,, , , 53 by 46 in. (135 x 117 cm), ,,In fine condition.,unframed, Bidding:

349

FOX,GARY date: 2002 ref: gf-0203x-01 est: 6000-8000

"Purple Bouquet," oil on canvas, ,signed lower right by the artist,,, , , 48 by 30 in., ,,In fine condition.,Sold framed, Bidding:

350

FOX,GARY date: 2002. ref: gf-z222t-01 est: 8000-12000

"Southern Belle Hibiscus with Laser Light," oil on canvas,signed lower right by the artist,,Published by Creighton-Davis Gallery., , , 51 by 49 in., ,,In fine condition.,Sold framed, Bidding:

351

FOX,GARY date: 2003 ref: gf-z222t-p1 est: 600-900

"Southern Belle Hibiscus with Laser Light," Glicee on canvas in colors,signed lower right by the artist,,Published by Creighton-Davis Gallery., , , , ,(plate-image)38 by 39 1/2 in.,In fine condition.,Sold framed, Bidding:

352

FOX,GARY date: 2003 ref: gf-z222t-21 est: 600-900

"White Hibiscus," giclee printed in colors on canvas, ,signed lower right by the artist,,Published by Creighton-Davis Gallery., , , , ,(plate-image)40 by 29 1/2 in.,In fine condition.,Sold framed, Bidding:

353

FRACE,KIP date: 1998 ref: fk-0814x-01 est: 100-200

"Cupid with Heart I" Oil on canvas, ,original oil on canvas, , , ,12 X 12, , ,in fine condition, , Bidding:

354

FRACE,KIP date: 1998 ref: fk-0814x-02 est: 100-200

"Cupid with Heart II" Oil on canvas, ,original oil on canvas, , , ,12 X 12, , ,in fine condition, , Bidding:

355

FRACE,KIP date: 2001 ref: kf-1001c-x2 est: 1000-2000

"Road to Somewhere" acrylic on canvas,signed in the composition by the artist, , , , ,47 by 57 in, , ,in fresh studio condition,Sold framed, Bidding:

163

FRANCIS,SAM date: 1984 ref: L-I46 sf-1130v-02 est: 3000-4000

"Untitled, 1984" aquatint in colors, signed right under image,numbered on lower left 13 from an edition of 17 with 19 proofs,published by The Litho Shop, Inc., Santa Monica, California; printed by Jscob Samuel, , ,23 7/8 x 7 7/8 in (60.7 x 20 cm), , , In fine condition, publishers chop in lower right.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

164

FRIEDLANDER,JOHNNY date: c 1965 ref: jf-x4x4x-01 est: 300-500

(composition), etching and aquatint printed in colors, , signed in pencil, , numbered 79/85, , , , , , ,(plate-image)20 1/4 x 15 in. 515 x 380 mm, In generally good condition, minor loss and defects at the sheet edges, soft creases throughout.,Sold unframed, Bidding: 200,.closed-sold.

356

GADJIEVA,SVETLANA date: 1998 ref: gad1 est: 450-600

" Carnival " Mixed media,oil on paper, Signed on pencil, , , , , 39,5x49 cm.( 15x19 inch.),(sheet) 39,5x49cm. , , Perfect condition, Unframed, Bidding:

357

GADJIEVA,SVETLANA date: 2002 ref: gad3 est: 375-500

" Carnival " Mixed media,oil on paper, Signed on pencil, , , , , 30x42 cm.( 12x16,5 inch.),(sheet) 30x42cm. , , Perfect condition, Unframed, Bidding:

358

GADJIEVA,SVETLANA date: 2000 ref: gad4 est: 375-500

" City and time " Mixed media,oil on paper, Signed on pencil, , , , , 30x41 cm.( 12x16 inch.),(sheet) 30x4cm. , , Perfect condition, Unframed, Bidding:

359

GADJIEVA,SVETLANA date: 2000 ref: gad5 est: 375-500

" Sea song " Mixed media,oil on paper, Signed on pencil, , , , , 30x41 cm.( 12x16 inch.),(sheet) 30x4cm. , , Perfect condition, Unframed, Bidding:

360

GADJIEVA,SVETLANA date: 2000 ref: gad6 est: 375-500

" Sea song " Mixed media,oil on paper, Signed on pencil, , , , , 30x41 cm.( 12x16 inch.),(sheet) 30x4cm. , , Perfect condition, Unframed, Bidding:

361

GADJIEVA,SVETLANA date: 2002 ref: sg-04x02-x2 est: 200-400

"Cat on Bicycle" watercolors, ,original watercolor, , , ,11 1/2 x 17 inches, , ,in fresh studio condition,Sold unframed, Bidding:

362

GADJIEVA,SVETLANA date: 2002 ref: sg-04x02-x3 est: 200-400

"In the Bands" wartercolos, ,original watercolors, , , ,11 1/2 x 17 inches, , ,in fresh studio condition,Sold unframed, Bidding:

363

GADJIEVA,SVETLANA date: ref: sg-y9x25-01 est: 150-200

"Sea Shell" oil on paper, , , , , ,11 3/4 by 16 1/2 in, 30 by 42 cm., , , In fine condition.,Sold unframed, Bidding:

365

GARSHINA,LARISA date: 2005 ref: gar2 est: 180-250

"Sankt-Petersburg" Water-colour, Signed in pencil, , , , , 27x35cm. (10,5x14 inch.),(sheet) 27x35cm. , , Perfect condition., Unframed, Bidding:

366

GARSHINA,LARISA date: 2005 ref: gar5 est: 180-250

"Sankt-Petersburg" Water-colour, Signed in pencil, , , , , 27x35cm. (10,5x14 inch.),(sheet) 27x35cm. , , Perfect condition, Unframed, Bidding: 120,.closed-sold.

367

GARSHINA,LARISA date: 2005 ref: gar4 est: 180-250

"Sankt-Petersburg" Water-colour, Signed in pencil, , , , , 27x35cm. (10,5x14 inch.),(sheet) 27x35cm. , , Perfect condition, Unframed, Bidding:

24

GERARD,THEODORE L. date: Circa 1880 ref: tg est: 12000-15000

"Daydreaming (Family Fishing by a Quiet Pond)" Oil on cradled panel, Signed lower left corne "T L Gerard", , , , From the estate of William Paton, San Diego, California. Descended in the family to the present owner., 21 1/2 X 17 3/4 Inches, , , In good condition... repaired minor vertical cracks in lower left and upper right., Framed in fine carved frame and velvet liner., This is a fabulous work by a major Belgian painter. The very relaxed gestures of the figures is supremely enhanced by the total absorbsion of the boy in the butterfly, balanced in his hand. The father baits a hook and the mother is dreamily relaxing while she is fishing. The entire composition is framed by nicely detailed surroundings of trees, shrubs and fence. Extensive landscape beyond. Bidding:

25

GERMAN,SCHOOL date: 18th Century ref: dinner est: 2500-3500

"Dinner Time" Oil on canvas., , , , , , 14 1/2 X 13 Inches,Frame size - 21 X 19 1/2 Inches , , In generally good condition... mild cracqeleur where it is thinly painted, at top center., Hand carved and gold painted frame. Probably of 19th century German origin, open filagree carving of leaf and scroll forms. Magnificent frame., This fine painting is framed in an exceptional hand carved wood flora-form frame, only found in early German frame making. The frame is worth the reserve by itself. Bidding:

166

GRUNDIG,LEA date: 1934 ref: lg-1130v-01 est: 400-700

"Children at Play" lithograph, signed in lower right,numbered 11 from an edition of 60, , , ,10 x 13 in (25.4 x 33 cm), , , In fine condition, unexamined out of the frame.,Framed, but unexamined out of the frame., Bidding:

368

GUIRIK,GENNADIJ date: 2005 ref: guirik6 est: 375-500

" Daybrek " Oil on crdboard, Sign in pencil, , , , , 36x46 cm. (14x18 inch.),(sheet) 45x54cm. , , Perfect condition, Unframed, Bidding:

369

GUIRIK,GENNADIJ date: 2005 ref: guirik4 est: 375-500

" Miss The Night" Oil on crdboard, Sign in pencil, , , , , 36x46 cm. (14x18 inch.),(sheet) 45x54cm. , , Perfect condition, Unframed, Bidding:

370

GUIRIK,GENNADIJ date: 2005 ref: guirik2 est: 375-500

"Evening in Nurenberg" Oil on crdboard, Sign in pencil, , , , , 36x46 cm. (14x18 inch.),(sheet) 45x54cm. , , Perfect condition, Unframed, Bidding:

371

GUIRIK,GENNADIJ date: 2005 ref: guirik1 est: 375-500

"Old city" Oil on crdboard, Sign in pencil, , , , , 36x46 cm. (14x18 inch.),(sheet) 45x54cm. , , Perfect condition, Unframed, Bidding:

372

GUIRIK,GENNADIJ date: 2005 ref: guirik3 est: 375-500

" July" Oil on crdboard, Sign in pencil, , , , , 36x46 cm. (14x18 inch.),(sheet) 45x54cm. , , Perfect condition, Unframed, Bidding:

373

GUIRIK,GENNADIJ date: 2005 ref: guirik5 est: 375-500

" Nocturne" Oil on crdboard, Sign in pencil, , , , , 36x46 cm. (14x18 inch.),(sheet) 45x54cm. , , Perfect condition, Unframed, Bidding:

167

HARING,KEITH date: 1990 ref: L-171 kh-1135m-40 est: 100-200

(Angel and Batman) from the series Icons silkscreen on brown paper,,,, , , ,25 1/2 x 28 1/8 in (64.8 x 71.4 cm) , ,pinholes in corner, scuffs on print and some creases in corner.,Sold unframed, This is a test printing for the silkscreens Angel and Batman from the Icon series from the orginal screens. Bidding: 250,.closed-sold.

168

HODICKE,KARL HORST date: 1984 ref: kh-1130v-01 est: 400-600

"Jaguar" lithograph in colors, signed in the lower center,numbered 1 from an edition of 20, , , ,40 x 40 in (101.6 x 101.6 cm), , , In fine condition., , Bidding:

169

HODICKE,KARL HORST date: 1984 ref: kh-1130v-02 est: 400-600

"The Torch" lithograph, signed in the upper left,numbered 39 from an edition of 50, , , ,39 x 40 in (99 x 101.6 cm), , , In fine condition., , Bidding:

170

INDIANA,ROBERT date: c 1960s ref: ri-1130v-01 est: 1000-1500

"LOVE" Serigraph printed in colors,, signed in pencil lower right,,from the limited edition of 200,, , , ,33 1/2 x 33 1/2 in (85 x 85 cm), , ,In good condition with corner creases in upper right and left, some cracking in the blue area lower right, the full sheet., Float mounted behind plexiglass with museum mounts and hinging., Bidding: 800,.closed-sold.

171

INDIANA,ROBERT date: 1977 ref: ri-1001c-x500 est: 300-500

"Anne" from "Mother of us All" suite of thirteen, lithograph in colors on wove paper,signed in pencil by the artist in lower right margin,numbered in pencil 15 of edition of 150, , , , ,(sheet)23 x 19.5 in. (58.7 x 49.5 cm) ,(plate-image)17 7/8 x 13 7/8 in ( 45.4 x 35.3 cm),In very good condition with full margins.,Sold unframed, Bidding:

172

INDIANA,ROBERT date: 1977 ref: ri-1001c-x501 est: 300-500

"Indiana Elliot" from "Mother of us All" suite of thirteen, lithograph in colors on wove paper,signed in pencil by the artist in lower right margin,numbered in pencil 3 from the edition of 150, , , , ,(sheet)23 x 19.5 in. (58.7 x 49.5 cm) ,(plate-image)17 7/8 x 13 7/8 in ( 45.4 x 35.3 cm),In very good condition with full margins.,Sold unframed, Bidding:

173

INDIANA,ROBERT date: 1977 ref: ri-1001c-x502 est: 300-500

"Jenny Reefer" from "Mother of us All" suite of thirteen, lithograph in colors on wove paper,signed in pencil by the artist in lower right margin,numbered in pencil 5 from the edition of 150, , , , ,(sheet)23 x 19.5 in. (58.7 x 49.5 cm) ,(plate-image)17 7/8 x 13 7/8 in ( 45.4 x 35.3 cm),In very good condition with full margins.,Sold unframed, Bidding:

174

INDIANA,ROBERT date: 1977 ref: ri-1001c-x503 est: 300-500

"Jo the Loiterer" from "Mother of us All" suite of thirteen, lithograph in colors on wove paper,signed in pencil by the artist in lower right margin,numbered in pencil 123 from the edition of 150, , , , ,(sheet)23 x 19.5 in. (58.7 x 49.5 cm) ,(plate-image)17 7/8 x 13 7/8 in ( 45.4 x 35.3 cm),In very good condition with full margins.,Sold unframed, Bidding:

28

ITALIAN,SCHOOL date: 19th Century ref: girl est: 8000-12000

"Girl with Birds" Oil on canvas, Not signed., , , , , 30 X 25 Inches, , , The painting is in good condition, in need of cleaning., Framed in a fine carved and gold leafed frame., This wonderful painting, set in the interior of a work room or barn (judging from the tools found around the girl), is a most pleasant and dramatic painting. We judge this work to be of Italian origin, because of the Tyrolian dress of the girl and the use of chiroscuro... the dramatic theatrical light effects, first used by the Italian artists. The girl is very comfortably posed, obviously absorbed in her task of caring for the birds that have gathered in numbers all around her. Hidden in the rafters are more birds, escaping to the shadows. It is fitting that the birds are doves, only adding to the sense of peace and tranquility of this fine painting. Bidding:

374

IVANOVA,IULIA date: ref: nn-80xxx-01 est: 200-400

"Still Life 1," gauche on paper,signed by the artist, , , , , ,(sheet)(sheet)28 1/2 by 19 3/4 in. , , In fine condition.,Sold unframed, Bidding:

375

IVANOVA,IULIA date: ref: nn-80xxx-03 est: 200-400

"Still Life 3," gauche on paper,signed by the artist, , , , , ,(sheet)(sheet)28 1/2 by 19 3/4 in. , , In fine condition.,Sold unframed, Bidding:

376

IVANOVA,IULIA date: ref: nn-80xxx-05 est: 200-400

"Still Life 5," gauche on paper,signed by the artist, , , , , ,(sheet)(sheet)28 1/2 by 19 3/4 in. , , In fine condition.,Sold unframed, Bidding:

175

JACOULET,PAUL date: 1947 ref: M89 pj-1002h-x40 est: 800-1000

"Joaquina et sa Mere au Sermon du Pere Pons. Rota: Marianes", woodblock printed in colors, , signed in pencil lower right with owl seal,,, , , , , ,(plate-image)15 1/2 x 11 7/8 in , In very good condition with silver metallics and crushed pearl powders in Joaquina's dress. Some soft handling creases and tape hinges on the back.,Sold unframed, This print shows a high cast Chamorro woman and her mother in their Sunday finest listening to the sermon of the Catholic priest Father Pons, a former secretary to Pius XII before he became pope. Father Pons died on the small island of Roat during the war. This memorial print was dedicated to the Pope and entered the Vatican Collection. Bidding:

176

JANSSEN,HORST date: 1973 ref: aj-1002h-101 est: 100-200

(composition), etching,, signed with the artist's initials, lower right,, , , , , , ,(plate-image)7 x 4 3/4 in. (18 x 12 cm.), In very fine condition, full margins.,Sold unframed, Bidding: 50,.closed-sold.

177

JANSSEN,HORST date: 1972 ref: aj-1002h-102 est: 100-200

(composition), etching on wove paper,, signed with the artist's initials, lower right,,numbered 33/70, , , , , , ,(plate-image)4 x 5 7/8 in. ( 10 x 14.5 cm.), In very fine condition, full margins.,Sold unframed, Bidding: 70,

178

JANSSEN,HORST date: 1973 ref: aj-1002h-103 est: 100-200

(composition), etching on wove paper,, signed with the artist's initials, lower right,,numbered 75/120, , , , , , ,(plate-image)5 x 2 3/4 in. (12.5 x 9.5 cm.), In very fine condition, full margins.,Sold unframed, Bidding: 50,.closed-sold.

165

JAPANESE,CONTEMPORARY (ID UNKNOWN) date: 1969 ref: ff-1130v-02 est: 300-500

"Girl with Pigtails" lithograph in colors, signed lower left, numbered 33 from an edition of 100, , , ,18 x 12 in (45.7 x 30.4), , , In fine condition., , Bidding:

179

JOHNS,JASPER date: 1973 ref: F-168 jj-1135m-02 est: 200-300

"Cup 2 Picasso", lithograph in colors, , with the plate signature,, from the edition printed in XXe Siecle,, , , , ,10 15/16 x 9 3/16 in. (280 x 235 mm) , , In very good condition, a few minor edge defects right margin(see photo).,Sold unframed, Bidding:

29

JOYCE,MARSHALL W. date: 1977 ref: joyce est: 400-600

"Setting Out" Watercolor and gouache on medium weight paper, Signed "Marshall W. Joyce" and dated "77" (1977) in the lower right corner., , , , , 5 X 7 Inches, , , In excellent condition, Matted and framed, Marshall Joyce was a good friend up to the day of his death. We remain dedicated to honor his fine work in his marine subject matter... coastal scenes and ship portraits. Bidding:

30

KATZ,LEO (BAUHAUS SCHOOL) date: Circa 1920 ref: katz est: 300-500

"Space Organization" , Signed in pencil, "Leo Katz", numbered 16/50 and titled "Space Organization" in the margin under the image., From the only known edition of 50, , , , 5 X 7 Inches, , , In excellent condition, Matted and framed, Leo Katz was born in Czechoslovakia, came to the United States in the 1930's. He was friends with Alfred Steiglitz and Louis Rainer in New York. In addtion, he was well acquainted with the Bauhaus School in Germany, this work showing the influance of the Bauhaus philosophy. Bidding: 225,.closed-sold.

180

KENT,ROCKWELL date: 1928 ref: bj22 rk-1002h-50 est: 800-1200

"Revisitation", Ithograph on zinc, partly crayon transfer on BFK, Signed in pencil, ,recorded edition of 100,,, , , ,,(plate-image)8 1/2 x 13 3/4 in. (21.6 x 34.9 cm), In very good condition, the full sheet as published.,Sold unframed, Bidding: 700,.closed-sold.

377

KOPILOVSKIY,VLADIMIR date: 2000 ref: vk-54xxx-04 est: 400-500

"Chohiet" Watercolor, Signed by the artist., , , , , 8-1/4 x 10-1/4 inches (21 x 26 cm),(sheet)(sheet) 9.5 x 11-5/8 inches (24 x 29.5 cm) , , Excellent studio condition., Sold unframed, Bidding:

378

KOPILOVSKIY,VLADIMIR date: ref: vk-54xxx-01 est: 400-500

"Kykabl" Watercolor, Signed by the artist., , , , , 8-1/4 x 10-1/4 inches (21 x 26 cm),(sheet)(sheet) 9.5 x 11-5/8 inches (24 x 29.5 cm) , , Excellent studio condition., Sold unframed, Bidding:

379

KOPILOVSKIY,VLADIMIR date: 2000 ref: vk-54xxx-03 est: 400-500

"Mapychuk" Watercolor, Signed by the artist., , , , ,10-1/4 x 8-1/4 inches (26 x 21 cm),(sheet)(sheet)(sheet) 11-5/8 x 9.5 inches (29.5 x 24 cm) , , Excellent studio condition., Sold unframed, Bidding:

380

KOPILOVSKIY,VLADIMIR date: 2000 ref: vk-54xxx-02 est: 400-500

"Student" Watercolor, Signed by the artist., , , , ,,(sheet)(sheet)(sheet)10-1/4 x 8-1/4 inches (26 x 21 cm) , , Excellent fresh condition,Sold unframed., Bidding:

381

KOTOVA,TATYANA date: 2006 ref: kot4 est: 600-800

"Flowers" acrylic on canvas, Signed in pencil, , , , ,12 x 24 in, , , Perfect condition, Stretched canvas, Bidding:

382

KOTOVA,TATYANA date: 2006 ref: kot5 est: 600-800

"Flowers" acrylic on canvas, Signed in pencil, , , , ,12 x 24 in, , , Perfect condition, Stretched canvas, Bidding:

383

KOTOVA,TATYANA date: 2006 ref: kot6 est: 550-750

"Flowers" acrylic on canvas, Signed in pencil, , , , ,14 x 18 in, , , Perfect condition, Stretched canvas, Bidding:

384

KOTOVA,TATYANA date: 2006 ref: kot7 est: 550-750

"Flowers" acrylic on canvas, Signed in pencil, , , , ,14 x 18 in, , , Perfect condition, Stretched canvas, Bidding:

385

KOTOVA,TATYANA date: 2006 ref: kot1 est: 1100-1400

"Still Life" acrylic on canvas, Signed in pencil, , , , ,24 x 36 in, , , Perfect condition, Stretched canvas, Bidding:

386

KOTOVA,TATYANA date: 2006 ref: kot2 est: 700-900

"Still Life" acrylic on canvas, Signed in pencil, , , , ,16 x 20 in, , , Perfect condition, Stretched canvas, Bidding:

387

KOTOVA,TATYANA date: 2006 ref: kot3 est: 700-900

"Still Life" acrylic on canvas, Signed in pencil, , , , ,16 x 20 in, , , Perfect condition, Stretched canvas, Bidding:

388

KUDRYAVTSEV,VLADIMIR date: 2005 ref: kud1 est: 180-250

"City" Water colour in paper, signed in pencil, , , , , 31x41cm. ( 12x16inch.),(sheet) 31x41cm. , , Perfect condition, Unframed, Bidding:

389

KUDRYAVTSEV,VLADIMIR date: 2005 ref: kud2 est: 180-250

"City" Water colour in paper, signed in pencil, , , , , 31x41cm. ( 12x16inch.),(sheet) 31x41cm. , , Perfect condition, Unframed, Bidding:

390

KUDRYAVTSEV,VLADIMIR date: 2005 ref: kud3 est: 180-250

"City" Water colour in paper, signed in pencil, , , , , 31x41cm. ( 12x16inch.),(sheet) 31x41cm. , , Perfect condition, Unframed, Bidding:

391

KUDRYAVTSEV,VLADIMIR date: 2005 ref: kud5 est: 180-250

"City" Water colour in paper, signed in pencil, , , , , 31x41cm. ( 12x16inch.),(sheet) 31x41cm. , , Perfect condition, Unframed, Bidding:

181

LAM,WILFREDO date: 1973 ref: T-R-7306 lm-7306x-06 est: 1400-1800

"Le Regard Vertical (Multiplies des membres des loa)" lithographs in color on japon paper,,signed in pencil by the artist, ,numbered XIX/XX, total recorded edition 180,,As published by Editions Mata, Editions Agori, Paris, , , ,(sheet)27 by 20 7/8 inches (68.5 x 53 cm.) ,,In fine condition, the full sheet.,Sold unframed, Bidding: 900,.closed-sold.

182

LAM,WILFREDO date: 1973 ref: T-R-7301 lm-7303x-x03 est: 1400-1800

"Le Regard Vertical (Taureau-trois-graines s'est laisse pousser les dents)" lithographs in color on Japon paper,,signed in pencil by the artist, ,numbered XIX/XX,,As published by Editions Mata, Editions Agori, Paris, , , ,(sheet)27 by 20 7/8 inches (685 x 530 mm.) ,,In fine condition, the full sheet.,Sold unframed, Bidding: 1100,.closed-sold.

183

LAM,WILFREDO date: 1976 ref: TR-7611 wl-1001c-11 est: 800-1000

"Sans titre" from "El Ultimo Viaje del Buque Fantasma" a portfolio of 12 lithograph printed in colors on Guarro paper,,signed by the artist,,from the edition numbered 1-99,,as printed by Poligraphia, Barcelona, , , , ,(sheet)22 x 39 7/8 in. (56 x 75.6 cm) , ,In very good condition except for some minor soft creasing and cockles at the edges.,Sold unframed, Bidding:

184

LAM,WILFREDO date: 1962 ref: T-R-6113 wl-74xxx-09 est: 1500-1800

composition from "Images", etching with aquatint printed in colors on wove paper, from a suite of ten, ,signed in pencil by the artist, ,numbered 43/50, ,Published by Salon Annunciata (Milan), printed by C.M. Fabriano., , , ,(sheet)15 x 19 inches (38 x 48 cm) ,(plate-image)28 1/2 x 20 7/8 inches (72.6 x 53 cm),In fine condition, the full sheet.,Sold unframed, Bidding: 900,.closed-sold.

31

LASSALLE,LOUIS date: Circa mid 19th century ref: ll est: 8500-10000

"A Hungry Bunch" (Shepherdess and Boy with Sheep and Dog) Oil on wood panel, Signed "Louis Lassallle" lower right corner, , , , From the estate of William Paton, San Diego, California. Descended in the family to the present owner., 18 1/4 X 14 3/4 Inches, , , In good condition., Framed in fine carved frame and velvet liner., A fine work, of typical subject matter for Louis Lassalle. The focus is on the food... even the dog eagerly awaits his share, as the shepherdess readies herself to dispense the lunch. Bidding:

185

LAURENCIN,MARIE date: 1921 ref: m-48 ml-1002h-27 est: 200-400

"Fil de Reve", etching,, signed in pencil by the artist,, , ,First state before the finished version with the cross hatching between the figure and the drape on the left side., , ,3 3/8 x 2 7/8 in. (85 x 75 mm) , ,In very fine condition.,Sold unframed, Very rare, probably a trial proof of the first state before the finished version, possibly unique. Final version also rarely seen. Bidding: 200,.closed-sold.

186

LAURENCIN,MARIE date: 1928 ref: M-135 ml-x1002-z39 est: 1000-1500

"Pomenade a Cheval", etching printed on wove,, signed in pencil by the artist,, numbered 100/100., ,,,,,(plate-image)9 1/8 x 6 3/4 in. ( 230 x 171 mm),In very fine condition.,Framed, but unexamined out of the frame., Bidding:

32

LAURENCIN,MARIE date: c. 1950 ref: ml-x4x4x-30 est: 600-900

"Portrait of J. Otto", pencil drawing,, signed in pencil by the artist,, , , , from the collection of noted Paris dealer Henri Petiet, with his stamp verso., ,(sheet)8 x 4 1/2 (20 x 11.5 cm) , , In very good condition,a few defects at the edges, paper toned., Mounted in acid free matting., Bidding:

187

LAURENCIN,MARIE date: 1930 ref: M149-I ml-1001c-146 est: 3000-4000

"Rose, ou La Femme d'un amour", lithograph in black, hand colored in pastel pencil by the artist, a proof aside from the final edition,, signed in pencil by the artist,,this image numbered 4/30, the recorded final edition in printed colors was 125,,the final version, with printed color differing from the image shown here, was published in conjunction with "Presentiments" by Jacque de Lacretelle, Paris,,First state of two, the black plate. (Apparently 30 of the black state were printed.),From the noted Paris dealer Henri Petiet, with his stamp verso., ,(sheet)17 x 13 in. (430 x 330 mm) ,, In very good condition, the paper toned with some soft handling creases.,Sold unframed,This is a fairly rare item as the proofs in black were small in number. Documented by the French government licensed expert on this collection to have been handcolored by the artist. Bidding:

392

LEE,INNA date: 2001 ref: lee3 est: 180-250

"Landscape" Gouache on paper, Signed in pencil, , , , , 36x46 cm. (14x18 inch.),(sheet) 43x54 cm. , , Perfect condition, Unframed, Bidding:

393

LEE,INNA date: 2001 ref: lee4 est: 180-250

"Landscape" Gouache on paper, Signed in pencil, , , , , 36x46 cm. (14x18 inch.),(sheet) 43x54 cm. , , Perfect condition, Unframed, Bidding:

394

LEE,INNA date: 2001 ref: lee6 est: 180-250

"Landscape" Gouache on paper, Signed in pencil, , , , , 36x46 cm. (14x18 inch.),(sheet) 43x54 cm. , , Perfect condition, Unframed, Bidding:

395

LEE,INNA date: 2001 ref: lee1 est: 180-250

"Still life" Gouache on paper, Signed in pencil, , , , , 36x46 cm. (14x18 inch.),(sheet) 43x54 cm. , , Perfect condition, Unframed, Bidding:

396

LEE,INNA date: 2001 ref: lee2 est: 180-250

"Still life" Gouache on paper, Signed in pencil, , , , , 36x46 cm. (14x18 inch.),(sheet) 43x54 cm. , , Perfect condition, Unframed, Bidding:

33

LEEMPUTTEN,CORNELIUS VAN date: Circa 1880 ref: vl2 est: 7500-9000

"Shepherd and Dog Watching their Flock" Oil on panel, Signed lower right corner., , , , From a Mid-American collector, now deceased, through the family to the current owner., 6.5 X 9.8 Inches, , , Slight surface mark around the head of the dark sheep. Under blacklight, shows minor inpainting, certainly less than one or two percent of the total surface, and mostly along the edges or where framing has left a mark... inpainting is not detectable except by blacklight., Framed in a very fine burl walnut frame, in excellent condition. Please see our images., This is the finest work we have ever seen by the artist, Cornelius van Leemputten. The sure hand and comfident handling of both subject and form place the figures in harmony with each other and their environment... an exceptional painting from a major Dutch animal painter. From a major Mid-America collection 19th century Dutch and Belgian animal paintings, mostly of barnyard animals, sheep, goats and chickens. All the paintings are on beveled wood panel, usually mohogany. Bidding:

34

LEEMPUTTEN,CORNELIUS VAN date: 1870 ref: vl1 est: 3000-5000

"Three Chickens & Three Sheep" Oil on canvas, Signed and dated 1870 lower left corner., , , , From a Mid-American collector, now deceased, through the family to the current owner., 7.2 X 10.2 Inches, , , In excellent condition, relined. No apparent restoration., We prefer to sell this painting unframed... however we do have a contemporary silver leaf frame for it, if requested., From a major Mid-America collection 19th century Dutch and Belgian animal paintings, mostly of barnyard animals, sheep, goats and chickens. All the paintings are on beveled wood panel, usually mohogany (this painting is on an oak panel). The labels on verso of some of these works, so noted, are in the form of a statement by the artist, scratched through a patch of paint while still wet. All these statements are declarations that he (van Severdonck) executed the painting by his own hand. Bidding:

35

LEHMAN,IRVING date: c 1940's ref: il-1130v-01 est: 600-900

"Workers" Goauche, signed in lower right,, , , ,14 x 21 in (35.5 x 53.3 cm), , , In fine condition, unexamined out of the frame.,Framed, but unexamined out of the frame., Bidding:

36

LEMMENS,EMILE date: Circa 1855 - 60 ref: el-1010t-1 est: 5500-7000

"Establishing the Pecking Order" Oil on panel, Signed lower right corner. Label of panel manufacturer impressed on verso., , , , From a Mid-American collector, now deceased, through the family to the current owner., 6.8 X 9.8 Inches, , , In good condition... very thin vertical crack along the right edge does not interfere with the painting or the composition, otherwise in excellent condition. Under blacklight, shows very minor inpainting, certainly less than one or two percent of the total surface, and mostly along the edges or where framing has left a mark... inpainting is not detectable except by blacklight., Framed in a very fine burl walnut frame, in excellent condition. Please see our images., This is one of the finest work we have ever seen by the artist, Emile Lemmens. The sure hand and comfident handling of a complex composition and subject matter is very evident. The paintng is exceptionally well defined and cleanly presented. From a major Mid-America collection 19th century Dutch and Belgian animal paintings, mostly of barnyard animals, sheep, goats and chickens. All the paintings are on beveled wood panel, usually mohogany. Bidding:

397

LEVESQUE,ERIK date: c 1995 ref: el-71xxx-23 est: 300-500

(Untitled Composition), Etching in colors on paper, signed in pencil by the artist with the publisher's blindstamp lower left,, numbered 23 from the edition of 60,, as published by Jacqueline de Champvallins, Paris,, , , ,(sheet) 30 x 22 1/2 in; 76.2 x 57.1 cm ,(plate-image) 19 1/2 x 15 3/8 in; 49.5 x 39 cm, In fine fresh condition with full margins as published.,Sold unframed, Bidding:

398

LEVESQUE,ERIK date: c. 1995 ref: el-71xxx-09 est: 300-500

(untitled composition) carborundum etching in colors on Moulin de Gue paper,signed in pencil by the artist, with the publisher's blindstamp lower left,numbered 9 from the edition of 60,as published by Jacqueline de Champvallins, Paris, , , ,(sheet)30 by 22 1/2 in.; 76.2 by 57.1 cm. ,(plate-image)19 1/2 by 15 3/8 inches,In fine, fresh condition with full margins as published.,Sold unframed, Bidding:

399

LEVESQUE,ERIK date: c 1995 ref: el-48xx2-17 est: 300-500

Les Dieux Carorundum etching in colors on Moulin de Gue paper, signed in pencil by the artist with the publisher's blindstamp lower left,, numbered 17 from the edition of 60,, as published by Jacqueline de Champvallins, Paris,, , , ,(sheet) 30 x 22 1/2 in; 76.2 x 57.1 cm ,(plate-image) 19 1/2 x 15 3/8 in; 49.5 x 39 cm, In fine fresh condition with full margins as published.,Sold unframed, Bidding:

188

LICHTENSTEIN,ROY date: 1965 ref: C-II.5 rl-1135m-32 est: 800-1500

"Brushstroke", screenprint on heavy, white wove paper, ,poster from a large edition,published by Poster Orginials, Ltd, New York., , , 25 1/16 x 29 3/4 in (63.6 x 75.6 cm),22 15/16 x 28 7/8 in (58.3 x 73.3 cm) ,,In good condition, some soiling verso.,Sold unframed, From a small collection of miscellanous trial proofs produced at the timeof the original printings. This image was produced as a poster and published to announce Lichenstein's exhibition at Leo Castelli Gallery, November 20-December 16, 1965. Marcus Ratliff did the typography and layout. Bidding: 400,.closed-sold.

189

LICHTENSTEIN,ROY date: 1963 ref: C-II.2 rl-1135m-42 est: 800-1200

"Crak!", Offset lithograph on lightweight on off-white wove paper, ,Edition unknown,, , , ,20 7/8 x 28 3/8 in (53.6 x 72.2 cm) ,18 1/2 x 26 in (47.1 x 68.1cm),In very fine condition, the colors fresh, the full sheet.,Sold unframed, Printed, according to the text below the image, for Lichtenstein's breakout show: "Leo Castelli 4 E. 77 NY September 29-October 24 1963. Lithography by Total Color NY for Leo Castelli" (Printed text just below the border, lower right) From a small collection of miscellanous trial proofs produced at the time of the original printings. Bidding: 800,.closed-sold.

190

LICHTENSTEIN,ROY date: 1963 ref: C-II.1 rl-1135m-40 est: 3000-4000

"Crying Girl", Offset lithograph on lightweight on off-white wove paper, ,from a large unnumbered edition,published by Leo Castelli Gallery, New York, printed by Colorcraft, New York, , , ,18 x 24 in (45.8 x 61 cm) ,17.25 x 23.25 in (43.8 x 59 cm),In fine condition, never framed.,Sold unframed, From a small collection of miscellanous trial proofs produced at the time of the original printings. Marcus Ratliff coordinated the printing and designed the typography. Bidding: 4750,.closed-sold.

191

LICHTENSTEIN,ROY date: 1967 ref: C-II.8 rl-1135m-41 est: 1000-1500

"Modern Art Poster", screenprint on lightweight on medium weight off-white wove paper, , a proof from the edition of 300; plus and unknown number of unsigned, unnumbered proofs,published by Leo Castelli Gallery, New York, , , ,9 x 12 in (22.8 x 30.5 cm) ,8 x 11 in (20.3 x 28 cm),In very fine condition, the colors exceptionally fresh and bright as originally published, never framed.,Sold unframed, From a small collection of miscellanous trial proofs produced at the time of the original printings. Bidding:

192

LICHTENSTEIN,ROY date: 1965 ref: C-II.6 rl-1135m-44 est: 4000-6000

"Shipboard Girl", lithograph in colors on wove paper,unpublished proof aside from the unnumbered signed edition estimated at about 300,,,as published by Castelli Gallery, New York, , ,27 x 19 3/4 in (68.6 x 50.3 cm),,,In good condition with slight yellowing to the paper and slightly attenuated color.,,From a small collection of miscellanous trial proofs produced at the time of the original printings. Bidding: 4000,.closed-sold.

400

LITVINENKO,OLGA date: 2005 ref: lit1 est: 220-300

"European holidays", Water-colours, Signed in pencil, , , , , 28x41cm. ( 11x16inch.),(sheet) 30x43cm. , , Perfect condition, Unframed, Bidding: 165,.closed-sold.

401

LITVINENKO,OLGA date: 2005 ref: lit2 est: 220-300

"European holidays", Water-colours, Signed in pencil, , , , , 28x41cm. ( 11x16inch.),(sheet) 30x43cm. , , Perfect condition, Unframed, Bidding: 165,.closed-sold.

402

LITVINENKO,OLGA date: 2005 ref: lit3 est: 220-300

"European holidays" Water-colours, Signed in pencil, , , , , 28x41cm. ( 11x16inch.),(sheet) 30x43cm. , , Perfect condition, Unframed, Bidding: 165,.closed-sold.

403

LITVINENKO,OLGA date: 2005 ref: lit4 est: 220-300

"European holidays" Water-colours, Signed in pencil, , , , , 28x41cm. ( 11x16inch.),(sheet) 30x43cm. , , Perfect condition, Unframed, Bidding: 165,.closed-sold.

404

LITVINENKO,OLGA date: 2005 ref: lit5 est: 220-300

"European holidays" Water-colours, Signed in pencil, , , , , 28x41cm. ( 11x16inch.),(sheet) 30x43cm. , , Perfect condition, Unframed, Bidding: 165,.closed-sold.

405

LITVINENKO,OLGA date: 2005 ref: lit6 est: 220-300

"European holidays" Water-colours, Signed in pencil, , , , , 28x41cm. ( 11x16inch.),(sheet) 30x43cm. , , Perfect condition, Unframed, Bidding: 165,.closed-sold.

37

LOMINAGO,LEV date: 1986 ref: llominago3 est: 900-1200

"An Active Village Scene" Oil on panel, Signed "Lev Lominago" in the Russian characters, and dated '86, , , , , 16 X 20 Inches, , , In excellent condition, Framed, This wonderful painting depicts much activity in a small Russian community... a farmer with his hay wagon, women carrying water on their shoulders, field workers at rest, a young man courting a young lady, people fishing, animals and birds feeding, children at play... and even some young girls skinny dipping. All this activity is portrayed in a comfortable folk style, typical of Lominago's work. Bidding:

38

LOMINAGO,LEV date: 20th Century ref: llominago2 est: 700-1000

"Folk Dancing" Oil on panel, Signed "Lev Lominago" in the Russian characters, , , , , 9 X 12 Inches, , , In excellent condition, Framed, Bidding:

39

LOMINAGO,LEV date: 20th Century ref: llominago1 est: 400-800

"The Suitor" Oil on panel, Signed "Lev Lominago" in Russian characters, , , , ,8 X 11 Inches, , , In excellent condition, Framed,Another fine folk painting in Lominago's typical style... this one of a young man attempting to fetch the attention of a young lady, busy at her chores. Bidding:

193

LORD,ELYSE ASHE date: c. 1950 ref: el-1002h-13 est: 300-500

"The Portrait", etching with aquatint printed in colors, , signed in pencil,, from an unpublished edition,, , , , , , 6 7/8 x 5 3/4 in. (17.5 x 14.5 cm.), In very fine conditon with only some minor foxing, hinge remains verso,,Sold unframed, Very rare. Bidding:

406

LOSHKARYOV,YURIY date: ref: ly-02x15-02 est: 200-300

"Flight over the City," ("Polyot Nad Gorodom") oil on cardboard,signed by the artist, , , , , ,(sheet)14 by 18 in. , ,In fresh studio condition.,Sold unframed., Bidding:

407

LOSHKARYOV,YURIY date: 2002 ref: ly-02x15-01 est: 200-500

"Retro," oil on cardboard,signed by the artist, , , , , ,(sheet) 18 by 14 in. , ,In fresh studio condition.,Sold unframed., Bidding:

41

LUCE,MAXIMILIEN date: c 1920s ref: ml-1130v-01 est: 1800-2400

"Le Pont de Carousel, Paris" ink and wash in black, grey and white,, signed lower right with the studio stamp,,, , , ,21 x 27.5 cm (8 1/4 x 10 7/8 in), , , In fine condition., , Bidding:

408

LUDA,IVANOVA date: 2006 ref: ivan1 est: 750-1000

"Landscape" oil on canvas,signed, , , , ,20 x 24 in, , , Perfect condition, Stretched, Bidding:

409

LUDA,IVANOVA date: 2006 ref: ivan2 est: 750-1000

"Landscape" oil on canvas,signed, , , , ,20 x 24 in, , , Perfect condition, Stretched, Bidding:

410

LUDA,IVANOVA date: 2006 ref: ivan3 est: 700-900

"Landscape" oil on canvas,signed, , , , ,12 x 36 in, , , Perfect condition, Stretched, Bidding:

411

LUDA,IVANOVA date: 2006 ref: ivan4 est: 700-900

"Landscape" oil on canvas,signed, , , , ,12 x 36 in, , , Perfect condition, Stretched, Bidding:

194

MAILLOL,ARISTIDE date: C. 1920 ref: am-1002h-x21 est: 600-800

"kneeling nude" lithograph in sanguine ink, ,with the stamp monogram,, , , , , ,(sheet)(sheet)10 1/2 x 10 1/2 in. ( 26.5 x 26.5 cm.) , , In fine condition.,Framed, but unexamined out of the frame., Bidding:

195

MAILLOL,ARISTIDE date: C. 1920 ref: am-1002h-x22 est: 600-900

"seated nude" lithograph in sanguine ink, ,with the stamp monogram,, , , , , ,(sheet)(sheet)10 1/2 x 10 1/2 in. ( 26.5 x 26.5 cm.) , , In fine condition.,Framed, but unexamined out of the frame., Bidding:

42

MALASCHEV,DIMITRI date: c 1950's ref: dm-1130v-10 est: 1200-1800

"A Scene of the Universe" oil on canvas,,, , , ,22 x 28 in , , , In fine condition.,Sold framed, Bidding:

196

MAN,RAY (EMMANUEL RADINSKI) date: 1970 ref: mr-1001c-10 est: 800-1200

"Queen of Clubs" etching printed in colors, ,signed in pencil with the initials 'MR", ,numbered 4/75, , , , , ,(sheet) 26 x 19 7/8 in. (66 x 50.5 cm.) ,(plate-image)19 1/2 x 15 1/2 in. (49.5 x 39.5 cm),In fine condition with some soft handling creases throughout.,Sold unframed, Bidding:

197

MARINI,MARINO date: 1972 ref: G-A145 mm-1002h-x64 est: 800-1000

"La Ribalta", aquatint in colors,signed in pencil by the artist,,numbered 22/75,,, , , , ,(plate-image)12 3/4 x 19 3/4 in. (30.5 x 28 cm),In very good condition, full margins.,Sold unframed, Bidding:

412

MARKOV,PETER date: 2006 ref: mar3 est: 650-900

"Two Flowers" Encaustic, acrylic on canvas, Signed in pencil, Perfect condition, , , , 24 x 36 inch., , , Perfect condition, Stretched, Encaustic is a beeswax-based paint mixed with pigment and kept molten while painting. The word encaustic comes from the Greek meaning to "burn in" which refers to the process of fusing the paint. This type of painting was used in the 5th century B.C. for weathering boats and coloring marble. Encaustic is the most durable of the artist's paints because the beeswax is impervious to moisture. As a result, it will not deteriorate, yellow or darken and it can be polished to a high gloss for a brilliant surface. The beauty and the difficultly in the paint is found in its immediate drying time. Because it cools immediately, the gesture and brush strokes are captured. "Encaustic" was first made popular in the contemporary art world. Bidding:

414

MARKOV,PETER date: 2006 ref: mar1 est: 1000-1400

"Chair with flowers" Encaustic, acrylic on canvas, Signed in pencil, , , , , 24 x 36 inch., , , Perfect condition, Stretched, Encaustic is a beeswax-based paint mixed with pigment and kept molten while painting. The word encaustic comes from the Greek meaning to "burn in" which refers to the process of fusing the paint. This type of painting was used in the 5th century B.C. for weathering boats and coloring marble. Encaustic is the most durable of the artist's paints because the beeswax is impervious to moisture. As a result, it will not deteriorate, yellow or darken and it can be polished to a high gloss for a brilliant surface. The beauty and the difficultly in the paint is found in its immediate drying time. Because it cools immediately, the gesture and brush strokes are captured. "Encaustic" was first made popular in the contemporary art world. Bidding:

415

MARKOV,PETER date: 2006 ref: mar4 est: 650-900

"Flower" Encaustic,acrylic on canvas, Signed in pencil, Perfect condition, , , ,12 x 36 inch., , , Perfect condition, Stretched, Encaustic is a beeswax-based paint mixed with pigment and kept molten while painting. The word encaustic comes from the Greek meaning to "burn in" which refers to the process of fusing the paint. This type of painting was used in the 5th century B.C. for weathering boats and coloring marble. Encaustic is the most durable of the artist's paints because the beeswax is impervious to moisture. As a result, it will not deteriorate, yellow or darken and it can be polished to a high gloss for a brilliant surface. The beauty and the difficultly in the paint is found in its immediate drying time. Because it cools immediately, the gesture and brush strokes are captured. "Encaustic" was first made popular in the contemporary art world. Bidding:

416

MARKOV,PETER date: 2006 ref: mar5 est: 650-900

"Flower" Encaustic, acrylic on canvas, Signed in pencil, Perfect condition, , , , 12 x 36 inch., , , Perfect condition, Stretched, Encaustic is a beeswax-based paint mixed with pigment and kept molten while painting. The word encaustic comes from the Greek meaning to "burn in" which refers to the process of fusing the paint. This type of painting was used in the 5th century B.C. for weathering boats and coloring marble. Encaustic is the most durable of the artist's paints because the beeswax is impervious to moisture. As a result, it will not deteriorate, yellow or darken and it can be polished to a high gloss for a brilliant surface. The beauty and the difficultly in the paint is found in its immediate drying time. Because it cools immediately, the gesture and brush strokes are captured. "Encaustic" was first made popular in the contemporary art world. Bidding:

417

MARKOV,PETER date: 2006 ref: mar2 est: 1000-1400

"Still Life" Encaustic, acrylic on canvas, Signed in pencil, Perfect condition, , , , 24 x 36 inch., , , Perfect condition, Stretched, Encaustic is a beeswax-based paint mixed with pigment and kept molten while painting. The word encaustic comes from the Greek meaning to "burn in" which refers to the process of fusing the paint. This type of painting was used in the 5th century B.C. for weathering boats and coloring marble. Encaustic is the most durable of the artist's paints because the beeswax is impervious to moisture. As a result, it will not deteriorate, yellow or darken and it can be polished to a high gloss for a brilliant surface. The beauty and the difficultly in the paint is found in its immediate drying time. Because it cools immediately, the gesture and brush strokes are captured. "Encaustic" was first made popular in the contemporary art world. Bidding:

419

MARKOV,PETER date: ref: mar8 est: 550-700

"Three Poppies in Green Vase" Encaustic, acrylic on canvas, Signed, , , , ,,,, Perfect condition,Sold unframed, Bidding:

420

MARKOV,PETER date: 2006 ref: mar7 est: 550-700

"Three Poppies with ..." Encaustic, acrylic on canvas, Signed, , , , ,12 x 36 in,,, Perfect condition,strectched canvas, Bidding:

421

MARKOV,PETER date: 2006 ref: mar6 est: 550-700

"Two flowers" Encaustic, acrylic on canvas, Signed in pencil,, , , ,16 x 20 inch., , , Perfect condition, Stretched, Encaustic is a beeswax-based paint mixed with pigment and kept molten while painting. The word encaustic comes from the Greek meaning to "burn in" which refers to the process of fusing the paint. This type of painting was used in the 5th century B.C. for weathering boats and coloring marble. Encaustic is the most durable of the artist's paints because the beeswax is impervious to moisture. As a result, it will not deteriorate, yellow or darken and it can be polished to a high gloss for a brilliant surface. The beauty and the difficultly in the paint is found in its immediate drying time. Because it cools immediately, the gesture and brush strokes are captured. "Encaustic" was first made popular in the contemporary art world. Bidding:

198

MASLER,HENRY date: Turn of the 19th Century ref: smoker est: 100-150

"The Smoker" Early stone lithography, Signed in the image and dated 1885, , , , , 11 X 8 1/2 Inches, , , In generally good condition., Framed, will ship without glass, Early chromolithograph Bidding: 50,.closed-sold.

199

MATISSE,HENRI (AFTER) date: 1948 ref: M-40 hm-1141m-01 est: 500-800

"Nice Travail et Joie 1948 Poster", lithograph printed in ten colors,,,from the edition of 10,000,,printed by Mourlot, Paris, , ,,39 x 25 1/2 in (99 x 64.8 cm) ,,In excellent condition.,Newly, archivally framed with double acid free mats, with acrylic glazing.,Interpretive lithograph created in collaboration between Henri Deschamps and Henri Matisse. Bidding:

200

MATTA,ROBERTO date: 1976 ref: F153,155-158 rm-x4x4x-101 est: 800-1000

"Composition" from the portfolio Five Lithographs, lithographs printed in colors from the deluxe set of fifty on the japon,, each signed in pencil, , roman numbered XXXVI/L, (36/50), total recorded edition of 150,, , , , ,(sheet)22 x 30 in ( 56 x 76 cm.) , ,In very fine condition, with some soft creases at the margins. In original portfolio case with justification.,Sold unframed,Ferrari is apparently unclear about this portfolio as she does not identify a portfolio of the set of five as shown here, but they are contained in a publisher's folio with justification. Bidding:

201

MATTA,ROBERTO date: 1972 ref: S.296 rm-1002h-25 est: 600-900

composition from "La Danse de le Mort", aquatint printed in colors on Arches ,, signed in pencil by the artist, , numbered EA IV/XV, total edition 125, plus some unnumbered proofs,, as published and printed by G. Visat, Paris; , , , , ,19 1/2 x 14 3/4 in (495 x 375 mm), In very good condition, the full sheet.,Sold unframed, Bidding: 500,.closed-sold.

202

MATTA,ROBERTO date: 1976 ref: f-168 rm-1001c-x03 est: 1000-2000

"Band a Jazz" etching and aquatint printed in colors, on Arches paper,, signed in pencil by the artist (lower right),numbered 55/200, (total edition with proofs 230),, published and printed by George Visat (Paris) with his blindstamp lower right,, , , , ,(plate-image) 25 x 33 1/2 in. (63.5 x 85 cm.), in very good condition with the exception of some chipped edges lower right and left side (see photo), full margins.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

203

MATTA,ROBERTO date: 1957 ref: rm-09162-20 est: 16000-22000

"L'Astro Tire" pencil and crayon on paper,signed lower right, , , , , ,19 3/4 by 25 5/8 in. , ,In fine condition.,Sold unframed, Bidding:

43

MAUVE,ANTON (AFTER) date: Circa late 19th to early 20th century ref: am1 est: 1500-2000

"Milking Time" Painting on porcelain, fired, Signed "HDSM A Mauve" (roughly: "From Ziun Porcelain, Holland") lower right corner, , , , From the estate of William Paton, San Diego, California. Descended in the family to the present owner., 18 X 12 Inches, , , In good condition., Framed in fine carved frame and velvet liner., As will virtually all works on porcelain, this is a reproduced image of a work by Mauve. Painting on porcelain and fired to produce a glossy finish. On the verso are marks hand written, representing the maker of the work (please see our images). Bidding:

44

MAUVE,ANTON (AFTER) date: Circa late 19th to early 20th century ref: am2 est: 1500-2000

"Shepherdess with Cows" Painting on porcelain, fired, Signed indistinctly lower left corner, , , , From the estate of William Paton, San Diego, California. Descended in the family to the present owner., 15 1/2 X 11 1/2 Inches, , , In good condition., Framed in fine carved frame and velvet liner., As will virtually all works on porcelain, this is a reproduced image of a work by Mauve. Painting on porcelain and fired to produce a glossy finish. On the verso are marks hand written, representing the maker of the work (please see our images). Bidding:

45

MAY,WILLIAM HOLMES date: 1881 ref: may est: 200-300

"Fishing Village on a River" Etching on Paper, Signed and Dated "W H May 1881" in the image at lower left corner. Also signed and dated "W H May 81" and numbered "11/60" in pencil under the image in the lower left corner., From the only known edition of 60, signed and numbered., , , , 6 1/2 X 9 3/4 Inches, , , In excellent condition, Matted and framed with archival materials., A fine and wonderfully drawn etching. The details are excellent, as is the feel and overall execution of this fine work. Bidding: 100,.closed-sold.

204

MCLEAN,BRUCE date: 1983 ref: bm-1130v-02 est: 400-600

"On the Wall On the Ball" Lithograph printed in colors,, signed lower right,numbered 10 from the edition 20, , , ,49 x 34 in (124.4 x 86.3 cm), , , In fine condition, the full sheet., , Bidding:

205

MCLEAN,BRUCE date: 1984 ref: bm-1130v-01 est: 400-600

"Untitled" Lithograph printed in colors,, signed lower right,numbered 11 of the edition 50, , , ,39 x 28 in (99 x 71.1 cm), , , In fine condition., , Bidding:

46

MESDAG,HENDRICK WILLEM (ATTRIBUTED TO) date: Turn of the 19th Century ref: mesdag est: 1800-2500

"Boats at Dock" Oil on canvas., , , , , , 14 1/4 X 11 1/2 Inches, , , In generally good condition... mild cracqeleur throughout, but not interferring with character of the painting., Framed, This painting has all the characteristics of Hendrick Mesdag, however, we have not been able to obtain scholarship on it. Since it is unsigned and the only evidence contributing it to Mesdag is the attached biography on the back, we offer this work as "attributed to...", indicating we believe it to be by the artist, but cannot offer substantiation. Bidding:

422

MESHKOV,MICHAEL date: 2002 ref: mm-02011-12 est: 100-200

(Afternoon Tea) original watercolor,signed with pencil by the artist, , , , ,10 x 12 1/4 in. (26 x 30.8 cm.), , ,In fresh studio condition.,Sold unframed, Bidding: 85,.closed-sold.

423

MESHKOV,MICHAEL date: 2002 ref: mm-02011-19 est: 100-200

(Fruit and Wine) original watercolor,signed with pencil by the artist, , , , ,12 x 9 1/2 in. (30.5 x 24.1 cm.), , ,In fresh studio condition.,Sold unframed, Bidding:

424

MESHKOV,MICHAEL date: 2002 ref: mm-02011-18 est: 100-200

(Fruit, Wine and Cheese) original watercolor,signed with pencil by the artist, , , , ,10 x12 in. (25.5 x 30.5 cm.), , ,In fresh studio condition.,Sold unframed, Bidding:

425

MESHKOV,MICHAEL date: 2002 ref: mm-02011-17 est: 100-200

(Golf) original watercolor,signed with pencil by the artist, , , , ,12 x 10 1/4 in. (30.5 x 26 cm.), , ,In fresh studio condition.,Sold unframed, Bidding:

426

MESHKOV,MICHAEL date: 2002 ref: mm-02011-20 est: 100-200

(Music Break) original watercolor,signed with pencil by the artist, , , , ,12 x 10 in. (30.5 x 25.5 cm.), , ,In fresh studio condition.,Sold unframed, Bidding:

427

MESHKOV,MICHAEL date: 2002 ref: mm-02011-13 est: 100-200

(Red Top) original watercolor,signed with pencil by the artist, , , , ,12 3/4 x 10 in. (32.5 x 26 cm.), , ,In fresh studio condition.,Sold unframed, Bidding:

428

MESHKOV,MICHAEL date: 2002 ref: mm-02011-14 est: 100-200

(Studies) original watercolor,signed with pencil by the artist, , , , ,10 x 12 in. (26 x 30.5 cm.), , ,In fresh studio condition.,Sold unframed, Bidding:

429

MESHKOV,MICHAEL date: 2002 ref: mm-02011-16 est: 100-200

(Tennis Note) original watercolor,signed with pencil by the artist, , , , ,12 x 10 1/4 in. (30.5 x 26 cm.), , ,In fresh studio condition.,Sold unframed, Bidding:

430

MESHKOV,MICHAEL date: 2002 ref: mm-02011-15 est: 100-200

(Violin and Fan) original watercolor,signed with pencil by the artist, , , , ,12 x 10 in. (30.5 x 26 cm.), , ,In fresh studio condition.,Sold unframed, Bidding:

431

MESHKOV,MICHAEL date: 2002 ref: mm-02011-04 est: 100-200

Untitled, books, candles and envelope original watercolors,signed with pencil by the author on the recto, , , , ,10 by 12 in. (25.5 by 31 cm), , ,In fresh studio condition.,Sold unframed, Bidding:

432

MESHKOV,MICHAEL date: 2002 ref: mm-02x11-02 est: 100-200

Untitled, books, globe and horse Original watercolor,signed and dated with pencil by the artist, , , , ,12.5 by 10 in. (31 by 26 cm.), , ,In fresh studio condition.,Sold unframed, Bidding:

433

MESHKOV,MICHAEL date: 2002 ref: mm-02011-08 est: 100-200

untitled, books and a globe original watercolors,signed with pencil by the author on the rector, , , , ,10 by 12 in., , ,In fresh studio condition.,Sold unframed, Bidding:

434

MESHKOV,MICHAEL date: 2002 ref: mm-02x11-07 est: 100-200

untitled, books and a portrait of a lady original watercolors,signed by the artist with pencil, verso,, , , , ,8 x 10 inches, , ,In fresh studio condition.,Sold unframed, Bidding:

435

MESHKOV,MICHAEL date: 2002 ref: mm-02011-10 est: 100-200

untitled, books and a ship original watercolors,signed with pencil by the artist on the rector, , , , ,12 by 10 in. (26 by 31 cm.), , ,In fresh studio condition.,Sold unframed, Bidding:

436

MILKOVICH,MICHAEL date: 1986 ref: mm-83xxx-21 est: 100-200

Alice Cooper color photograph, , signed and titled by the photographer,,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, , printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer,, , ,(sheet)(sheet)27.5x20 inches ,, In fine condition.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

437

MILKOVICH,MICHAEL date: 1987 ref: mm-83xxx-05 est: 200-300

Crosby, Stills and Nash color photograph, , signed and titled by the photographer,,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, , printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer,, , ,(sheet)(sheet)23.5 x 18 inches ,, In fine condition.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

438

MILKOVICH,MICHAEL date: 1993 ref: mm-83xxx-29 est: 200-300

Elton John color photograph, , signed and titled by the photographer,,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, , printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer,, , ,(sheet)(sheet)24 x 20 inches ,, In fine condition.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

439

MILKOVICH,MICHAEL date: EARLY 1980'S ref: mm-83xxx-32 est: 200-300

Ian Anderson (Jethro Tull) color photograph, , signed and titled by the photographer,,from an edition of not more than twenty, printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer,, , ,(sheet)19.5 x 15.5 inches ,, In fine condition.,Sold unframed, Bidding:

440

MILKOVICH,MICHAEL date: 1994 ref: mm-83xxx-16 est: 300-400

Jerry Garcia color photograph, , signed and titled by the photographer,,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, , printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer,,, , ,(sheet)(sheet)30 x 20 inches ,, In fine condition. Photograph even nicer that our graphic can show.,Sold unframed, Bidding:

441

MILKOVICH,MICHAEL date: 1987 ref: mm-83xxx-01 est: 200-300

John Fogarty color photograph, , signed and titled by the photographer,,from an edition of not more than twenty, printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer,, , ,(sheet)20 x 16 inches ,, In fine condition.,Sold unframed, Bidding:

442

MILKOVICH,MICHAEL date: 1987 ref: mm-83xxx-07 est: 200-300

John Fogarty black and white photograph, , signed and titled by the photographer,,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, , printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer,,, , ,(sheet)(sheet)23 x 16 inches ,, In fine condition.,Sold unframed, Bidding:

443

MILKOVICH,MICHAEL date: late 1970's ref: mm-83xxx-13 est: 200-300

Kansas color photograph, , signed and titled by the photographer,,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, , printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer,, , ,(sheet)(sheet)22 x 16 inches ,, In fine condition.,Sold unframed, Bidding:

444

MILKOVICH,MICHAEL date: EARLY 1980'S ref: mm-83xxx-06 est: 200-300

Molly Hatchet, black and white photograph, , signed and titled by the photographer,,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, , printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer,,, , ,(sheet)(sheet)23.5 x 19.5 ,, In fine condition.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

445

MILKOVICH,MICHAEL date: 1987 ref: mm-83xxx-04 est: 200-300

Neil Diamond color photograph, , signed and titled by the photographer,,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, , printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer,, , ,(sheet)(sheet)23 x 19 inches ,, In fine condition.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

446

MILKOVICH,MICHAEL date: late 1970's ref: mm-83xxx-27 est: 200-300

Steven Tyler color photograph, , signed and titled by the photographer,,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, , printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer,, , ,(sheet)(sheet)23.5 x 16 inches ,, In fine condition.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

447

MILKOVICH,MICHAEL date: late 1970's ref: mm-83xxx-23 est: 200-300

Styx color photograph, , signed and titled by the photographer,,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, , printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer.,, , ,,, In fine condition.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

448

MILKOVICH,MICHAEL date: late 1970's ref: mm-83xxx-31 est: 200-300

Ted Nugent color photograph, , signed and titled by the photographer,,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, , printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer,,, , ,,, In fine condition.,Sold unframed, Bidding:

449

MILKOVICH,MICHAEL date: 1986 ref: mm-83xxx-20 est: 300-400

Alice Cooper color photograph,signed and titled by the photographer,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ,Printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer, , ,29 x 21 inches,,, In fine condition.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

450

MILKOVICH,MICHAEL date: early 1990s ref: mm-83xxx-19 est: 300-400

Bono color photograph,signed and titled by the photographer,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ,printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer, , , ,(sheet)(sheet)(sheet)24 by 34 in. , , ,Sold unframed., Bidding:

451

MILKOVICH,MICHAEL date: mid 1980s ref: mm-83xxx-30 est: 200-300

George Thorogood color photograph,signed and titled by the photographer,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ,printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer, , , ,(sheet)(sheet)20 by 24 in. , , In fine condition.,Sold unframed., Bidding:

452

MILKOVICH,MICHAEL date: late 1970s ref: mm-83xxx-40 est: 300-400

James Taylor color photograph,signed and titled by the photographer,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ,printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer, , , ,(sheet)(sheet)(sheet)20 by 30 in. , , In fine condition.,Framed in accordance with the accepted conservation standards; acid free mats, mounts, and removable hinges., Bidding:

453

MILKOVICH,MICHAEL date: late 1970s ref: mm-83xxx-22 est: 300-400

Ted Nugent color photograph,signed and titled by the photographer,while originally conceived of as an edition of 500, fewer than 20 were ever printed and all the edition numbers are less than 20, ,printed in 1998 by Chrome, Inc.,Washington D.C. under the supervision of the photographer, , , ,(sheet)(sheet)20 by 30 in. , , In fine condition.,Sold unframed.,This image was taken during the Cat Scratch Fever Tour, late 1970s. Bidding:

206

MILLET,JEAN-FRANCOIS date: 1863 ref: D-19, M-19 jm-1028c-01 est: 6000-7000

'Depart pour le Travail', (Peasants Going to Work) etching,signed on plate by artist 'J F Millet',,, fifth state of seven, Frederick Keppel & Co, from thier inventory No G3823, ,(sheet)15 1/16 x 11 15/16 inches (38.6 x 30.5 cm) , ,Rare print in very fine condition. Minor loss in lower right corner with resulting thin areas in the margin. Minor mount stain and pencil annotation in margin. Margins with deckled edges. See photo for guidance.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

454

MINKIN date: 2000 ref: mm-11xxx-01x est: 300-500

"Untitled composition #1" acrylic on paper,signed by the artist, , , , , ,(sheet)(sheet)22 by 30 in. ,(plate-image)(plate-image)23 1/2 by 15 1/2 in.,In fine condition.,Sold framed, Bidding:

455

MINKIN date: 2000 ref: mm-11xxx-02x est: 300-500

"Untitled composition #2" acrylic on paper,signed by the artist, , , , , ,(sheet)(sheet)22 by 30 in. ,(plate-image)(plate-image)23 1/2 by 16 in.,In fine condition.,Sold framed, Bidding:

456

MINKIN date: ref: mm-11xxx-03x est: 500-800

"Untitled composition #3" acrylic on paper,signed by the artist, , , , , ,(sheet)(sheet)30 by 42 in. ,(plate-image)(plate-image)20 by 35 1/2 in.,In fine condition.,Sold unframed., Bidding:

207

MIRO,JOAN date: 1972-73 ref: D600, C173 jm-1001c-101 est: 10000-15000

"Barcelona, Pl. 8", aquatint and carborundum printed in colors,,signed by the artist,,numbered 35/50, , published by Sala Gaspar, Barcelona, , , , ,(sheet) 40 15/16 x 25 15/16 in. (105 x 69 cm) , ,In fine condition.,Sold unframed,Rarely seen, fresh luminous color. Bidding:

208

MIRO,JOAN date: 1974 ref: C181; m928-929 jp--catlib-jm-01 est: 200-400

"Ceramiques" containing two original lithographs, text by Jose Pierre and Jose Corredor-Matheos, lithographs printed in colors,, , ,lithographs printed by Arte Adrien Maeght, Paris., , , ,(sheet)11 x 22 1/4 (278 x 565 mm) , ,In very fine condition, the book and the lithographs., , Bidding:

209

MIRO,JOAN date: 1964 ref: M-356 jm-1001c-x540 est: 400-800

"Miro Obra Inedita Recent" lithograph in colors on Guarro paper,artist's mark in lower right in pencil,numbered 7 from the signed edition of 100 and aside from the unsigned book edition,, , , ,(sheet)30.5 x 45.5 cm ,,In good condition with some wearing on the binding edges, some staining and fox marks.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging.,Cover from the catalogue of Miro prints edited by Sala Gaspar. Galeria Metras and Belarte of Barcelona. Bidding:

210

MIRO,JOAN date: 1961 ref: M-303, C-68 jm-1002h-21 est: 300-500

"Star Head" lithograph in colors,, ,from the edition, unsigned, published in Derriere le Miroir, No. 128p. 13,14,15, aside from the signed edition of 90 proofs printed on Rives vellum,as published by Maeght, Paris, , , ,(sheet)(sheet)15 by 33 in. (38 by 84 cm.) , ,In fine condition with the folds as customary.,Sold unframed, Bidding:

47

MONARD,LOUIS DE date: ref: ldm est: 1500-1800

"Dog Playing with Crab" Bronze, Signed in the front of the dog's belly "Louis de Monard", , , , ,33" high X 8" wide X 3" deep, , , In excellent condition, with a fine aged bronze patina.,Sold unframed, Every action of this dog is focused on the present activity... exploring the nuiances of the pesky crab. The formation of the dog's muscles and his very alert pose are each carefully and excellently executed. Even the expression on his face attests to the joy of his new finding. Bidding:

211

MONTOYA,GUSTAVO date: 1985 ref: gm-1102a-01 est: 250-350

"El Algodonero" Lithograph, signed in pencil, from the edition of 100, Printed by KYRON Ediciones Graficas Limitadas, Mexico City. marked with the printe´s blindstamp,, , Estate Bernard Lewin, Palm Springs, CA, 30 x 22 in (76 x 56 cm), , , , , Bidding:

212

MONTOYA,GUSTAVO date: c 1984 ref: gm-1102a-03 est: 250-350

"La Nina De Rosa" Lithograph, signed in pencil, from the edition of 100, Printed by KYRON Ediciones Graficas Limitadas, Mexico City. marked with the printe´s blindstamp,, , Estate Bernard Lewin, Palm Springs, CA, 30 x 22 in (76 x 56 cm), , , , , Bidding: 275,.closed-sold.

213

MOORE,HENRY date: 1983 ref: C679 hm-1002h-x87 est: 1800-2200

"Mother and Child IX", from the "Mother and Child" portfolio, etching, , signed in pencil by the artist and signed in the plate,, numbered 36 from the edition of 65, with 15 H.C.'s , printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Comapny Ltd for the Henry Moore Foundation, , , ,,(plate-image)8 1/2 x 8 1/8 in. (21.6 x 20.6 cm.), In fine condition, the full sheet.,Sold unframed, Bidding:

214

MOORE,HENRY date: 1983 ref: C694 hm-1002h-x88 est: 1800-2200

"Mother and Child XXIV", from the "Mother and Child" portfolio, etching, aquatint and drypoint, , signed in pencil by the artist and signed in the plate,, numbered 36 from the edition of 65, with 15 H.C.'s , printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Comapny Ltd for the Henry Moore Foundation, , , ,,(plate-image)8 3/8 x 117/8 in. (21.1 x 30.0 cm.), In fine condition, the full sheet.,Sold unframed, Bidding:

48

MOSCA,IVAN date: 1952 ref: im-1130v-10 est: 1200-1800

"Fiori in Nottorno" oil on canvas,,, , , ,26 X 18 1/2 in, , , In fine condition.,Framed in accordance with accepted conservation standards, acid free mats and mounts, removable hinging., Bidding:

49

NORDBY,JES date: 1991 ref: jn-43125-01 est: 1500-1800

"Piskeline & Borstefraek" ("Brush Willis & Whipney Huston") found metal and wood objects, hand worked materials, with hand painting,signed by the artist, , , , , 17 by 16 1/2 in; 43 by 42 cm ,, ,In excellent condition., , Bidding:

50

OLD,LYME SCHOOL (POSSIBLY EDWARD ROOK) date: Early 20th Century ref: erbridge est: 2500-3500

"Covered Bridge, Old Lyme, Connecticut" Oil on fiberboard panel, Signed with the initials "ER", lower center, , , , , 16 X 20 Inches, , , The painting is in excellent condition, Framed in simple modern frame, in good condition, This painting is clearly identified as an Old Lyme painting on the back, with the notation, "The Bridge - Old Lyme" and additionally signed with the initials "ER" again on the back. These notations were made by the artist, and establish this work as from the traditional school of Old Lyme, Connecticut. The attribution for the painting could be Edward Rook, a popular Old Lyme artist. The style of the painting is typical of the impressionist technique of Rook, but we have no documentation to establish him definitively as the artist. Bidding:

215

ORLIK,EMILE date: 1895-96 ref: eo-1002h-102 est: 200-400

"Kurzweil" etching on laid paper,, signed in pencil,, proof aside from the edition published in Pan, , , , , , ,(plate-image) 2 5/8 x 2 1/8 in. (71 x 65 mm), ,Sold unframed, Bidding:

216

PALADINO,(MIMMO) date: 1993 ref: mp-1001c-520x-2 est: 800-1200

composition II from "Flores Seraphici", etching with extensive hand-colouring on wove paper, signed in pencil, numbered 24/25, , , ,28.5 x 20.5 in (72 x 52.5 cm.), , , In very good condition, with margins. Paper hinge remains top andbottom edge verso, from the original card and linen covered portfolio withtitle printed on the uppers.,Sold unframed, Along with Enzo Cucchi, Sandro Chia, and Francesco Clemente, Mimmo Paladino is part of Italy's "transavantgarde", a term used to describe a group of artists working since the early 1980s that has turned away from the American modernist tradition and toward Italy's artistic, cultural, and linguistic heritage. The figures in these works are not meant to be specifically referential but adaptable to each viewer's experience and interpretation. Bidding:

217

PALADINO,(MIMMO) date: 1993 ref: mp-1001c-520x-9 est: 800-1200

composition IX from "Flores Seraphici", etching with extensive hand-colouring on wove paper, signed in pencil, numbered 24/25, , , ,28.5 x 20.5 in (72 x 52.5 cm.), , , In very good condition, with margins. Paper hinge remains top andbottom edge verso, from the original card and linen covered portfolio withtitle printed on the uppers.,Sold unframed, Along with Enzo Cucchi, Sandro Chia, and Francesco Clemente, Mimmo Paladino is part of Italy's "transavantgarde", a term used to describe a group of artists working since the early 1980s that has turned away from the American modernist tradition and toward Italy's artistic, cultural, and linguistic heritage. The figures in these works are not meant to be specifically referential but adaptable to each viewer's experience and interpretation. Bidding: 700,.closed-sold.

218

PALADINO,(MIMMO) date: 1993 ref: mp-1001c-520x-5 est: 800-1200

composition V from "Flores Seraphici", etching with extensive hand-colouring on wove paper, signed in pencil, numbered 24/25, , , ,28.5 x 20.5 in (72 x 52.5 cm.), , , In very good condition, with margins. Paper hinge remains top andbottom edge verso, from the original card and linen covered portfolio withtitle printed on the uppers.,Sold unframed, Along with Enzo Cucchi, Sandro Chia, and Francesco Clemente, Mimmo Paladino is part of Italy's "transavantgarde", a term used to describe a group of artists working since the early 1980s that has turned away from the American modernist tradition and toward Italy's artistic, cultural, and linguistic heritage. The figures in these works are not meant to be specifically referential but adaptable to each viewer's experience and interpretation. Bidding: 700,.closed-sold.

219

PAPART,MAX date: 1990 ref: mp-54xxx-01 est: 5000-7000

"Blue Moon", oil on heavy plaster base on wood,, , Signed by the artist,, , , , , ,(sheet)(sheet) 28-1/4 x 22 (71.6 x 55.9 cm) , ,In fine condition., Sold framed., Bidding:

220

PAPART,MAX date: ref: mp-1001c-02 est: 500-800

(Composition) aquatint etching with caroborandum and collaged elements,,signed by artist in white crayon on lower left,,editioned in white crayon on lower left 98/100,,, , , ,18 by 22 1/2 in. (45.72 by 57.15 cm.) , ,In fine condition with pencil annotations verso.,Sold unframed, Bidding:

221

PAPART,MAX date: ref: mp-1001c-01 est: 500-800

(Untitled) aquatint etching with caroborandum and collaged elements,,signed by artist in pencil on lower right,,editioned in pencil on lower left 79/100,,, , , ,18 by 22 1/2 in. (45.72 by 57.15 cm.) , ,In fine condition.,Sold unframed, Bidding:

222

PAPART,MAX date: ref: mp-1001c-200 est: 500-800

(Untitled) aquatint etching with caroborandum and collaged elements,,signed by artist in pencil on lower right,,editioned in pencil on lower left 65/125,,, , , ,17 1/2 by 22 1/4 in. (44.5 by 56.5 cm.) , ,In fine condition with deckled edges.,Sold unframed, Bidding:

223

PAPART,MAX date: ref: mp-1001c-201 est: 500-800

(Untitled) aquatint etching with caroborandum and collaged elements,,signed by artist in pencil on lower middle,,editioned in pencil on lower middle 65/125,,, , , ,17 1/2 by 22 1/4 in. (44.5 by 56.5 cm.) , ,In fine condition with deckled edges.,Sold unframed, Bidding: 350,.closed-sold.

224

PETER,MAX date: 1981 ref: pm-1130v-01 est: 700-1000

"Pegasus" Serigraph, signed lower right,, , , ,27 x 37 in (68.5 x 93.9 cm), , , In fine condition., , Bidding:

457

PETROV,BORIS date: 2005 ref: pet5 est: 270-350

"At the fountain" Oil on canvas, Signed in pencil, , , , , 31x41cm. ( 12x16 inch.),(sheet) 37x47 cm. , , Perfect condition, Unframed, Bidding: 185,.closed-sold.

458

PETROV,BORIS date: 2005 ref: pet1 est: 270-350

"Friends" Oil on canvas, Signed in pencil, , , , , 31x41cm. ( 12x16 inch.),(sheet) 37x47 cm. , , Perfect condition, Unframed, Bidding:

459

PETROV,BORIS date: 2005 ref: pet6 est: 270-350

"On the beach" Oil on canvas, Signed in pencil, , , , , 31x41cm. ( 12x16 inch.),(sheet) 37x47 cm. , , Perfect condition, Unframed, Bidding:

460

PETROV,BORIS date: 2005 ref: pet3 est: 270-350

"On the sea" Oil on canvas, Signed in pencil, , , , , 31x41cm. ( 12x16 inch.),(sheet) 37x47 cm. , , Perfect condition, Unframed, Bidding:

225

PFAFF,JUDY date: 1974 ref: jp-x4373-01 est: 12000-15000

"Shang" mixed media collage,signed by the artist, , , ,Holly Solomon Gallery, N.Y.C., ,(sheet)(sheet)(sheet)37 1/2 by 66 1/8 in.; 95.3 by 168 mm. , ,In fine condition with some changes in the paper due to time and the nature of the materials.,Sold framed, unexamined out of the frame, Bidding:

51

PHO,LE date: 1960's ref: pl-1130v-10 est: 14000-18000

"La Reverie" oil on canvas, signed in lower left,, , , ,24 x 20 in, , , In fine condition.,Framed, but unexamined out of the frame., Bidding: 13000,.closed-sold.

52

PHOTOGRAPHS,BY MARBLE, HARMON PERCY date: c. 1914-15 ref: hm-z3rrr-17 est: 500-800

Hopi Dances including sacred dances off limits to Anglus, Butterfly Dance, Snake Dance, Buffalo Dance, Cow Kaching, Eleven photos , , , , , , 5 x 7 inches and larger, , , In very fine condition.,Sold unframed, Extensive notes on back regarding costumes, identity of subjects, location, etc. Copious notes verso on scenes. Bidding:

53

PHOTOGRAPHS,BY MARBLE, HARMON PERCY date: c. 1914-15 ref: hm-z3rrr-20 est: 500-800

Hopi Ritual Dances, rare scenes when anglos were not welcome, Cow Kaching, Wolf Kaching, Butterfly Dance, also dealing ceremony. Thirteen photos , , , , , , 5 x 7 inches and larger, , , In very fine condition.,Sold unframed, Extensive notes on back regarding costumes, identity of subjects, location, etc. Copious notes verso on scenes. Bidding:

54

PHOTOGRAPHS,BY MARBLE, HARMON PERCY date: c. 1911-1920's ref: hm-z3rrr-16 est: 500-800

Prehistoric ruins of vairous Pueblo indians present day. Wupatki National Monument, near Flagstaff, Az. Also, Chaco Culture National Historical Park, Navajo National Monument, Az., Thirteen Photos , , , , , , 5 x 7 to 8 x 10 inches, , , In very fine condition.,Sold unframed, Extensive notes on back regarding costumes, identity of subjects, location, etc. Copious notes verso on scenes. Bidding:

226

PICABIA,FRANCIS date: 1907 ref: fp-1001c-500 est: 600-900

"Machine Cubiste" from "Du Cubism", the first critical study of the cubist movement, with etchings Picasso, Metzinger, Gleizes, Laurencin, Duchamp and Villon, and 'd'apres by G. Braque, Derain, Leger and Gris, dry point etching,, ,numbered 240/435, from the edition printed in 1947,,as published Campagnie Francaise des Arts Graphiques, Paris, , , ,(sheet) 10 1/16 x 8 1/4 in (25.5 x 21 cm) ,(plate-image) 7 x 5 1/4 in. (11.7 x 13.5 cm.),Generally very good conditions except for discoloration on the paper where previously exposed to mat and tape hinges verso, full margins. Text verso.,Sold unframed,"In August 1912 Eugene Figuiere et Cie. published the first critical study of an artistic movement that was so new that the name -Du "cubisme"- was still printed in quotation marks. The authors of the book were the painters Albert Gleizes and Jean Metzinger...In 1947, however, the reputation of the book was undisputed and the Compagnie Francaise de Arts Graphiques undertook to publish a new edition....with a preface by Gleizes...and appendix by Metzinger. (Cramer, "Pablo Picasso, The Illustrated Books" pg. 128). This edition of 1947 added 7 very early engravings by the artists mentioned above. Thus this work from 1907 by Picabia, as well as the other etchings by these artists, may be considered examples of the earliest cubist engravings. Bidding: 700,.closed-sold.

227

PICASSO,PABLO date: 1931 ref: B235 pp-1001c-x520 est: 12000-15000

"Cheval Mourant", etching on wove paper, , signed in red pencil by the artist, ,from the total edition of 103, ,, after the plate steel-facing, , ,(sheet)7/8 by 13 inches (25.2 x 33.2 cm.) ,(plate-image)8 3/4 by 12 1/4 inches (22.2 x 31 cm.), In very fine condition, the colors bright and fresh, the sheet bright, full margins as published. Remains of papertape with related gluestaining along the reverse upper sheet edge, papertape hinged to the mount.,sold unframed, hinged with a proper removable mount to acid free board., Bidding:

228

PICASSO,PABLO date: 1962 ref: CZ-177, R-119 pp-1141m-01 est: 400-800

"Cote D'Azur 1962 Poster", lithograph in 14 colors,signed by the artist on the plate,from the edition of 15,000 of which some carry this text,,published by the Ministere des Travaux Publics et des Transports, Paris, printed by Mourlot, Paris,, , ,,(plate-image)39 3/8 x 26 in (100 x 66 cm), In very fine condition, the colors bright and fresh, the sheet bright, full margins as published. ,Newly, archivally framed with double acid free mats, with acrylic glazing.,Interpretive lithograph designed by Picasso in collaboration with Henri Deschamps. This image is based on picture 25 of the series, "Pidgeons at 'La Californie'" Bidding:

229

PICASSO,PABLO date: 1954 ref: B755 pp-1001c-x530 est: 22000-28000

"Les Trois Femmes et le Torero", lithograph on Arches wove paper, ,signed in ink, lower right,,from the numbered edition of 50,,, , , , , 19·7/16 x 25·9/16in (498 x 654mm ) , In very fine, fresh condition, with only a few light rough spots verso where previously hinged (see photos).,Sold unframed,This large work is in very fine condition and has never needed restoration as restoration would have noticably altered the ink signature. Bidding:

230

PICASSO,PABLO date: 1930 ref: M-XXVII pp-1002h-x47 est: 4000-6000

"The Painter and His Model" Crayon lithograph on stone, on Arches wove, , with the signature in pencil, "Picasso", ,one of approximately 20 proofs printed on various papers and aside from the regular book edition of 50 on mu